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Now and then character analysis
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With Boredom Comes Self-Entertainment and Life Changing Decisions
In John Updike’s fictional story A & P, the main character and protagonist of the story, 19 year old Sammy, is in a state of boredom during his developmental growth during his time at his dead-end job, The A & P, Such state of mind can be seen in three different main points within the story: judging the customers of the A & P through internal dialogue, Sammy’s observations of the young female customers, and Sammy ultimately leaving his job.
One example of how boredom is the central theme of this story is when Sammy starts judging customers through internal dialogue, such insults can be seen on the first paragraph of the story when Sammy is ringing up a customer, “I ring it
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She’s one of the cash register watchers, a witch in her fifties with rouge on her cheekbones and no eyebrows, and I know it made her day to trip me up. She’d been watching cash registers for fifty years and probably never seen a mistake before.” (Updike pg.32) Sammy begins by mentioning that she is a “cash register watcher[s]” meaning that this customer constantly tries to look for imperfections in the way that a cashier, in this case Sammy, goes about providing customer service. Sammy then continues by comparing the customer to “a witch in her fifties” and begins to describe her disfigured face. Sammy then goes on to describe her as someone who in fifty years of watching cashiers, her pent up aggression was let loose on the first cashier to slip up and make a mistake, which happened to be Sammy. Although the customer was not impressed by his service, Sammy doesn’t necessarily say how severe the encounter was and what “giving me hell” truly meant, thus leaving the possibility that it could have been a situation that was overdramatized in Sammy’s thoughts as a way to entertain himself from boredom. Another example of Sammy’s boredom induced judgements can be seen in the first sentence of the second …show more content…
Sammy then has an internal dialogue that takes sides with the girls and in a rebellion against the “policy” Lengel mentioned, regardless if the girls really had the same sort of rebellious spirit of Sammy or if they just stopped in to or from a beach and trying to avoid confrontation and hoping to leave soon. As the girls leave the convenience store Sammy yells “I quit” as if the girls symbolized freedom from his boring dead-end job, hoping that the girls will take him with them and help him run away from the day to day “cash register watcher” routine; feeling that he was too young to work that hard, too young to die that fast. While Sammy was preparing to leave the store “Lengel sighs and begins to look very patient and old and gray. He’s been a friend of my parents for years. ‘Sammy you don’t want to do this to your mom and dad,’ he tells me. It’s true, I don’t. But it seems to me that once you start a gesture, it’s fatal not to go through with it. I fold the apron, ‘Sammy’ stitched on the red pocket, and put it on the counter, and drop the bow tie on top of it.” (pg. 432) at this point Sammy is threatened by Lengel’s blackmail, but isn’t faced by it and proceeds to drop his uniform, symbolizing his growth from the small convenience store. As Sammy walks through the door of the A & P he turns around and sees Lengel’s face, “His face was dark gray
First, the customers are compared to sheep which further pushes the message of Sammy’s boring life. Sammy reinforces this when he describes the customers, “All this while, the customers had been showing up with their carts but, you know, sheep, seeing a scene, they had all bunched up on Stokesie, who shook open a paper bag as gently as peeling a peach, not wanting to miss a word.” This quote compares the monotonous customers to sheep who are gawking at what’s going on but not commenting on anything. Second, the clothing symbolizes the difference between dull, the customers, and fresh, the girls. The typical A&P customer is “A few house-slaves in pin curlers” and dressed in “baggy gray pants,” while the girl have a “good tan” and “long white prima donna legs.” The girls not only appeal to Sammy’s male hormones but also to his yearning for something
Sammy is a 19-year-old boy conveying a cocky but cute male attitude. He describes three girls entering the A & P, setting the tone of the story. "In walk these three girls in nothing but bathing suits. There was this chunky one, with the two piece-it was bright green and the seams on the bra were still sharp and her belly was still pretty pale...there was this one, with one of those chubby berry-faces, the lips all bunched together under her nose, this one, and a tall one, with black hair that hadn't quite frizzed righ...
