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Feminist ideas in jane eyre
Feminist ideas in jane eyre
Jane eyre as feminist fiction
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For many literary critics, the novel is an authentic feminist work. This is understandable
since the author herself is a well-known liberal feminist and an advocate of feminist
individualism. Nonetheless, even without knowing the author’s background, we can certainly
acknowledge the novel’s feminist tendencies. The novel is not only the story of a woman; it is
also the first important novel written by a black woman. For a start, the novel critically describes
the ways in which men (or the whole patriarchal system in general) hold down and confine
women. In the novel, Janie is forced to marry an old farmer named Logan out of poverty. Logan
often treats her like a mule. He does not care about her welfare. In most cases, he refuses to let
Janie go out of
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Secondly, the novel upholds the value of
feminine autonomy – the self-confidence to deviate from the traditional roles of women. Even
though Janie silently submits to Joe’s wishes, she continues to dream. After 20 years of
marriage, Janie openly criticizes her husband. Their marriage ends abruptly. On his deathbed,
Janie continues to rebuke him, ever more mindful of the way her husband had treated her.
Finally, Janie is free – free to pursue her dreams. And thirdly, the novel reveres the spirituality
and eventual rebirth of the female species – a semantic critique of the ideal of natural beauty.
Janie is now old and physically weak – an old, ugly wretched woman as Joe used to call her. But
deep inside, she is as beautiful as ever. She possesses a deep sense of enlightenment, of natural
oneness with the things around her. Her romanticism is reinforced by her deep spirituality. This
is the inner beauty that Hurston seeks to portray in the novel.
Hurston also uses a variety of symbols in the story. One such symbol is the pear tree. One
can arguably state that it symbolizes Janie’s blossoming sexuality and her eventual
In the beginning, the pear tree symbolizes Janie’s yearning to find within herself the sort of harmony and simplicity that nature embodies. However, that idealized view changes when Janie is forced to marry Logan Killicks, a wealthy and well-respected man whom Janie’s Nanny set her up with. Because Janie does not know anything about love, she believes that even if she does not love Logan yet, she will find it when they marry. Upon marrying Logan, she had to learn to love him for what he did, not for that infallible love every woman deserves.
The black women’s interaction with her oppressive environment during Revolutionary period or the antebellum America was the only way of her survival. Playing her role, and being part of her community that is not always pleasant takes a lot of courage, and optimism for better tomorrow. The autonomy of a slave women still existed even if most of her natural rights were taken. As opposed to her counterparts
Janie’s first marriage was to Logan Killicks, an accomplished middle aged farmer. Her grandmother wanted Janie to be financially set and be protected, so she pretty much forced Janie into marrying Logan. With her grandmothers rough past of being a slave and all she did not wa...
Janie, lead character of the novel, is a somewhat lonely, mixed-race woman. She has a strong desire to find love and get married, partially driven by her family’s history of unmarried woman having children. Despite her family’s dark history, Janie is somewhat naive about the world.
When Janie marries Logan, her life is changed completely. She was not only forced into a loveless marriage but she was also forced into a slave like position. Logan sees nothing wrong with the marriage and when Janie complains he responds with, “Ah thought you would ‘preciate good treatement. Thought Ah’d take and make somethin’ outa yuh. You think youse white folks by de way you act” (Hurston, 42). Logan sees marriage much the same way that Nanny does; he believes that because he does not abuse her and provides the necessities that Janie should be happy. According to Tracy L. Bealer’s article “The Kiss of Memory: The Problem of Love in Hurston’s Their Eyes Were Watching God,” “Though Logan does not abuse or violate Janie, even his money proves no protection from unsatisfying labor, as his ominous purchase of a mule ‘all gentled up so even uh woman kin handle ‘im’’ (26) implies the treat of compulsive labor” (316). The physical labor was only one of the problems that Janie had in her marriage with Logan; Logan looked down on Janie for having grown up with and around white people. He would insult Janie by saying, “Considerin’ youse born in a carriage ‘thout no top to it, and yo’ mama and you bein’ born and raised in de white folks back-yard” (Hurston, 40). Logan resented that Janie did not identify with other blacks as a child and saw Janie as his lesser because of this.
Janie does so by choosing her new found love with Joe of the security that Logan provides. Hurston demonstrates Janie's new found ‘independence’ by the immediate marriage of Joe and Janie. Janie mistakenly chooses the pursuit of love over her pursuit of happiness and by doing so gave her independence to Joe, a man who believes a woman is a mere object; a doll. By choosing love over her own happiness Janie silences her voice. The realization of Janie's new reality is first realized when Joe states, “...nah wife don’t know nothin’ ‘bout no speech-makin’. Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home()" Joe is undermining Janie, cutting short any chance for Janie to make herself heard. Joe continues to hide Janie away from society keeping her dependent and voiceless. As Janie matures, she continues to be submissive to her husband, “He wanted her submission and he’d keep on fighting until he felt he had it. So gradually, she pressed her teeth together and learned to hush (71).” Though Janie ‘learned to hush’, and suppress herself, Janie still urges for her voice. When the opportunity came for Janie to reclaim her voice, "But Ah ain’t goin’ outa here and Ah ain’t gointuh hush. Naw, you gointuh listen tuh me one time befo’ you die. Have yo’ way all yo’ life, trample and mash down and then die ruther than tuh let yo’self heah ‘bout
Janie’s first relationship was with Logan Killicks. She married him only because she wanted to appease her grandmother. Logan did not truly love Janie, but saw her as an asset to increase his own power. Logan expressed this through several actions. He first tries to use her to "increase his profits" rather than treating her as a wife when he travels to Lake City to buy a second mule so Janie can use it to plow in the potato field because potatoes were "bringin' big prices”. When Janie later refused to work at his command, stating that it was not her place to do so, Logan told her, "You ain't got no particular place. It's wherever Ah need yuh". After Logan told her this, Janie decided she had to either escape or face becoming her husband's mule for life. Janie stood up to her husband. This is a feminist action because Janie is willing to leave a husband who makes her unhappy, which was rare act of independence and defiance for women living in the 1930’s. To free herself from her marriage with Logan Killicks, she only needed to invalidate the elements of his symbolic vision. She recognized that for Killicks marriage was primarily a financial arrangement, and his sixty acres acted both as a sign and guarantee of matrimonial un...
