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Setting in literature and why its important
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Setting, including physical location and time, is essential for establishing the backgrounds and identities of characters in a piece. Even within countries like the United States, where English is the national language and spoken by almost everyone, regional influences on language exist. The way a character speaks and communicates is an important part of their personal identity as a character, as well as an expression of their regional and cultural background. In Zora Neale Hurston’s Sweat, the dialect of the South used by the characters is a ready example of the influence of culture on one’s language. The heavy influences of culture are apparent in many texts, and a change in time or location would alter the language and mannerisms of speech …show more content…
used by the author and characters. Hurston creates a unique dialogue between characters by physically and phonetically representing their speech in the text.
She does this by writing out the words the way the characters pronounce them, not necessarily how they are spelled. An example of this style is a line spoken by a minor character: “Yep. Hot or col’, rain or shine, ies ‘ez reg’lar ez de weeks roll roun’ Delia carries ‘em an’ fetches ‘em on Sat’day.” Hurston exemplifies the traditional southern speech, used specifically by African Americans, by removing letters and replacing them with an apostrophe, eliminating the sound to match the omission of syllables by the speaker. When the reader reads this line, they not only understand the message, but the way that it would be spoken. This allows for a deeper connection to each character, and for the regional and cultural influences on their language to be showcased naturally. The physical representation of language influences our perception of the character, and in most other books written in “proper” English, this connection is somewhat lost. This phonetic language represents the culture of the area perfectly, and contributes the development of characters and their …show more content…
cultures. Historical influences on language, specifically those that are regionally-based, can be one of the first defining traits we know about a person. When Africans were brought to the South to be slaves, they had to rapidly adapt to their English-speaking masters. A blend of African dialects and English, spoken by slaves to one another, was created and called Pidgin. This became the commonplace language of the slaves, and when it became the language of the next generation, it became creole. Over time, the mannerisms of creole blended with Southern English, producing a dialect that is technically English, but with many differences. This is what we see spoken in Hurston’s Sweat. According to Professor Edward Vajda at Western Washington University, this language has a number of defining characteristics. These include the omission of final consonants and -ing sounds, such as po (or) and sto (re), as well as somethin’ and nothin’. A number of these are used normally throughout the text, reaffirming the influence of historical context and culture on one’s language. For example: “Look in de box dere Delia, Ah done brung yuh somthin’!” Here, as in the rest of the piece, we see characters utilizing and implementing this Southern and African American dialect that has adapted from their ancestors. This special and unique cultural identity plays an important role in establishing the history of the area, and its influence on the local residents. If the text took place in a different area, even within the United States, the distinctive historical and cultural identities of its characters would be drastically changed.
It is widely known that regional accents exist all over the United States, and that the cultural history of the area has a large influence on how modern inhabitants speak. This is addressed and tracked in the documentary Do You Speak American, and provides an excellent sampling of the regional accents throughout the United States and their origin. The differences, all based on the historical inhabitants of an area, pertain to any number of differences, primarily pronunciations of words. This creates a clear picture for all the different possible accents or mannerisms that could be developed by the characters of Sweat, provided the story took place in a different location and possibly time. If the story had changed location to the Northeast, near Boston, the lifestyle and culture, as well as the language, of the characters would be vastly different. As described by Professor Vajda, the Northeast dialect, influenced primarily by English Puritans, possesses a twang, a “flat sounding nasal lengthening of vowels.” This leads to the famous r-less pronunciations of words, like cah (car) and Hahvahd (Harvard). If this language influence was present in Sweat, the individuals would speak without the distinctive lack of an -ing at the end of words, along with a number of traits. African Americans were much more
populous in the South, and while the traits of African American English extend beyond the area, they are concentrated and most strongly exemplified in this area. The characters would speak with an accent more similar to the Boston one, as well as live and work differently. The key aspects of their culture and lifestyle would change, leading to a change in language, as the two are intertwined. Cultural context plays a large role in establishing the identity of the individuals and their background based on their location and time setting. Evident in Zora Neale Hurston’s Sweat, the language and speech mannerisms possessed by a group of people are influenced heavily by the history of the area and its inhabitants. Hurston uses the Pidgin-influenced dialogue of the time, as well as the southern setting, to establish the cultural identity of the characters in her story. This, along with its use in other texts, allows the author to indirectly establish the time period and setting naturally through dialogue and descriptive language. This unique identity established for the characters changes with the time and place, with the historical events of the area or time molding the way individuals speak and communicate.
“What she doin’ coming back here in dem over-halls? Can’t she find no dresses to put on?” Hurston's writing is full of conversations using colloquial diction. He uses a regional dialect to create the picture in your head of what the people speaking may look like by how they talk. In this excerpt, it describes a group of men and some women sitting on a porch watching another local women walk to her home. They are judging every move she makes. “What dat ole forty year ole ‘oman doin’ wild her hair swingin’ down her back lak some young gal?” The way he portrays their accents makes me picture them as somewhat idiotic.
Mrs. Hurston not only uses the vernacular of the Deep South she also uses Southern traditional legends. One example of this is how the book refers to death. Death is called the, "Square-toed one," that comes from the West. Even if the reader is not familiar with referring to death as the, "Square-toed one," the use of traditional legends helps to make us feel like we are where the book took place.
