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Zora Neale Hurston’s Their Eyes Were Watching God helps us envision the struggles and battles of oppression of an African American woman, named Janie, during the turn of the century. As Janie strives for happiness and love we are provided with multiple examples abuse, disrespect and tyranny on behave of her own individuality, goals and dreams. Not only do we see that Janie was extremely disrespected but also misconceived on their roles in the social ladder in a severe patriarchal society. Janie’s upbringing is seen to be what causes distraught and unhappiness with her future relationships. The one person who is responsible for this is Nanny, Janie’s grandmother. From a young age Nanny instills the mindset that Janie’s only way to survive …show more content…
in such a cruel world, is to have a man by her side to protect her, provide for her and ultimately control her life. Janie isn’t allowed to have her own dreams or chase things she believes in because that isn’t how a lady is to act in this world. The only vision Nanny wants Janie to go after is the one where a woman needs a man money, security and protection, and then she will find happiness. Janie is a strong opinionated woman, however she’s also and African American women and so the odds are heavily stacked on her to fail. Nanny notices this and wants the best for her “De nigger woman is de mule uh de world so fur as Ah can see. Ah been prayin' fah it tuh be different wid you. Lawd, Lawd, Lawd!” From this point in the novel we see that Nanny has just compared her granddaughter to a mule, hence that women in those times were seen as nothing greater than a piece of meat that works while the men receive all the praise and glory. Nanny eventually arranges a marriage for Janie and Logan, who is wealthy and can support Janie, who is 3 times younger than Logan. Logan Killicks was the man Nanny felt safer with to protect Janie even though Janie dislikes him ever so much.
Logan views his wife the same as Nanny; every woman is to cook, clean and support their husbands whenever needed. There is a social standard for women to just be maids or housewives and it is ridiculous for them to aspire to be anything greater than that. Logan wants to further oppress his wife by turning her into a slave. He wants her to do all the things in the house and also help plow the field “Ah aims tuh run two plows, and dis man Ah'm talkin"bout is got uh mule all gentled up so even uh woman kin handle 'im." Logan doesn’t see a woman he’s married to he just see another worker to help with his daily chores and since she is a women there is no way she could ever handle a sturdy brute mule, hence that it is shown that she a gentle and delicate mule that only a women could use. Since divorce was not an option for women back in those it was either stay and possibly be killed by Logan or get up enough courage to run off and that’s where Mr. Joe comes into …show more content…
play. Joe is the second person in Janie’s life to provide a false vision of hope, happiness and freedom from her oppression.
In the story, Joe states “A pretty doll-baby lak you is made to sit on de front porch and rock and fan yo'self and eat p'taters dat other folks plant just special for you." From the beginning of their relationship Joe notices that Janies beauty is the biggest source of power. Joe denies her any chance of individuality by making her cover her hair or a chance to socialize; he keeps her locked up either in the house or the store with busy work where she is only as useful as an animal. Another example where we see Joe oppress Janie’s voice is at the town meeting where people want Janie to speak but Joe quickly puts a end to it by that it illustrates that women didn’t have a voice during those times. Women were to be seen not heard for they were seen as uneducated and to talk amongst men was ludacris. Janie begins to take a stand for herself against Joe’s constant control on her life, we see that she is gaining power and control of her own life even so its only for a short period of time. She is becoming her own women with her own ideas and unique personality. Even then, on his death bed Joe blames Janie for his soon to come death. Janie, of course, mourns but is liberated and freed from the shackles that Joe has placed on her for so many
years. We see that Janie is starting to gain her own voice as she stands up against Joe but as that is happening something new intrigues her. Tea Cake comes along and helps Janie grow by letting her interact and develop in the world like any man would; for example he allows Janie to play checkers allowing her to be an actual human being. Janie already had the money, the store and a house to live in after Joe’s death so the only thing that mattered to her now is love, which Tea Cake gives her, but now has control of. In chapter seventeen, Joe beats Janie to show that he is still in control; which from a feministic stand point shows that women cannot fight back or defend themselves, the men will always have a sense of power over them no matter what. In conclusion Janie has evolved as woman in many ways providing a sense of entitlement and unification among other women of her time. Eventfully, Janie made it her purpose to outgrow the social norm of a patriarchal society, fulfilling her dreams that were once hindered by oppression. Hurston did not want to just unify women but she wanted to break the racial boundary as well making the women whole to stand up against the patriarchal society that in control throughout America.
In Their Eyes Were Watching God, Zora Neale Hurston portrays the religion of black people as a form of identity. Each individual in the black society Hurston has created worships a different God. But all members of her society find their identities by being able to believe in a God, spiritual or other. Grandma’s worship of Jesus and the “Good Lawd,” Joe Starks’ worship of himself, Mrs. Turner’s worship of white characteristics, and Janie’s worship of love, all stem from a lack of jurisdiction in the society they inhabit. All these Gods represent a need for something to believe in and work for: an ideal, which they wish to achieve, to aspire to. Each individual character is thus able to find himself or herself in the God that they worship.
Crabtree, Claire. "The Confluence of Folklore, Feminism and Black Self-Determination in Zora Neale Hurston's 'Their Eyes Were Watching God'." The Southern Literary Journal 17.2 (Spring 1985): 54-66. Rpt. in Contemporary Literary Criticism. Ed. Roger Matuz and Cathy Falk. Vol. 61. Detroit: Gale Research, 1990. Literature Resources from Gale. Web. 14 Jan. 2014.
