Essay - Analysing the themes, which wore used in the film Red Road (2006), and also the surveillance, Misery and love and also explaining the directors (Andrea Arnold) decisions techniques.
In this essay I am going to be analysing the themes, which have been used in the film Red road (2006) and compare it to rear window (1954). I will also be looking at the CCTV surveillance. I will also be looking at misery and love and how does this change the characters objective along the film. I will also be looking and explain the directors decision and techniques which she has used in this film.
Andrea Arnold decision techniques with close ups and choice of vision in story telling via Jackie and the CCTV surveillance works well as it does engage with the audience, it makes the audience feel part of what is happening as, we are watching what Jackie is watching on the CCTV. Andrea Arnold also uses dogma style direct cinema, where the purpose of a camera and in this case the CCTV surveillance are basically used to capture live events as they happen, more or less makes the audience believe that these events which are occurring are real. In this case with Jackie the CCTV operator watching Clyde’s every move via the surveillance remote control system. The film also includes neat and impressive camera work, which effectively channels through paranoia and also emotions and feelings towards each character and does portray the different moods along the story. Andrea Arnolds has chosen a realistic approach from how the dialogue is written and also to how it’s directed. This means that she has used realistic characters which have also made the story believable and which the audience can relate to. She has also decided to not use any sound effect...
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...e is a fear reduction which doesn’t encourage crime and also prosecution which means anyone who is found guilty will be prosecuted due to being caught on camera.
I would say that red road is full of Twists and turns, and that it is very unpredictable and also misleading as you never really know where the story is going t be and what’s going to happen next, for instance in the beginning we see Jackie calling her lawyer asking about Clyde in which he tells her that he has been released out of prison and us as the audience are mislead into thinking he may of raped her but we later on find out that he hasn’t done that. This film does keep the audience engaged and wanting to know more which is definitely a good thing and I think Andrea Arnold has done this quite well. This film does also Creates tension when she is stalking Clyde on feet and does make us think DANGER.
A family is defined in different ways and at different perspectives based on the context and experiences of a person. Despite being a basic social unit that influences the society around it, a family remains a dynamic topic whose description has varied over time. To discuss the family and the definitions that the social unit this paper reviews and analysis the movie “The Public Enemy (1931)” produced by William. In regard to the analysis, this paper will explore the family as a social unit that is affected by the actions of each and every member in the family and the society.
In “The Red Convertible,” Louise Erdrich through her first- person narrator Lyman, creates an unspoken emotional bond between two brothers. This emotional bond between the brothers is not directly spoken to each other, but rather is communicated through and symbolized by “The Red Convertible.” In spite of what appears as a selfless act by one brother, in turn, causes pain in the other brother, as no feelings were communicated. In this case, Lyman explains his version as he takes us through the experiences that he and his brother Henry have with the car.
Erdich, Louise. “The Red Convertible.” 1984. Literature: A Pocket Anthology. Editor Gwynn, R.S., ed. 5th edition. New York: Penguin, 2012, 354-363. Print.
Perhaps an even stronger testament to the deepness of cinema is Darren Aronofsky’s stark, somber Requiem for a Dream. Centering on the drug-induced debasement of four individuals searching for the abstract concept known as happiness, Requiem for a Dream brims with verisimilitude and intensity. The picture’s harrowing depiction of the characters’ precipitous fall into the abyss has, in turn, fascinated and appalled, yet its frank, uncompromising approach leaves an indelible imprint in the minds of young and old alike.
The Red Convertible, written by Louise Erdrich, is a short story written in the first person perspective of a Chippewa Indian named Lyman. It portrays the story of his brother, Henry, who joins the Marines and fights in the Vietnam War. Before recruiters pick up Henry, Lyman describes him and his brother’s road trip in their brand new red Olds. Lyman explains Henry’s characteristic during their joy-ride as friendly, joking, and fun. Returning from their road trip, Henry leaves for Vietnam. When he returns, Henry is not the same joyful man that he once was before he had left. Louise Erdrich’s short story, The Red Convertible, follows the life of Henry who is as funny joking guy. Although war has changed him, and it was not for the best. Louise Erdrich’s theme for The Red Convertible is that war can devastate peoples’ lives.
Therefore, overall, Kant’s ethical theory provides a detailed and complete analysis of the car fire scene of Crash because it directly correlates with the beliefs of the character. And, in this instance, an analysis by Kant is not affected by the racial stereotypes of the overall film, so it is able to impartially, judge the morality of the scene.
