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Narrative essay about the hurstons their eyes were watching god
19th century women's oppression
Narrative essay about the hurstons their eyes were watching god
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What makes a good marriage? Trust, love, and dedication are all words that one might suggest. Bondage, Oppression, and struggle certainly do not make that list. Their Eyes Were Watching God by Zora Neale Hurston, explores the idea of a good marriage by showing exactly what a bad marriage looks like. The novel takes place in Florida during the 1930s. At the time, marriage was seen at in a different light than it is today. Women were seen as almost servants of their husbands. Written in 1937, Hurston challenges this backward view of marriage. The story follows a mixed race woman named Janie. Janie grows up under the care of her ex-slave grandmother, Nanny. As a slave, Nanny was raped on several occasions by her slave owner. Due to these experiences, …show more content…
In the beginning of their relationship, all is well, but as the couple settles into Eatonville, Janie’s struggle becomes more apparent. Joe controls Janie endlessly. For example, Joe makes Janie work in their shop which she does not like. To illustrate, Hurston writes, “The store itself kept her with a sick headache” (54). Despite that the store makes her literally sick, she is not ready to abandoned Joe. Additionally, he makes her put her hair up while she works in their store so that no other man can look at it but him. Janie hates this policy, but obeys it anyway. The two examples mentioned above connect back to the mule motif because, as a mule is controlled and forced to do work against its will, so is Janie. Soon, the mule comes up again: Matt Bonner’s mule is the source of antagonism from men outside of the shop. They make up stories and poke fun at his old and weak mule. Hurston emphasizes Janie’s suppression by saying, ¨Everybody engaged in mule talk… Janie loved the conversation and sometimes she thought up good stories on the mule, but Joe had forbidden her to indulge” (53). In the same fashion that the mule is imprisoned, Janie is not free to express herself because of her “owner’s” rules. As the story progresses, The mule tries to escape, but is cornered by men from the town. Consequently, Joe feels pity for the mule and decides to purchase it, in order to …show more content…
Hurston describes the scene, “Lum found him under the big tree on his rawbony back with all four feet up in the air” (59) This death is particularly strange. Generally, when mules die they tend to just fall down on top of their legs. This particular way of dying demonstrates that the mule was standing on its feet until its death; fighting death until the last second. This resonates with Janie because even throughout her difficult marriage with Joe, she still manages hang in there with the hope that one day she will be free. Furthermore, the death of the mule is also symbolic of the “death” of Joe and Janie's marriage. After this point in the book, their relationship declines rapidly. Days later, a funeral is held for the mule. The town runs it exactly like they would for a town member. During the funeral, Hurston describes a town member’s eulogy, “He spoke of die joys of mule-heaven to which the dear brother had departed… and most glorious of all, No Matt Bonner with plow lines and halters to come in and corrupt” (61) Since the mule is dead, it is now free off all oppression from its master. This is foreshadowing how Janie will finally be freed once Joe dies. When Joe dies, ending their relationship, Janie can finally be free. Janie expresses this by burning all of her head coverings the day of Joe funeral. Later in the story, Janie gets into another relationship with a man named Tea Cake. Finally, in this relationship, Janie is
All over the world, marriage is one of the main things that define a woman’s life. In fact, for women, marriage goes a long way to determine much in their lives including happiness, overall quality of life whether or not they are able to set and achieve their life goals. Some women go into marriages that allow them to follow the paths they have chosen and achieve their goals while for other women, marriage could mean the end of their life goals. For Janie, the lead character in Zora Neale Hurston’s Their Eyes Were Watching God, who was married twice first to Joe sparks, and to Vergile Tea Cake, her two marriages to these men greatly affected her happiness, quality of life and pursuit of her life goals in various ways, based on the personality of each of the men. Although both men were very different from each other, they were also similar in some ways.
All over the world, marriage is one of the main things that define a woman’s life. In fact, for women, marriage goes a long way to determine much in their lives, including happiness, overall quality of life, whether or not they are able to set and achieve their life goals. Some women go into marriages that allow them to follow the paths they have chosen and achieve their goals while for other women, marriage could mean the end of their life goals. For Janie, the lead character in Zora Neale Hurston’s Their Eyes Were Watching God, who was married twice, first to Joe sparks, and to Vergil Tea Cake, her two marriages to these men greatly affected her happiness, quality of life and the pursuit of her life goals in various ways, based on the personality of each of the men. Although both men were very different from each other, they were also similar in some ways.