The beginning of Janie’s marriage to Joe shows promise and adventure, something that young Janie is quickly attracted to. She longs to get out of her loveless marriage to Logan Killicks and Joe’s big dreams captivate Janie. Once again she hopes to find the true love she’s always dreamed of. Joe and Janie’s life is first blissful. He gives her whatever she wants and after he becomes the mayor of a small African American town called Eatonville, they are the most respected couple in town. Joe uses his newfound power to control Janie. When she is asked to make a speech at a town event, she can’t even get out a word before Joe denies her the privilege. He starts making her work in the store he opens and punishes her for any mistakes she makes. He enjoys the power and respect her gets when o...
Her marriage to Logan was partially arranged by her grandmother, Nanny. Nanny felt the need to find someone for Janie to depend on before she died, knowing that Janie would no longer be able to depend on her. This is the only time that Janie is relying
Janie’s first attempt at love does not turn out quite like she hopes. Her grandmother forces her into marrying Logan Killicks. As the year passes, Janie grows unhappy and miserable. By pure fate, Janie meets Joe Starks and immediately lusts after him. With the knowledge of being wrong and expecting to be ridiculed, she leaves Logan and runs off with Joe to start a new marriage. This is the first time that Janie does what she wants in her search of happiness: “Even if Joe was not waiting for her, the change was bound to do her good…From now on until death she was going to have flower dust and springtime sprinkled over everything” (32). Janie’s new outlook on life, although somewhat shadowed by blind love, will keep her satisfied momentarily, but soon she will return to the loneliness she is running from.
The contrast of these two places reinforces the theme of a search for love and fulfillment. To see what an ideal situation for an independent woman like would be, Hurston must first show the reader what Janie cannot deal with. Hurston has her character Janie go on a quest, one that was begun the day she was forced to marry Logan Killucks. The contrast in the setting is similar to one between good and evil.
& nbsp;   ; Second, Janie sees Logan Killicks' perception of marriage. In the beginning it appears to Janie that Logan is a very nice gentleman, who is. constantly treating her well. However, as time goes on, Janie sees Logan's the "true colors" of the.
As the novel begins, Janie walks into her former hometown quietly and bravely. She is not the same woman who left; she is not afraid of judgment or envy. Full of “self-revelation”, she begins telling her tale to her best friend, Phoeby, by looking back at her former self with the kind of wistfulness everyone expresses when they remember a time of childlike naïveté. She tries to express her wonderment and innocence by describing a blossoming peach tree that she loved, and in doing so also reveals her blossoming sexuality. To deter Janie from any trouble she might find herself in, she was made to marry an older man named Logan Killicks at the age of 16. In her naïveté, she expected to feel love eventually for this man. Instead, however, his love for her fades and she beco...
In today’s advanced societies, many laws require men and women to be treated equally. However, in many aspects of life they are still in a subordinated position. Women often do not have equal wages as the men in the same areas; they are still referred to as the “more vulnerable” sex and are highly influenced by men. Choosing my Extended Essay topic I wanted to investigate novels that depict stories in which we can see how exposed women are to the will of men surrounding them. I believe that as being woman I can learn from the way these characters overcome their limitations and become independent, fully liberated from their barriers. When I first saw the movie “Precious” (based on Sapphire’s “Push”) I was shocked at how unprotected the heroine, Precious, is towards society. She is an African-American teenage girl who struggles with accepting herself and her past, but the cruel “unwritten laws” of her time constantly prevent her rise until she becomes the part of a community that will empower her to triumph over her barriers. “The Color Purple” is a Pulitzer Prize winning novel by Alice Walker which tells the story of a black woman’s, Celie’s, striving for emancipation. (Whitted, 2004) These novels share a similar focus, the self-actualization of a multi-disadvantaged character who with the help of her surrounding will be able to triumph over her original status. In both “The Color Purple” and “Push”, the main characters are exposed to the desire of the men surrounding them, and are doubly vulnerable in society because not only are they women but they also belong to the African-American race, which embodies another barrier for them to emancipate in a world where the white race is still superior to, and more desired as theirs.
The author reflects about the lack of representation of black women in literature. And when they are mentioned, it is often as a way to reinforce false stereotypes and labels that have been associated with black women in general. The author aims to unearth the rationale behind this cliched image and hopes to redeem black women from these false allegations and return her to a position of respect that she deserves. The author argues that the cause of this ill representation dates back to the times when blacks were enslaved in America by white slaveholders.