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Connection between language and race
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The English language is and always has been a fluid, ever changing form of speech. The way we think, speak and write is influenced several different factors. In Zora Neale Hurston’s Their Eyes Were Watching God, the reader sees examples of multiple forms of English on the same platform. Though it can’t be known exactly why the novel was written this way, its impact is unmistakable. The use of both formal language and Southern black colloquialism not only shapes how the reader sees the characters and the main character Janie’s transformation, but it also exposes how the average reader has been subjected to the elitism of English. The way people speak English is primarily affected by where and from whom they learned to speak it. In many cases,
a person’s race plays a factor as well. The most relevant example today is African-American Vernacular English (commonly abbreviated to AAVE). AAVE is thought to have originated from African creole accents and the inflection common in the Southern United States, where Their Eyes Were Watching God takes place. There is constant controversy around AAVE and many other dialects that just happen to be frequently spoken by races that are not white. These dialects are ridiculed for not following “proper English”, and someone who speaks them is almost guaranteed to be viewed as less intelligent or poorly educated. This is what makes Hurston’s decision to utilize Southern black speech so revolutionary. During the time that the novel was published, regional colloquialism was common in novels, but not to the scale that Hurston used it on. Nearly all the dialogue in the book is written in Southern colloquialisms, whereas the narration is written in “proper” Standard English. Initially, Hurston was thought to be mocking black culture, but it is now clear that she utilized the speech in a way that was essential to her book.
Zora Neale Hurston uses many rhetorical devices to depict the relationship Janie has with Joe Starks in the novel Their Eyes Were Watching God. In chapter 7 Hurston uses devices such as metaphors in three paragraphs to convey how Joe Starks role of a mayor has a tremendous weight on him and Janie. Also how he’s aging physically and mentally is affecting their relationship in a negative way.
Zora Hurston's novel “their eyes are watching God” portrays the ideas of social norm through colloquial diction, connotative diction, and isolation syntax.
This excerpt from Zora Neale Hurston’s book, Their Eyes Were watching God, is an example of her amazing writing. She makes us feel as if we are actually in her book, through her use of the Southern Black vernacular and admirable description. Her characters are realistic and she places special, well thought out sentences to keep us interested. Zora Neale Hurston’s art enables her to write this engaging story about a Southern black woman’s life.
Path to Finding True Love “True love doesn't happen right away; it's an ever-growing process. It develops after you've gone through many ups and downs, when you've suffered together, cried together, laughed together.” This quote by Ricardo Montalban tells us that true love simply has to develop and it doesn’t happen right away. Janie is the main character from the book Their Eyes Were Watching God by Zora Neale Hurston and she struggled on the concept of true love. This quote explains exactly why Janie never found true love.
Oprah Winfrey mutilated the classic novel, Their Eyes Were Watching God written by Zora Neale Hurston by turning the movie into a story with no resemblance to the book. Throughout Janie Crawford’s life, love is a dream she wished to achieve. Oprah makes changes to Janie’s character, her marriages, and the differences of symbolism, the change of themes, and the significance of Janie’s childhood which will alter the entire moral of the story. Another difference is the way the townspeople gossip. Oprah changes the point of Janie’s life journey to find herself to a love story.
Setting, including physical location and time, is essential for establishing the backgrounds and identities of characters in a piece. Even within countries like the United States, where English is the national language and spoken by almost everyone, regional influences on language exist. The way a character speaks and communicates is an important part of their personal identity as a character, as well as an expression of their regional and cultural background. In Zora Neale Hurston’s Sweat, the dialect of the South used by the characters is a ready example of the influence of culture on one’s language. The heavy influences of culture are apparent in many texts, and a change in time or location would alter the language and mannerisms of speech
Hurston’s novel is full of these conventions, as well as other dominant features of African American culture. Omission or absence of the copula in conversations, consonant clusters reduced at the ends of words, r and l deletion, signifying, playing the dozens, braggadocio (Smitherman), and free indirect discourse, or quasi-direct discourse (Pateman). A favorite passage exploring the entertainment of verbal play, or signifying, occurs in Chapter Seven when Janie finally stands up to Jody, her second husband, after all the times he had put her down in front of others:
In Zora Neale Hurston’s “Their Eyes Were Watching God” and “Sweat,” Hurston uses the characters Janie Crawford and Delia Jones to symbolize African-American women as the mules of the world and their only alternative were through their words, in order to illustrate the conditions women suffered and the actions they had to take to maintain or establish their self-esteem.
Throughout the movie of Their Eyes Were Watching God, Oprah Winfrey alternates Zora Neale Hurston’s story of a woman’s journey to the point where nobody even recognizes it. The change in the theme, the characters, and their relationships form a series of major differences between the book and the movie. Instead of teaching people the important lessons one needs to know to succeed in this precious thing called life, Oprah tells a meaningless love story for the gratification of her viewers. Her inaccurate interpretation of the story caused a dramatic affect in the atmosphere and a whole new attitude for the audience.
...orld about the interpretation of “Black English”, but flaws in the execution of her publication could prevent her audience from grasping her claim. Her biggest problem is the pathos that oozes from the paper. Whether it is the use of outside comments or hybrid dialogue, the pathos could block the minds of literary scholars. The ethos that Smitherman tries to achieve through quotations and research does not work when the quotes are pathos-charged and are from irrelevant time period. The support to her claim that “Black English” should remain strictly to Black culture doesn’t make a lot of sense. It is illogical to think that the only solution is to stop correcting for the grammar of “Black English” and still keep it only amongst African Americans. Smitherman’s claim for better treatment of “Black English would be perceived far better without the strong use of pathos.
“She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight,” (11). The novel, Their Eyes Were Watching, God by Zora Neale Hurston, tells a story of a woman, Janie Crawford’s quest to find her true identity that takes her on a journey and back in which she finally comes to learn who she is. These lessons of love and life that Janie comes to attain about herself are endowed from the relationships she has with Logan Killicks, Joe Starks, and Tea Cake.
Zora Neale Hurston’s writing embodies the modernism themes of alienation and the reaffirmation of racial and social identity. She has a subjective style of writing in which comes from the inside of the character’s mind and heart, rather than from an external point of view. Hurston addresses the themes of race relations, discrimination, and racial and social identity. At a time when it is not considered beneficial to be “colored,” Hurston steps out of the norm and embraces her racial identity.
In Their Eyes Were Watching God Zora Neale Hurston uses a variety of rhetorical devices to show the effect it has on the readers. Which without the particulary words, it would infact would not have the same meaning as the author achieved.
The novel Their Eyes Were Watching God is considered to be a bildungsroman (SparkNotes Editors). A bildungsroman is a coming-of-age story, often dealing with a character’s “moral and psychological growth” (Marriam-Webster.com). Janie’s growth as a person is discernable from the beginning to the end, and follows a different formula than that of most coming-of-age characters. When people are young, they often try to do adult things, and when they are an adult, they often take pleasure in doing things children enjoy doing; Janie follows a similar model , as exemplified in her attitude and actions as a child, as an adult, and in her relationship with Tea Cake.
In the story, Their Eyes Were Watching God, we followed the journey of a woman, Janie, who was seeking freedom and self-worth. She only had one person to confide in, her best friend Phoeby. Janie overcame many adversities throughout her lifetime, the biggest of which being her relationships. She only had three: Logan, Joe, and Tea Cake. Her Nanny was really the only reason she had the first relationship with Logan too. All her life her Nanny had told her what to do and beat her if she did otherwise, just like her partners did. None of Janie's relationships worked out, not even with her grandmother, because Janie never stood up for herself or saw her own worth. She always resented the person she was. She was always pushed around. Be that as