Zora Neale Hurston’s Their Eyes Were Watching God, everyone has different ideas of what marriage is. In the end Janie learned marriage is what you make of it. Love can only be found when your beliefs match with an others idea. Even today people find out the hard way that they are not compatible and that one’s view of marriage is different. This can be seen every day between couples who separate and among others whose marriages last the rest of their lives. Life is a learning process and we must take the bad with the good. Instead of searching for a nourishing life, Janie searched for someone to rely on. Although they were different types of reliance, she jumped from person to person so that she would not have to face life alone.
Throughout A Lesson Before Dying Jefferson is compared to a hog while Janie is indirectly compared to a mule throughout many parts of Their Eyes Were Watching God. When Jefferson was on trial, his defense attorney, as stated previously, stated that he was not smart enough to plan anything. That Jefferson was not a man, he was only an animal or a hog. The reader sees this mentally break Jefferson. At a single point in the novel, Jefferson gets down on his hands and knees and eats out of a basket using only his mouth as a hog would. At this point, Jefferson is at his lowest mental state. The reader sees Janie at her lowest mental state when her husbands take away her voice. Janie deals with this for several years. She is not allowed to speak her mind but is allowed to work wherever and whenever her husband needs her. When Janie is accepting of this role as a mule, she become doubtful of herself and her voice, “the years took all the fight out of Janie’s face”. After a while she did not believe she had any fight in her soul. When Janie tries to break out of this and makes men in front of the store laugh, Joe gets angry and slaps her. Janie is now feeling useless and depressed. She is subject to the idea of a mule; she is to be silent but hard working. She was not directly identified as a mule as Jefferson was but the animal symbolized her role throughout the
Janie does so by choosing her new found love with Joe of the security that Logan provides. Hurston demonstrates Janie's new found ‘independence’ by the immediate marriage of Joe and Janie. Janie mistakenly chooses the pursuit of love over her pursuit of happiness and by doing so gave her independence to Joe, a man who believes a woman is a mere object; a doll. By choosing love over her own happiness Janie silences her voice. The realization of Janie's new reality is first realized when Joe states, “...nah wife don’t know nothin’ ‘bout no speech-makin’. Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home()" Joe is undermining Janie, cutting short any chance for Janie to make herself heard. Joe continues to hide Janie away from society keeping her dependent and voiceless. As Janie matures, she continues to be submissive to her husband, “He wanted her submission and he’d keep on fighting until he felt he had it. So gradually, she pressed her teeth together and learned to hush (71).” Though Janie ‘learned to hush’, and suppress herself, Janie still urges for her voice. When the opportunity came for Janie to reclaim her voice, "But Ah ain’t goin’ outa here and Ah ain’t gointuh hush. Naw, you gointuh listen tuh me one time befo’ you die. Have yo’ way all yo’ life, trample and mash down and then die ruther than tuh let yo’self heah ‘bout
Jody believes that Janie has poisoned him, illustrating the magnitude of both of their unhappiness. Almost immediately after Jody dies, Janie “starches” and “irons” her face, which could also imply how the headrags represent a facade that she unwillingly dons in public. Janie goes to the funeral inundated in loneliness and grief. However, after she emerges from the funeral Janie burns all of her head rags. Hurston states: “Before she slept that night she burnt up everyone of her head rags and went about the house the next morning..her hair in one thick braid”(pg 89). Fire represents the destruction of something; by burning the very tool that was facilitating the suppression of her identity, Janie is making a vow to never sacrifice herself to others. The long, nimble braid the reader is introduced to in the first chapter reemerges. It is important to note that as she lets her hair down, her circumstances change for the better. Janie meets Tea Cake, her playful new husband. Hurston describes Janie as the curious, vibrant child she was under the pear tree similar to how she is presently with Tea Cake. Therefore, Hurston reveals the overarching theme that when one unwillingly enshrouds their identity, their circumstances become unpalatable. This theme is conveyed through JAnie: As she sacrifices herself to tie her hair up, her happiness devolved into loneliness. However, once she crosses the threshold to her true self, she fully exuded the vivacious Janie that she truly is. All of this is manifested through her
Janie’s character undergoes a major change after Joe’s death. She has freedom. While the town goes to watch a ball game Janie meets Tea Cake. Tea Cake teaches Janie how to play checkers, hunt, and fish. That made Janie happy. “Somebody wanted her to play. Somebody thought it natural for her to play. That was even nice. She looked him over and got little thrills from every one of his good points” (Hurston 96). Tea Cake gave her the comfort of feeling wanted. Janie realizes Tea Cake’s difference from her prior relationships because he wants her to become happy and cares about what she likes to do. Janie tells Pheoby about moving away with Tea Cake and Pheoby tells her that people disapprove of the way she behaves right after the death of her husband. Janie says she controls her life and it has become time for her to live it her way. “Dis ain’t no business proposition, and no race after property and titles. Dis is uh love game. Ah done lived Grandma’s way, now Ah means tuh live mine” (Hurston 114). Janie becomes stronger as she dates Tea Cake because she no longer does for everyone else. Janie and Tea Cake decided to move to the Everglades, the muck. One afternoon, a hurricane came. The hurricane symbolizes disaster and another change in Janie’s life. “Capricious but impersonal, it is a concrete example of the destructive power found in nature. Janie, Tea Cake, and their friends can only look on in terror as the hurricane destroys the
In such cases, when he would usher her off the front porch of the store, when the men sat around talking and laughing, or when Matt Boner’s mule had died and he told her she could not attend its dragging-out, and when he demanded that she tie up her hair in head rags while working in the store, “This business of the head-rag irked her endlessly. But Jody was set on it. Her hair was NOT shown in the store” (55). He had cast Janie off from the rest of the community and put her on a pedestal, which made Janie feel as though she was trapped in an emotional prison. Over the course of their marriage, he had silenced her so much that she found it better to not talk back when they got this way.