He criticizes his family and their background when he says, “when my parents have somebody over they get lemonade and if it’s a real racy affair, Schlitz in tall glasses with ‘They’ll do it every time’ cartoons stenciled on.” Sammy desires to move from a blue collar to a white collar family to differentiate him from his family. He shows his growing maturity when he says, “the girls who’d blame them, are in a hurry to get out, so I say ‘I quit’ to Lengal quick enough for them to hear, hoping they’ll stop and watch me, their unsuspected hero.” He wants to be noticed by the girls for his selfless act of quitting his job for them. His plan does not work though, and the girls leave him to face Lengal alone. Lengal confronts Sammy and says, “Sammy, you don’t want to do this to your mom and dad.” Sammy ponders Lengal’s comment and thinks to himself, “It’s true, I don’t. But it seems to me that once you begin a gesture it’s fatal not to go through with it.” Sammy has begun to reach maturity and now wants to make his own decisions concerning his future and how he spends
At first glance, Sammy, the first-person narrator of John Updike's "A & P," would seem to present us with a simple and plausible explanation as to why he quits his job at the grocery store mentioned in the title: he is standing up for the girls that his boss, Lengel, has insulted. He even tries to sell us on this explanation by mentioning how the girls' embarrassment at the hands of the manager makes him feel "scrunchy" inside and by referring to himself as their "unsuspected hero" after he goes through with his "gesture." Upon closer examination, though, it does not seem plausible that Sammy would have quit in defense of girls whom he quite evidently despises, despite the lustful desires they invoke, and that more likely explanations of his action lie in his boredom with his menial job and his desire to rebel against his parents.
John Updike depicts Sammy’s character as a typical young boy who thinks he is invisible to the idea that consequences apply to him. However, Sammy is granted the harsh actuality that he will no longer be given slaps on the wrist for radical decisions. His coworker Stokesie is twenty-two, married and has two children. Generally speaking, Sammy may still have childish actions but he understands that he does not want to work at the A&P the rest of his life. When he is stricken by the proposition to stand up for the girls as Lengel confronts them about their attire, his entire world
The story unfolds when, “Lengel, the store’s manager” (2191) confronts the girls because they are dressed inappropriately. To Sammy, it is a moment of embarrassment and in defiance he quits his job. The student suggests that in quitting, “Sammy challenges social inequality and is a person who is trying to
Sammy's thoughts, as told to the reader in his narration, betray a deep understanding of the people he comes in contact with. When the girls walked into the store, he began to describe not only their looks, but also their attitudes and personalities without ever speaking to them. The one who held his attention was also the one he named "Queenie". On page one he says, She was the queen. She kind of led them, the other two peeking around and making their shoulders round. Sammy understood that she was the one in charge, and by saying that the other two made their shoulders round he showed that he realized their passivity was by choice; they followed her by their own wills.
He leaves, with a clean consciousness, but the burden of not knowing what the future has in store. This story represents a coming-of-age for Sammy. Though it takes place over the period of a few minutes, it represents a much larger process of maturation. From the time the girls enter the grocery store, to the moment they leave, you can see changes in Sammy. At first, he sees only the physicality of the girls: how they look and what they wear, seem to be his only observations.
...p and you are not happy with where you are in life, and truly want a change. With Sammy he always wanted to quit but never had the guts to stand-up and go through with it, mostly cause he did not have that free thinking mentality like the girls. Even though when he finally did walk out of the store and the girls were not there, he had no idea what was next in life, but he did know that he was free to make his own decisions. Sammy no longer had to take Mr. Lengel’s nonsense, or stick around and watch Stocksie become manger. This was his time to stop being a push over and pave the path to his own future. His parents may have been upset, but this gave him an opportunity to stand up for his own actions and be confident in his choices he had made, regardless if they were for the right or for the wrong. Sammy was able to press forward and start a new chapter in his life.
