From Childhood to Adulthood in Updike's A&P Sammy is stuck in that difficult transition between childhood and adulthood. He is a nineteen-year-old cashier at an A&P, the protagonist in a story with the same name. John Updike, the author of "A&P," writes from Sammy's point of view, making him not only the main character but also the first person narrator. The tone of the story is set by Sammy's attitude, which is nonchalant but frank--he calls things as he sees them. There is a hint of sarcasm in Sammy's thoughts, for he tends to make crude references to everything he observes. Updike uses this motif to develop the character of Sammy, as many of these references relate to the idea of "play." Sammy is no longer a child, but much of what he observes he describes as the play that he did as a child. The way he thinks can also be described as childlike play, in terms of his being disrespectful and needing to show off. Updike demonstrates, however, that Sammy desires to be thought of as an adult, and many of his references are to the type of play that adults might engage in. Sammy, like many adults, does not think in what is considered an adult manner, but Updike uses the plot's climax and conclusion to show that Sammy has learned a tough lesson that will speed up his transition into adulthood. Sammy begins to play from the moment he lays eyes on three girls who enter the A&P one slow summer Thursday evening during the early 1960s. He comes up with a name, based on appearance, for each of the barely dressed girls. He nicknames them as children do to poke fun at one another. Ronald E. McFarland describes how this name-calling "indicate[s] his immaturity and lack of compassion" (99). Sammy makes fun of customers as well: McFarl... ... middle of paper ... ...ammy's case, it is provoked by this incident at the A&P, which he will probably never forget. His "stomach kind of fell as [he] felt how hard the world was going to be to [him] thereafter" (31). He learns that life is not a game and that people, especially superiors, cannot be "played." Fun is certainly acceptable, but not when it is demeaning or disrespectful to other people. Works Cited Day, Frank. John Updike Revisited. New York, NY: Twayne Publishers, 1998. McFarland, Ronald E. "Updike and the Critics: Reflections on 'A&P.'" Studies in Short Fiction 20.2-3 (1983): 95-100. Shaw, Patrick W. "Checking Out Faith and Lust: Hawthorne's 'Young Goodman Brown' and Updike's 'A&P.'" Studies in Short Fiction 23.3 (1988): 321-323. Updike, John. "A&P." Literature: Reading Fiction, Poetry, and Drama. Ed. Robert DiYanni. 5th ed. New York, NY: McGraw, 2002. 27-31.
In “A&P”Sammy demonstrates the ability in both watching others and gathering bits of knowledge from those perceptions, however the young ladies propose to him the genuine riddle of different personalities. At the point when a client censures Sammy for an oversight, Sammy portrays the lady as a witch straight out of Salem and considers, "I know it made her day to outing me up." For Sammy, the clients at the “A&P” are very straightforward. The same holds valid for the administrator, who Sammy accepts he has completely made sense of. At the point when the young ladies enter the store, on the other hand, Sammy ponders what on earth they're considering. Despite the fact that Sammy attempts to comprehend the young ladies, particularly Queenie, and accepts that he is fruitful, his certainty is undermined by his activities toward the end of the story. His excellent motion of sensitivity for the young ladies his stopping goes unnoticed, and his inspirations are tangled and confounded. He is left with a feeling that, for all his capacity to watch and comprehend others, he should now turn his curious eye on
Sammy is a 19-year-old boy conveying a cocky but cute male attitude. He describes three girls entering the A & P, setting the tone of the story. "In walk these three girls in nothing but bathing suits. There was this chunky one, with the two piece-it was bright green and the seams on the bra were still sharp and her belly was still pretty pale...there was this one, with one of those chubby berry-faces, the lips all bunched together under her nose, this one, and a tall one, with black hair that hadn't quite frizzed righ...
But life is not a fairytale. Standing there lonely, having no job is our Sammy. This is when Sam realizes his path, the true way to become mature. The moment when “Lengel sighs and begins to look very patient:” Sammy, you don’t want to do this to your mom and dad” (Updike) hold him back a little bit, we can feel the regret in his heart. But he cannot go back anymore, decision has been made. He gives up his last chance; from now on, he’s on his own. Sammy finally understands that it is responsible behavior but not playing “adult-like” game that will make him a true
He criticizes his family and their background when he says, “when my parents have somebody over they get lemonade and if it’s a real racy affair, Schlitz in tall glasses with ‘They’ll do it every time’ cartoons stenciled on.” Sammy desires to move from a blue collar to a white collar family to differentiate him from his family. He shows his growing maturity when he says, “the girls who’d blame them, are in a hurry to get out, so I say ‘I quit’ to Lengal quick enough for them to hear, hoping they’ll stop and watch me, their unsuspected hero.” He wants to be noticed by the girls for his selfless act of quitting his job for them. His plan does not work though, and the girls leave him to face Lengal alone. Lengal confronts Sammy and says, “Sammy, you don’t want to do this to your mom and dad.” Sammy ponders Lengal’s comment and thinks to himself, “It’s true, I don’t. But it seems to me that once you begin a gesture it’s fatal not to go through with it.” Sammy has begun to reach maturity and now wants to make his own decisions concerning his future and how he spends
At the beginning of A&P, Sammy notices that three girls have walked into the store with only there bathing suits on. At first, poor Sammy cannot see the girls because he was at register 3 with his back toward the door. When they finally get into his sight, he immediately size the girls up. "The one that caught my eye first was the one in the placid green two-piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs." He also gives a description of the other two girls. He says one has "a chubby berry-faces, her lips all bunched together under her nose and the tall one, with black hair that hadn't quite frizzed right, and one of these sunburns right across under the eyes and a chin that was too long--you know, the kind of girl other girls think is very "striking" and "attractive" but never quite makes it, as they very well know, which is why they like her so much." This comments illustrate his immaturity. Sammy refers to one of the girls as queen. He calls her queen because she seems to be the leader. ...
