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Emotional effects of war on soldiers
The point of symbolism
The point of symbolism
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It is said that when a man returns from war he is forever changed. In the short story, “The Red Convertible,” Louise Erdrich demonstrates these transformations through the use of symbolism. Erdrich employs the convertible to characterize the emotional afflictions that war creates for the soldier and his family around him by discussing the the pre-deployment relationship between two brothers Henry and Lyman, Lyman's perception of Henry upon Henry's return, and Henry’s assumed view on life in the end of the story. Throughout "The Red Convertible" Erdrich embraces the car as a symbol for the powerful relationship between two brothers, Henry and Lyman. The brothers combine their money to acquire a red convertible which they drove everywhere together; the car symbolized that relationship. Lyman preserved the vehicle while Henry was in the Army, deployed to Vietnam. Even when Henry gave Lyman the car, Lyman always regarded the car as Henry’s, which Erdrich depicts with the following passage, “I always thought of it as his car while he was gone, even though when he left he said, ‘Now it’s yours,’ and threw me the key.” (Erdrich 357) The brothers held their relationship with high regard, Henry trusted Lyman with the car enough to give Lyman his share of the vehicle while he was away. Conversely, Lyman surmised that that the car would always belong to Henry; just like their relationship, the car was important and would always belong to both of them. During Henry’s deployment, Lyman preserved the state of the car, he kept it in immaculate condition while waiting for Henry's return. By spending so much time caring for the car, Lyman in a way was caring for his brother. Little did Lyman know that his brother was going to come back a changed... ... middle of paper ... ...rich 363) We know that for Lyman, the car doesn’t mean anything to him without his brother, so he sends the car off into the river just as his brother had done. The car has always symbolized the bond between the brothers, sometimes sad and sometimes happy, the car always shows the readers the type of bond the two brothers shared. “The Red Convertible” transports the reader to an environment where they can witness the changes in a soldier and horrible mental state for those soldiers with PTSD when they return from war. War affects a person’s relationships with people close to them and their relationships with themselves. Erdrich embodies those changes through the text in “The Red Convertible.” Works Cited Erdich, Louise. “The Red Convertible.” 1984. Literature: A Pocket Anthology. Editor Gwynn, R.S., ed. 5th edition. New York: Penguin, 2012, 354-363. Print.
Lyman's share, in fact, Henry tries to give the car to Lyman. Lyman refuses the offer and
When Lyman describes the first time he saw the red convertible, the reader can assume he is baffled, and moved. "The first time we saw it! I tell you when we first saw it." (443) Lyman is remarkably overwhelmed he can't get the adjectives out to describe it, he just repeats himself in a humorous way. Both brothers are astound when laying eyes on this shiny red convertible. "There is was, parked, large as life. Really as if it was alive." (443) Lyman and his brother Henry are deeply affected when they examine this car, it brings some sort of happiness to them they cannot explain, and eventually decide to spend all their money on it.
It is always said that war changes people. In the short story 'The Red Convertible', Louise Erdrich uses Henry to show how it affects people. In this case, the effects are psychological. You can clearly see a difference between his personalities from before he goes to war compared to his personalities after returns home from the war. Before the war, he is a care-free soul who just likes to have fun. After the war, he is very quiet and defensive, always watching his back as if waiting for someone to strike.
Henry Fosdick once said, “The tragedy of war is that it uses man’s best to do man’s worst.” In “The Red Convertible” by Louis Erdrich, there is a conflict amongst two brothers, Henry and Lyman as ones awareness towards reality is shifted upon the return of the Vietnam War. Henry’s experience fighting in the Vietnam War is the responsibility for the unexpected aftermath that affects their brotherhood. The event of Henry fighting in the war through fears, emotions and horrors that he encounters is the source of his “Post Traumatic Stress Syndrome [PTSD].” It has shaped his own perception of reality and his relationship with his brother Lyman and the strong bond that they had shared.
Whereas, when Henry was drafted, not to face his feelings and fears he offered his half of the car to Lyman. Clearly, this was his way of using the car to communicate, as Henry said to Lyman, “Now it’s yours” (326). Also, this could also be considered as a means to try to ease Lyman’s pain. Nevertheless, Lyman fought for the relationship without speaking the words. Besides, what’s more Lyman could not deal with the fact that Henry may not return, and he also used the car to communicate by rejecting his offer saying, “Thanks for the extra key,”(326). By the same token, they were using the car, by giving it up, as a symbol of their love; however, neither wanted the car without the other brother. In any case, without the car to connect them, they are in a break-up
Even though Lyman and Henry’s relationship ends up ending, the red convertible will always be with Henry and will always be a memory for Lyman. While Lyman struggles with losing his brother to the war, the red convertible brought them back together, even though it was really the end. Henry was faced with war and when he was finished and came back home he changed because of his experiences. Both Lyman and Henry changed throughout the events that took place, but unfortunately for Lyman the red convertible was not able to bring back the relationship they had when they first bought it together.
