Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Their eyes were watching god essay introduction
Symbols that showed growth in their eyes watching god
Their eyes were watching god essay introduction
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Their eyes were watching god essay introduction
Explained Styles & Tones Of Their Eyes Were Watching God
“Ships at a distance have every man’s wish on board.” (pg.1, par.1) and so begins the powerful story of Janie Crawford, along with the author’s menagerie of different styles and tones. These tones and styles set the stage for Zora Neale Hurston’s major themes, all of which were strongly introduced and defended throughout the novel. Hurston’s themes vary from sexism, to dialogue, and to religion; which during her time were extremely prudent issues to the U.S. and even a few other countries. However, her approach to these issues, though strong, is quite different from that of similar novelists of the time period. Her unusual way of portraying issues throughout this book gives her writing a sense of mysterious intellect; so much so one won’t fully understand it until they have finished the entire novel.
This starting paragraph for example, “Ships at a distance have every man’s wish on board. For some they come in with the tide. For others they sail forever on the horizon… Now, women forget all those things they don’t want to remember, and remember everything they don’t want to forget… Then they act and do things accordingly.” (pg.1 par.1) Two important pieces of writing come into play in this first paragraph; the biggest most likely being Hurston’s first use of the word ‘horizon’ which recurs again and again as the novel persists. The second important item is the start of Hurston’s opinion of sexism; which of course sounds nothing like the usual opinion of ‘equality’ her time boasts. No, she starts out from the very beginning describing the crucial differences between men and women. She continues to describe, through each relationship had by Janie, that men and women need d...
... middle of paper ...
...eceive homage are cruel. All gods dispense suffering without reason. Otherwise they would not be worshipped....Half gods are worshipped in wine and flowers. Real gods require blood” (pg.145, par.1), portray exceedingly sinister pictures of the Lord our God. However, this hardship that “God” has made them suffer through only strengthens Janie’s character even more; this happens through the deep love between her and Tea Cake. Though they do struggle to get through the hardships; the sense of self Janie receives afterward stays with her, and helps her sustain her inner peace with nature. This inner peace is what Janie means when she says she has been, “to de horizon and back” (pg.191, par.4) as she finishes her story to Pheoby. Thus, she feels that she has reached fulfillment in her life; peace with God, Nature, all the people around her, and most importantly herself.
Comparing and Contrasting Relationships in Hurston’s Novels, Their Eyes Were Watching God and Seraph on the Suwanee
"Janie saw her life like a great tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches" (8). When Janie was a teenager, she used to sit under the pear tree and dream about being a tree in bloom. She longs for something more. When she is 16, she kisses Johnny Taylor to see if this is what she looks for. Nanny sees her kiss him, and says that Janie is now a woman. In Their Eyes Were Watching God, Janie, the main character, is involved in three very different relationships. Zora Neale Hurston, the author, explains how Janie learns some valuable lessons about marriage, integrity, and love and happiness from her relationships with Logan Killicks, Joe Starks, and Tea Cake.
In, Their Eyes Were Watching God, the author takes you on the journey of a woman, Janie, and her search for love, independence, and the pursuit of happiness. This pursuit seems to constantly be disregarded, yet Janie continues to hold on to the potential of grasping all that she desires. In, Their Eyes Were Watching God, the author, Zora Hurston illustrates the ambiguity of Janie’s voice; the submissiveness of her silence and the independence she reclaims when regaining her voice. The reclaiming of Janie's independence, in the novel, correlates with the development and maturation Janie undergoes during her self discovery.
Zora Hurston was an African American proto-feminist author who lived during a time when both African Americans and women were not treated equally. Hurston channeled her thirst for women’s dependence from men into her book Their Eyes Were Watching God. One of the many underlying themes in her book is feminism. Zora Hurston, the author of the book, uses Janie to represent aspects of feminism in her book as well as each relationship Janie had to represent her moving closer towards her independence.
Zora Neale Hurston’s Their Eyes Were Watching God describes the life of Janie, a black woman at the turn of the century. Janie is raised by her Grandmother and spends her life traveling with different men until she finally returnes home. Robert E. Hemenway has said about the book, “Their Eyes Were Watching God is ... one of the most revealing treatments in modern literature of a woman’s quest for a satisfying life” I partially disagree with Hemenway because, although Janie is on a quest, it is not for a satisfying life. I believe that she is on a quest for someone on whom to lean. Although she achieves a somewhat satisfying life, Janie’s quest is for dependence rather than satisfaction.