In the beginning of the story, Janie is stifled and does not truly reveal her identity. When caught kissing Johnny Taylor, a local boy, her nanny marries her off to Logan Killicks. While with Killicks, the reader never learns who the real Janie is. Janie does not make any decisions for herself and displays no personality. Janie takes a brave leap by leaving Killicks for Jody Starks. Starks is a smooth talking power hungry man who never allows Janie express her real self. The Eatonville community views Janie as the typical woman who tends to her husband and their house. Janie does not want to be accepted into the society as the average wife. Before Jody dies, Janie is able to let her suppressed anger out.
Hurston first introduced the mule in “Their Eyes Were Watching God,” to function as a symbol of the ongoing conflict women have faced with as they struggle with being worked hard, oppressed and mistreated. Janie’s grandmother, Nanny, grew up in slavery and the associated of bondage. She informs granddaughter, “So de white man throw down de load and tell de nigger man tuh
Hurston describes Eatonville not in a negative way, but more as a place that is not beneficial to an independent woman like Janie. Janie Starks, the wife of the mayor, is sentenced to spend her days as a worker in the town store, hair tied up, and silent. She must deal with money and figures without being able to enjoy the “lying sessions” on the porch, or attending such impressive town events like the “muleogy.” To the reader, Eatonville represents all that is repressive in life. Janie’s nature is restricted not by the town itself, but by her status in the town.
The beginning of Janie’s journey is with her marriage to Logan Killicks, a man with tons acres of land to his name, but to Janie’s knowledge, is just an ugly old bag that has a huge lack of any love or companionship for her. For example, when Janie talks to Logan one night about their relationship he only says “Considerin’ youse born in a carriage ‘thout no top to it, and yo’ mama and you bein’ born and raised in de white folks back-yard” (30). Logan is emotionally destitute towards Janie in the beginning of the marriage. She cannot relate to him in any way what so ever and they both know it as well. In addition, at a point later on in the marriage Logan asks Janie to help him with chores outside, she replies “you don’t need mah help out dere, Logan. Youse in yo’ place and ah’m in mine,” (31). Not only does Logan have an absence of emotion, he also has an absence of love and he expresses the exact opposite of it through his bitterness and anger for Janie. She can now understand that Logan sees himself as supposedly “higher” than her and she loathes it even more. The marriage between Logan and Janie isn’t equal...
Hurston’s Nanny has seen a lot of trouble in her life. Once a slave, Nanny tells of being raped by her master, an act from which Janie’s mother was brought into the world. With a crushing sense of personal sacrifice, Nanny tells sixteen-year-old Janie of hiding the light skinned baby from an angry, betrayed slave master’s wife. Young Janie listens to Nanny’s troubles thoughtfully, but Hurston subtly lets the reader know that Nanny’s stern, embittered world view does not have much to do with Ja...
Finally, Janie is free – free to pursue her dreams. And thirdly, the novel reveres the spirituality and eventual rebirth of the female species – a semantic critique of the ideal of natural beauty. Janie is now old and physically weak – an old, ugly wretched woman as Joe used to call her.
... Janie is free-spirited and unconcerned about what others think of her. When she returns to Eatonville after Tea Cake’s death, she shows no shame for what she has done or where she has been, because she is finally able to live the life she always wanted to lead. Hurston’s own struggles in life for individuality and an outlet for her suppressed spirit clearly contribute to the development of Janie’s character. Just as Hurston struggled for recognition, equality, and purpose in the literary world during the Harlem Renaissance, Janie’s struggle for the recognition, equality, and purpose in her relationships.