Lengel, the manager of the store, spots the girls and gives them a hard time about their dress in the store. He tells them, “Girls, this isn’t the beach.” He says that they are not dressed appropriately to come into this grocery store. Lengel’s words cause Queenie to get embarrassed and start to blush. Sammy cannot believe this and gets frustrated at his boss. He doesn’t believe that it is right to prosecute these innocent girls for the way they are dressed. He also states at this point that the sheep are piling up over in Stokesie line trying to avoid all the commotion the scene has caused. I believe Sammy takes this as the last straw in a long string of aggravations.
Sammy is stuck in that difficult transition between childhood and adulthood. He is a nineteen-year-old cashier at an A&P, the protagonist in a story with the same name. John Updike, the author of "A&P," writes from Sammy's point of view, making him not only the main character but also the first person narrator. The tone of the story is set by Sammy's attitude, which is nonchalant but frank--he calls things as he sees them. There is a hint of sarcasm in Sammy's thoughts, for he tends to make crude references to everything he observes. Updike uses this motif to develop the character of Sammy, as many of these references relate to the idea of "play."
The story begins as if it is any mundane workday at the A&P. Sammy is a typical teen, making sarcastic comparisons of the customers in the grocery store. He calls one of his customers a "witch" and says the other customers are "house slaves" and "sheep." Sammy obviously dislikes the job, but finds ways of passing the day. However, from the moment the three girls enter the A&P to their exit from the store, you can see dramatic changes in Sammy. Sammy lusts for the young girls, and nicknames the most attractive to him as “Queenie”. The young girls dressed in bathing suits fascinate him, and although he is staring at them excessively, he negatively comments on the others for doing the same. As the girls walk past the older employee, McMahon, Sammy notices how he ogled the girls and pats his mouth. Sammy appears disgusted by his gesture and begins to sympathize for the girls. “Poor kids, I began to feel sorry for them, they couldn’t help it" (Upd...
Lust makes people do crazy things. John Updike’s short story “A&P” provides a perfect example of how lust made a boy quit his job. In this short story, a boy, named Sammy, catches a glimpse of three under-dressed, attractive girls as they enter his workplace. The manager asks the three girls to leave. As a result, Sammy is outraged by the mistreatment of the girls and quits his job in protest. Sammy’s stand against the mistreatment of the girls makes him feel like a hero. Updike’s use of descriptive words and dramatic irony in “A&P” leads the reader to believe that Sammy’s heroic acts were not actions with rebellious intentions, but actions due to his lust for the three under-dressed girls.
The beginning of “A & P” starts with the main character, Sammy, at work when three girls in nothing but bathing suits walks in. According to Lawrence Dessner, the A & P check out counter showed Sammy a sample of insult and indignity of ordinary people (317). He may not have liked the people that shopped there, but he received insight of the real world. A woman that was currently at Sammy's counter was middle aged and brought Sammy no sympathy to the shoppers; he sometimes mention them as sheep. His names of the shoppers also include insight of Sammy's view of the ordinary shoppers; Sammy did not care much for others.
John Updike's A&P provides numerous perspectives for critical interpretation. His descriptive metaphors and underlying sexual tones are just the tip of the iceberg. A gender analysis could be drawn from the initial outline of the story and Sammy's chauvinism towards the female. Further reading opens up a formalist and biographical perspective to the critic. After several readings I began seeing the Marxist perspective on the surreal environment of A&P. The economic and social differences are evident through Sammy's storytelling techniques and even further open up a biographical look at Updike's own view's and opinions. According to an essay posted on the internet Updike was a womanizer in his own era and displayed boyish immaturity into his adulthood. A second analysis of this story roots more from a reader-response/formalist view. Although Sammy centered his dramatization around three young females, more specifically the Queen of the trio, it was a poignant detailed head to toe description of scene. I'll touch on that later.