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
...journey that is about to be taken, as they try to escape the discrimination caused by white authority. This is followed by a shot of them, running from inside the car, showing they will be outpaced and as a result, be taken away. The close up shot of the three girls in the back of the car allows the audience to see their expressions of lost hope.
In my essay I will discuss the differences between national cinema and Hollywood cinema by using Rio de Janeiro¡¯s famous film City of God. There will be three parts in my following main body, the first part is a simple review of the film City of God, I will try to use the review to show the film structure and some different new points from this, show the how did the ¡®Shocking, frightening, thrilling and funny¡¯ (Nev Pierce) work in the film. The second part is my discussion parts; I will refer some typical Hollywood big name films such as Gangs in New York, Shawshank¡¯s Redemption, and Good Fellas to discuss the main differences between City of God and other national films. The third part is my summary, I will use my knowledge to analyse why there have big different between both kind of films and their advantages.
The first theme uncovered in the movie is isolation, this theme is present throughout the entire movie. The viewer is introduced to the main character and narrator of the movie, whose name we are never told. By not providing his name this gives us the idea that he represents the average working class male. He never speaks of any family members,
Ronald V Clarke originally developed the idea of situational crime prevention in the 1980’s (Brantingham & Brantingham 2005). This particular crime prevention theory addresses techniques that increase the effort required to commit the crime, increase the risks involved with committing the crime, reducing the reward gained by the offender after committing the crime, reducing the provocation between the offender and others and remove excuses (Brantingham & Brantingham 2005). Majority of crime is believed to be committed because there are no high risks of being caught and the rewards outweigh the risks (Brantingham & Brantingham 2005). Increasing the effort by controlling access to locations and target hardening can deflect many offenders, as more effort is needed to commit the crime (Brantingham & Brantingham 2005). Another main technique would be to increase the risks; this may be achieved by extending guardianship, creating natural surveillance or artificial surveillance such as CCTV (Brantingham & Brantingham 2005).
Also, the film revealed women empowerment and how superior they can be compared to men. While demonstrating sexual objectification, empowerment, there was also sexual exploitation of the women, shown through the film. Throughout this essay, gender based issues that were associated with the film character will be demonstrated while connecting to the real world and popular culture.
Don DeLillo’s ‘Videotape’ is a short story of man who is absolutely captivated by some footage on the news that can be described as both, raw and shocking. The footage is being repeatedly played over and over. It depicts a young girl with a camcorder travelling in the backseat of her family’s car who happens to be filming a man driving a Dodge behind them. She continues aiming the camera at the man and filming until, suddenly, he is shot and murdered. The man watching the tape at home is clearly mesmerized and fascinated with the footage to the extent that he was trying to get his wife to watch it with him. This story portrays society’s utter fascination of shocking and disturbing content relating to death and other horrible events unless they themselves are involved. This, along with other characteristics, clearly suggests that “Videotape” is a piece of postmodern literature. This report will analyze and describe why “Videotape” belongs to postmodern literature through the in-depth analysis of the selected passage and a brief breakdown of the story as a whole.
Gran Torino is a suspense film directed by Clint Eastwood, which portrays the relationship between a 78-year-old Koran war veteran and his neighbors who are from Laos. The main character, Walt is a racist who still has memories from the horrors of war and has a dislike for anyone, including his own family. After his young neighbor Thao is coerced by his cousin’s gang into stealing Walt’s prized Gran Torino, a unusual relationship forms between the pair. Walt starts to respect Thao and his culture while fulfilling a fatherly role that Thao is lacking. Eventually, Walt has to confront the gang knowing that the confrontation will end in his death. Apart from the stereotypical, get off my lawn quote, this film depicts the relationship of family concerning the care for older adults, the struggle with despair and meaning later in life, and the morality of a good death. This paper will address each of these themes.
“Driving Miss Daisy”, is a great movie that depicts patience and an unusual quarter-century friendship that grows between a queer elderly Southern Jewish widow and her submissive, black chauffeur. The movie is set in the suburbs of Atlanta, Georgia. The plot focuses on two characters, an elderly Jewish widow named Miss Daisy Werthan and Hoke Colburn her chauffeur. Although the main theme of Driving Miss Daisy is the friendship and trust that grows between Miss Daisy, the strong-willed elderly Jewish widow, and Hoke, her indomitably spirited chauffeur; prejudice, racial and religious tension of those decades are other themes portrayed in the movie. The movie is centered on societal conflicts from 1948 to 1973 that takes place before, during,