In “Sweat” by Zora Neale Hurston, the protagonist Delia is “double-colonized,” living in a society where African Americans are oppressed by whites, while her husband Sykes is also oppressing her. Delia is living in Florida in the early 20th century, when Jim Crow laws kept the black community segregated and oppressed. Delia washed clothes for the wealthier white community to make her living. She even had to work on Sunday night just to get all the washing done every week. Sykes tells Delia “Ah done tole you time and again to keep them white folks’ clothes outa dis house” (Hurston 137). He then goes on to call Delia a hypocrite for praying at church then coming home and doing laundry for white people, before stomping on the whitest pile of clothing. Hurston illustrates the hatred that manifests from racial oppression. Delia tells Sykes “Ah been married to you fur fifteen years, and Ah been takin’ in washin’ fur fifteen years. Sweat, sweat, sweat! Work and sweat, cry and sweat, pray and sweat!” (137). This epitomizes Delia’s existence; she works constantly,
“Sweat” is a short story written by Zora Neale Hurston. It is a story where the husband, Syke, does terrible things to Delia, the wife. Such terrible things are being abusive, and having an affair with someone else. However, this does not hurt Delia any more than it could have. Delia possesses strong characteristics. She is a hard working person, who basically earns for both of their livelihoods, and also very courageous. In order to reveal Delia’s character, Hurston adds in symbols and allusions.
Hurston, Zora Neale. “Sweat.” The Custom Library of American Literature. John Bryant. Boston, Massachusetts: Pearson Custom Publishing, 2008. 440-445.
In this book, Hurston writes in the dielect of the black community of the time. Many of the words are slang. Hurston begins the story with Janie telling it, but then it becomes a third person narrative throughout most of the story.
Hurston style, choice of words and spelling reveals an attempt by the black community to differentiate itself from white culture. I understand that the manner in which black people spoke during this period of time was considered by some, (whites and at times black) to be tasteless and idiotic. I strongly disagree with this point of view. It seems as though it was one of the reasons why Richard wright condemned Zora Hurston 's novel, stating that her dialogues only managed to catch the simplicity of the Negro folk mind. On the contrary, I view this style of speech to be a creative yet unique outlet to Black folks during their time of oppression. The ability to invent a distinguishable "dialect" of the English language not only shows intellectual creativity but artistic
Narrator, this was a third person account, thus leaving much to the imagination. The conversation’s language was left as if truly taken from an African American speaker in the south in such a time. The way Hurston made the scenery appear before me was like a white sheet gets stained with red wine, unable to wash out of my mind. The narration was very brut in a grammatical manner, giving a wash bucket effect of never being settled.
One of the key components of literature is the usage of elements, these elements of literature provides readers underlying themes that authors put into their story. Without these elements of literature, the author would have no way to convey their true messages into their works. In Zora Neale Hurston’s story “Sweat”, Hurston uses many elements of literature to convey the seriousness and true relationship of couples that have a history of domestic violence. However, a specific element of literature that Hurston uses are symbols which give readers a clearer understanding of domestic abuse and most importantly, the characteristics of the victim and perpetrator of an abusive relationship. The symbols that Hurston uses in her story are what fortifies her plot and characters in “Sweat”. The symbols that Hurston uses are necessary because it destroys the typical gender role stereotypes between men and women. This is necessary because there is such a difference between the portrayal of men and women, men often being superior to women. Hurston uses through her symbol to show some equality between men and women or at points women can also be superior against men.
Hurston begins the essay in her birth town: Eatonville, Florida; an exclusively Negro town where whites were a rarity, only occasionally passing by as a tourist. Hurston, sitting on her porch imagines it to be a theatre as she narrates her perspective of the passing white people. She finds a thin line separating the spectator from the viewer. Exchanging stances at will and whim. Her front porch becomes a metaphor for a theater seat and the passers
Our society expects women to generally serve men, to please men with their beauty, to be that innocent mind that depends men tremendously depend on, to be the helpmate any men would wish to have, and to be the girly woman we men dream of having. That said, when looking at “Sweat” through the feminist and historical lens, Hurston explains the idea of a sexist society full of men exploiting and breaking down women until they dispose them.
As he stoops over her as she attempts to do her work he yells, “You sho is one aggravatin’ nigger woman!” he declared and stepped into the room. She resumed her work and did not answer him at once. Ah done tole you time and again to keep them white folks’ clothes outa dis house. (Hurston, 1926)
...izes that there are still great differences between them and she sees them in a positive way. She feels while he only hears. Hurston handles the topic of race relations with no shame for herself or the African American community. She is proud of the differences. She feels life more fully.
In literature, the significant themes of a story can sometimes be developed within dramatic death scenes. With that being said, Zora Neale Hurston 's presents an unappreciated housewife and her high-class husband 's sinful ways which ultimately lead to the husband 's unplanned death, in her short story “Sweat”. The concluding death scene can best be described as illustrating the theme as “what goes around comes around”. Sykes was abusive and tried plotting his wife, Delia 's, death by using a rattlesnake, but his plan backfired and it was Sykes that was killed in the end.
Quarterly 40.1 (2001): 79-92. Rpt. In Zora Neale Hurston, ed. Harold Bloom. New York: Infobase Publishing, 2008, 181-195.