Throughout the story, Erdrich uses the red convertible as a symbol of Henry and Lyman's relationship, and more generally, the war-torn relationships of soldiers. In the beginning of the story, Henry and Lyman buy, restore, and travel around the continent in the convertible together. This action represents a normal relationship before the effects of war. When Henry goes off to war, the relationship changes and Lyman demonstrates their separation by taking the car apart. Later, when Henry returns from war a scarred and changed man, he loses his usual interest in the convertible, as well as in Lyman. In return, Lyman bangs the car up, as a result of feeling neglected. The car portrays the "banged up" relationship he feels between his brother and him. When Henry discovers the car, as well as his relationship with Lyman is damaged, he confronts Lyman, "When I left, that car was running like a watch. Now I don't even know I can get it to start again, let alone get it anywhere near its old condition." Henry alludes to what condition the car was in before he left for Vietnam and expresses his concern about bringing the car back to its old condition. Erdrich uses symbolism here to e...
In The Red Badge of Courage, Henry Fleming was drawn to enlist by his boyhood dreams. His highly romanticized notion of war was eclectic, borrowing from various classical and medieval sources. Nevertheless, his exalted, almost deified, conception of the life of a soldier at rest and in combat began to deflate before the even the ink had dried on his enlistment signature. Soon the army ceased to possess any personal characteristics Henry had once envisioned, becoming an unthinking, dispas...
Often, we find ourselves facing dramatic events in our lives that force us to re-evaluate and redefine ourselves. Such extraordinary circumstances try to crush the heart of the human nature in us. It is at that time, like a carbon under pressure, the humanity in us either shatters apart exposing our primal nature, or transforms into a strong, crystal-clear brilliant of compassion and self sacrifice. The books Night written by Elie Wiesel and Hiroshima written by John Hersey illustrate how the usual lifestyle might un-expectantly change, and how these changes could affect the human within us. Both books display how lives of civilians were interrupted by the World War II, what devastations these people had to undergo, and how the horrific circumstances of war were sometimes able to bring out the best in ordinary people.
To what lengths would you go for a loved one? Would you destroy something in hopes that it would save them? That 's what Lyman Lamartine did in hopes to fix his PTSD afflicted brother. "The Red Convertible" was written by Louise Erdrich in 1974 and published in 2009 along with several other short stories. Lyman, and Henry, are brothers. The story starts by telling us about how the two brothers acquired a red convertible. Henry ends up being drafted into the Vietnam War, and comes back home suffering from PTSD. One day the pair decided to take a drive to the Red River because Henry wanted to see the high water. Ultimately, the story ends with a cliff-hanger, and we are left wondering what happens to the boys. The symbolic nature of the red convertible will play a key role in this literary analysis, along with underling themes of PTSD and war.
PTSD, also known as Post-Traumatic Stress Disorder, can cause change and bring about pain and stress in many different forms to the families of the victims of PTSD. These changes can be immense and sometimes unbearable. PTSD relates to the characters relationship as a whole after Henry returns from the army and it caused Henry and Lyman’s relationship to crumble. The Red Convertible that was bought in the story is a symbol of their brotherhood. The color red has many different meanings within the story that relates to their relationship.
The consequences and effects of war, may be psychological, physical, or emotional. Can effect directly, for example, a solider or indirectly, for example, that soldier’s relatives and friends. “The Things They Carried” and “The Red Convertible” exam these matters. “The Things They Carried examines the psychological, physical, or emotional side of destruction that the Vietnam War bought. While “The Red Convertible” focuses on the psychological strain on soldiers they endure after the war as well as their families. These stories raise the questions is really war really necessary and can a solider back out of duty. Both stories are initiation stories or coming of age stories. These aspects are most effective when analyzing these works. The pieces may go deeper into the issues and questions at hand. The Centering on characterization, the point of view, symbolism or imagery, and significance of the title all help support the theme of these works and develop thoughts and opinions on the stories issues.
After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might die” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taking place in the psyche of the narrator is directly repressed by the war.
(68). The use of the symbolic automobile can be seen as a demonstration of how a...
During the time of war, men were called away to fight and women were told to step up into their places. In the post war world, men were told to go back to their normal lives. The simple order for men to return to their jobs was easier said than done. There was no consideration of the effect of war on the men returning. Men were in constant fear of being bombed and attacked by a force that no longer existed. Some were so physically and mentally injured that recovery was slow or unattainable. Otto Dix was veteran himself and knew first hand the effect of war on people, like when men didn’t come home or were so physically and mentally injured that their day-to-day life was changed for the rest of their lifetime. Dix’s work symbolises the themes