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Their eyes were watching god novel essay
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Literary Analysis of “Their Eyes Were Watching God”
Living during the early nineteen hundreds was not easy for African American women. Women gained power through marriage, but they still were looked down upon and treated like slaves. In the story “Their Eyes Were Watching God,” Zora Neale Hurston uses diction, symbolism, and foreshadowing to reveal how Janie sought to discover her own identity marrying three different men who helped her discover her independence leading to the fact that women were poorly treated during this time period and deserved more respect than they received.
Zora Neale Hurston uses a specific vocabulary to connect her readers to the story as if it were real. The diction chosen for this story gives the reader knowledge about the characters and their different emotions. As soon as the story begins one may conclude that the characters are southern African Americans by the chosen dialect. While Janie is returning to Eatonville it is easily recognized the language from the old women sitting on the porch say things like, “What dat ole forty ole’ ‘oman doin’ wid her hair swangin down her back lak some young gal” (Hurston, Zora Neale. Chapter 1) Diction within this quote is very important because the slang terminology adds effect to the meaning which helps develop the characters within the time period. Without such dialect one may not fully understand the characters background because using words such as “Ah” as “I” and “dat” as “that” portrays a southern accent. The southern accent meanings the female characters are not highly educated so the men do not want them working and they were treated differently. The diction throughout the book also presents the powerful emotions from Janie’s spouses. Joe Starks, Ja...
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...e Watching God." NCWiseOwl. Salem Press, Feb. 1998. Web. 28 May 2014. .
Hurston, Zora Neale. Chapter 1. Their Eyes Were Watching God: A Novel. New York: Perennial Library, 1990. 2. Print.
Hurston, Zora Neale. Chapter 7. Their Eyes Were Watching God: A Novel. New York: Perennial Library, 1990. 76. Print.
Hurston, Zora Neale. Their Eyes Were Watching God: A Novel. New York: Perennial Library, 1990. Print.
Johnson, Yvonne. "Their Eyes Were Watching God." NCWiseOwl. Salem Press, 1995. Web. 28 May 2014. .
Zora Hurston’s novel “Their Eyes Were Watching God” depicts the journey of a young woman named Janie Crawford’s journey to finding real love. Her life begins with a romantic and ideal view on love. After Janie’s grandmother, Nanny, soon grows fearful of Janie’s newfound sexuality and quickly marries Janie off to Logan Killicks, an older land owner with his own farm. Janie quickly grows tired of Logan and how he works her like a slave instead of treating her as a wife and runs away with Joe Starks. Joe is older than Janie but younger than Logan and sweet talks Janie into marring him and soon Joe becomes the mayor of an all African American town called Eatonville. Soon Joe begins to force Janie to hide not only her
In, Their Eyes Were Watching God, the author takes you on the journey of a woman, Janie, and her search for love, independence, and the pursuit of happiness. This pursuit seems to constantly be disregarded, yet Janie continues to hold on to the potential of grasping all that she desires. In, Their Eyes Were Watching God, the author, Zora Hurston illustrates the ambiguity of Janie’s voice; the submissiveness of her silence and the independence she reclaims when regaining her voice. The reclaiming of Janie's independence, in the novel, correlates with the development and maturation Janie undergoes during her self discovery.
Hurston, Zora Neale. Their Eyes Were Watching God. Harper Perennial Modern Classics: Reissue Edition 2013
Appiah and Gates, 204-17. Hurston, Zora. Their Eyes Were Watching God. New York: Harper & Row Publishers, Inc., 1990. Wright, Richard.
Hurston, Lora Neale. Their Eyes Were Watching God. New York: Harper & Row Publishers, 1990.
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
Modern Critical Interpretations: Zora Neale Hurston's Their Eyes Were Watching God. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987. Pondrom, Cyrena N. "
4. Hurston, Zora Neal. Their Eyes Were Watching God. New York: Harper Collins, 1937. Print.
Kubitschek, Missy Dehn. " 'Tuh de Horizon and Back': The Female Quest in Their Eyes Were Watching God." Modern Critical Interpretations: Zora Neale Hurston's Their Eyes Were Watching God. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987.
Zora Neale Hurston an early twentieth century Afro-American feminist author, was raised in a predominately black community which gave her an unique perspective on race relations, evident in her novel, Their Eyes Were Watching God. Hurston drew on her on experiences as a feminist Afro-American female to create a story about the magical transformation of Janie, from a young unconfident girl to a thriving woman. Janie experiences many things that make her a compelling character who takes readers along as her companion, on her voyage to discover the mysteries and rewards life has to offer.
Hurston, Zora Neale. Their Eyes Were Watching God: A Novel. New York: Perennial Library, 1990. Print.
Hurston, Zora N. Their Eyes Were Watching God: A Novel. New York: Harper Perennial, 2006. Print.
Hurston, Zora N. Their Eyes Were Watching God. New York: Harper & Row Publishers, 1937. Print.
Hurston, Zora Neale. Their Eyes Were Watching God (1937). : Urbana, Ill.: U of Illinois P, 1937.
In Zora Neale Hurston’s novel Their Eyes Were Watching God, the character of Janie Crawford experiences severe ideological conflicts with her grandmother, and the effects of these conflicts are far-reaching indeed. Hurston’s novel of manners, noted for its exploration of the black female experience, fully shows how a conflict with one’s elders can alter one’s self image. In the case of Janie and Nanny, it is Janie’s perception of men that is altered, as well as her perception of self. The conflict between the two women is largely generational in nature, and appears heart-breakingly inevitable.