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
Zora Neale Hurston an early twentieth century Afro-American feminist author, was raised in a predominately black community which gave her an unique perspective on race relations, evident in her novel, Their Eyes Were Watching God. Hurston drew on her on experiences as a feminist Afro-American female to create a story about the magical transformation of Janie, from a young unconfident girl to a thriving woman. Janie experiences many things that make her a compelling character who takes readers along as her companion, on her voyage to discover the mysteries and rewards life has to offer.
I think both authors would agree with this view. Both stories involve a woman and how they are viewed as well as the struggles they face. Hurston’s story is about a power struggle between men and women. She states “see God and ast Him for a li’l mo’ strength so Ah kin whip dis ’oman and make her mind.”
This final image of Janie “pulling in her horizon” contrasts with the opening image of men’s “ships at a distance.” These metaphorical ships suggest that regardless of their ultimate success or failure, men dream of great accomplishments, of working on and changing their external worlds. Even if the ship comes in, it still originates as something external. Janie’s pulling in her horizon shifts the field of action to the interior. Her quest requires experiences of the world, of other people and places, but it is ultimately directed inward.
Zora Neale Hurston’s “Sweat” is a distressing tale of human struggle as it relates to women. The story commences with a hardworking black washwoman named Delia contently and peacefully folds laundry in her quiet home. Her placidity doesn’t last long when her abusive husband, Sykes, emerges just in time to put her back in her ill-treated place. Delia has been taken by this abuse for some fifteen years. She has lived with relentless beatings, adultery, even six-foot long venomous snakes put in places she requires to get to. Her husband’s vindictive acts of torment and the way he has selfishly utilized her can only be defined as malignant. In the end of this leaves the hardworking woman no choice but to make the most arduous decision of her life. That is, to either stand up for herself and let her husband expire or to continue to serve as a victim. "Sweat,” reflects the plight of women during the 1920s through 30s, as the African American culture was undergoing a shift in domestic dynamics. In times of slavery, women generally led African American families and assumed the role as the adherent of the family, taking up domestic responsibilities. On the other hand, the males, slaves at the time, were emasculated by their obligations and treatment by white masters. Emancipation and Reconstruction brought change to these dynamics as African American men commenced working at paying jobs and women were abandoned at home. African American women were assimilated only on the most superficial of calibers into a subcategory of human existence defined by gender-predicated discrimination. (Chambliss) In accordance to this story, Delia was the bread victor fortifying herself and Sykes. Zora Neale Hurston’s 1926 “Sweat” demonstrates the vigor as wel...
Zora Neale Hurston’s writing embodies the modernism themes of alienation and the reaffirmation of racial and social identity. She has a subjective style of writing in which comes from the inside of the character’s mind and heart, rather than from an external point of view. Hurston addresses the themes of race relations, discrimination, and racial and social identity. At a time when it is not considered beneficial to be “colored,” Hurston steps out of the norm and embraces her racial identity.
Hurston portrays women as independent and capable of infinite possibilities. Many aspects contribute to how an author, male or female, portrays his or her female characters. Fitzgerald, Hemingway, Steinbeck, Wharton, and Hurston all illustrate their own perception of women based upon personal experience and social acuity of their particular era. The portrayal of women in American Literature is based solely upon an author’s personal opinion and interpretation and does not necessarily symbolize the true spirit and quintessence of women as one. Bibliography:..
Zora Neal Hurston’s book, Their Eyes Were Watching God, reveals one of life’s most relevant purposes that stretches across cultures and relates to every aspect of enlightenment. The novel examines the life of the strong-willed Janie Crawford, as she goes down the path of self-discovery by way of her past relationships. Ideas regarding the path of liberation date all the way back to the teachings of Siddhartha. Yet, its concept is still recycled in the twenty-first century, as it inspires all humanity to look beyond the “horizon,” as Janie explains. Self-identification, or self-fulfillment, is a theme that persists throughout the book, remaining a quest for Janie Crawford to discover, from the time she begins to tell the story to her best friend, Pheoby Watson. Hurston makes a point at the beginning of the novel to separate the male and female identities from one another. This is important for the reader to note. The theme for identity, as it relates to Janie, carefully unfolds as the story goes on to expand the depths of the female interior.