Updike, John. "A & P." The Bedford Introduction to Literature. 2nd Edition. Ed. Michael Meyer. Boston: St. Martin's Press, 1990. 407-411.
Before the girls enter the store, Sammy is unaware that the setting he is so judgmental of reflects his own life. Sammy feels that he is better than the rest of people at the A&P, referring to them as "sheep" and "house-slaves" because they never break from their daily routines. He also condescendingly talks about "whatever it is they[the customers]...mutter." Reinforcing his superiority above the people in the store, Sammy sees himself as a person that can seldom be "trip[ped]...up." Although he sees himself being superior to the store, the reality is that the store closely reflects Sammy's life. He seems to have a long-term commitment to the store since his apron has his name stitched on it, and he has been working at the store long enough to have memorized the entire contents of the "cat-and-dog-food-breakfast-cereal-macaroni-rice-raisins-seasonings-spreads-spaghetti-soft drinks-crackers-and-cookies." His day is also filled with the routine of working at the register, a routine that is so familiar that he has created a cash register song. Sammy also identifies with his co-worker Stokesie, "the responsible married man," and therefore wishes to someday be the manager of the store, like Lengel. Even the "checkerboard" floor represents a game of checkers, a simple one-directional game that closely models Sammy's life. Although Sammy is nineteen ...
John Updike depicts Sammy’s character as a typical young boy who thinks he is invisible to the idea that consequences apply to him. However, Sammy is granted the harsh actuality that he will no longer be given slaps on the wrist for radical decisions. His coworker Stokesie is twenty-two, married and has two children. Generally speaking, Sammy may still have childish actions but he understands that he does not want to work at the A&P the rest of his life. When he is stricken by the proposition to stand up for the girls as Lengel confronts them about their attire, his entire world
Along with Sammy, the other characters involved in this story are three girls shopping in the A & P in their bathing suits, whom Sammy names Plaid, Queenie and Big Tall Goony-Goony; Stokesie, Sammy's married co-worker; and Lengel, the A & P manager. The "A & P" is told from Sammy's point of view. Sammy presents himself as a nonchalant and flippant young man. He appears to be somewhat contemptuous of the older people shopping in the store. However, near the end of the story, we see that he does take responsibility for his conscience-driven behavior and decision, revealing his passage out of adolescence into adulthood through the courage of his convictions.
Sammy also understood how the "regulars" of the A&P thought and reasoned. He correctly interpreted the customers’ reactions to the girls, saying, "A few houseslaves in pin curlers even looked round after pushing their cart...
In the story "A&P," by John Updike, the main character Sammy makes the leap from an adolescent, knowing little more about life than what he has learned working at the local grocery store, into a man prepared for the rough road that lies ahead. As the story begins, Sammy is nineteen and has no real grasp for the fact that he is about to be living on his own working to support himself. Throughout the course of the story, he changes with a definite step into, first, a young man realizing that he must get out of the hole he is in and further into a man, who has a grasp on reality looking forward to starting his own family. In the beginning, Sammy is but a youth growing up learning what he knows about life in small town grocery store. His role models include, Stokesie, the twenty-two year-old, supporting a family doing the same job Sammy does yet aspiring to one day have the manager's position, and Lengel, the store manager who most certainly started out in the same place that Stokesie and he were already in. Stoksie, the great role model, continues to be as adolescent as Sammy, with his "Oh, Daddy, I feel so faint," and even Sammy sees this noting that "as far as I can tell that's the only difference (between he and I)." Sammy whittles away his days looking at pretty girls and thinking about the ways of people. He hardly realizes that this is how he will spend his entire existence if he doesn't soon get out of this job. During this day that will prove to change his life, he makes the step towards his realization. He decides that he doesn't want to spend the rest of his life working at an A&P competing for the store manager's position. Sammy thinks to himself about his parent's current social class and what they serve at cocktail parties. And, in turn, he thinks about what he will be serving, if he stays at the A&P, "When my parents have somebody over they get lemonade and if it's a real racy affair Schlitz in tall glasses with 'They'll Do It Every Time' cartoons stenciled on." He must get out and the sooner the better. He is still just an adolescent who hasn't completely thought through his decision and yet his mind is made up.
This story represents a coming-of-age for Sammy. Though it takes place over the period of a few minutes, it represents a much larger process of maturation. From the time the girls enter the grocery store, to the moment they leave, you can see changes in Sammy. At first, he sees only the physicality of the girls: how they look and what they are wearing, seem to be his only observations. As the story progresses, he notices the interactions between the girls, and he even determines the hierarchy of the small dynamic. He observes their actions and how they affect the other patrons of the business. Rather, how the other people view the girl's actions. His thought process is maturing and he starts to see things as an adult might see them.
Updike, John “A&P.” Exploring Literature: Writing and Arguing About Fiction, Poetry, Drama and The Essay.4th e. Ed. Frank Madden. New York: Pearson Longman, 2009. 496-501. Print.
As people age, maturity and wisdom is gained through every experiences. From the time a child turns eighteen and becomes an adult, they are required to deal with the realities of the real world and learn how to handle its responsibilities. In John Updike's short story, "A&P", the protagonist Sammy, a young boy of nineteen, makes a drastic change to his life fueled by nothing more than his immaturity and desire to do what he wants and because of that, he has do deal with the consequences.
Sammy starts the story seeming as an ordinary grocery cashier in a small store, but it seems as if he has a little something to say about every person he sees or talks to, although he does not say anything out loud to the customers (or his boss for that matter). When three girls walk in the store wearing