This excerpt from Zora Neale Hurston’s book, Their Eyes Were watching God, is an example of her amazing writing. She makes us feel as if we are actually in her book, through her use of the Southern Black vernacular and admirable description. Her characters are realistic and she places special, well thought out sentences to keep us interested. Zora Neale Hurston’s art enables her to write this engaging story about a Southern black woman’s life.
Janie does so by choosing her new found love with Joe of the security that Logan provides. Hurston demonstrates Janie's new found ‘independence’ by the immediate marriage of Joe and Janie. Janie mistakenly chooses the pursuit of love over her pursuit of happiness and by doing so gave her independence to Joe, a man who believes a woman is a mere object; a doll. By choosing love over her own happiness Janie silences her voice. The realization of Janie's new reality is first realized when Joe states, “...nah wife don’t know nothin’ ‘bout no speech-makin’. Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home()" Joe is undermining Janie, cutting short any chance for Janie to make herself heard. Joe continues to hide Janie away from society keeping her dependent and voiceless. As Janie matures, she continues to be submissive to her husband, “He wanted her submission and he’d keep on fighting until he felt he had it. So gradually, she pressed her teeth together and learned to hush (71).” Though Janie ‘learned to hush’, and suppress herself, Janie still urges for her voice. When the opportunity came for Janie to reclaim her voice, "But Ah ain’t goin’ outa here and Ah ain’t gointuh hush. Naw, you gointuh listen tuh me one time befo’ you die. Have yo’ way all yo’ life, trample and mash down and then die ruther than tuh let yo’self heah ‘bout
The first two people Janie depended on were her Grandmother, whom she called Nanny, and Logan Killicks. Janie’s marriage to Logan Killicks was partially arranged by Nanny. Nanny had felt the need to find someone for Janie to depend on before she died and Janie could no longer depend on her. At first, Janie was very opposed to the marriage. Nanny responded with, “’Tain’t Logan Killicks Ah wants you to have, baby, it’s protection. ...He (God) done spared me...a few days longer till Ah see you safe in life.”(p.14) Nanny instilled the sense of needing a man for safety on Janie that Janie keeps with her throughout her life. After Nanny’s death, Janie continued to stay with Logan despite her dislike for him. She would have left immediately, however, if she did not need to depend on him.
The novel, Their Eyes Were Watching God by Zora Neale Hurston, is a novel that is a perfect representation of its time period. The novel was written in the 1930’s which was a time period filled with racism and sexual oppression, and this time period caused black women in American to become the most oppressed. The numerous symbols within the novel Their Eyes Were Watching God are able to capture these cultural ideals at the time and were influenced heavily by the time period. Specifically, Janie’s hair and her rags are representative of her non-conformity to society's standards which further characterizes her as independent.
Janie’s first attempt at love does not turn out quite like she hopes. Her grandmother forces her into marrying Logan Killicks. As the year passes, Janie grows unhappy and miserable. By pure fate, Janie meets Joe Starks and immediately lusts after him. With the knowledge of being wrong and expecting to be ridiculed, she leaves Logan and runs off with Joe to start a new marriage. This is the first time that Janie does what she wants in her search of happiness: “Even if Joe was not waiting for her, the change was bound to do her good…From now on until death she was going to have flower dust and springtime sprinkled over everything” (32). Janie’s new outlook on life, although somewhat shadowed by blind love, will keep her satisfied momentarily, but soon she will return to the loneliness she is running from.
Their Eyes Were Watching God by Zora Neale Hurston is about a young woman that is lost in her own world. She longs to be a part of something and to have “a great journey to the horizons in search of people” (85). Janie Crawford’s journey to the horizon is told as a story to her best friend Phoebe. She experiences three marriages and three communities that “represent increasingly wide circles of experience and opportunities for expression of personal choice” (Crabtree). Their Eyes Were Watching God is an important fiction piece that explores relations throughout black communities and families. It also examines different issues such as, gender and class and these issues bring forth the theme of voice. In Janie’s attempt to find herself, she grows into a stronger woman through three marriages.
Zora Neale Hurston’s Their Eyes Were Watching God is greatly praised by most critics today but was held in a different light when first published. Popular black authors during Hurston’s era held the most disdain for Hurston’s novel. Famous writer Richard Wright harshly criticized the book as a “minstrel technique that makes the ‘white folks’ laugh. Her characters eat and laugh and cry and work and kill; they swing like a pendulum eternally in that safe and narrow orbit in which America likes to see the Negro live: between laughter and tears” (Wright, Between Laughter and Tears). Wright dominated the 40’s decade of writing for blacks (Washington, Foreword). His review explains Hurston book is feeding the whites additional reasons why black are the “lower” race. This was the complete opposite idea of what blacks strived to be seen as and as such Hurston’s novel would be unread by the black culture. This made Wright’s review the most crippling towards Hurston because it was intensely harsh and his influence greatly urge the readers to dismiss Their Eyes Were Watching God leading to its disappearance.
Zora Neale was an early 20th century American novelist, short story writer, folklorist, and anthropologist. In her best known novel Their eyes were watching God, Hurston integrated her own first-hand knowledge of African American oral culture into her characters dialogue and the novels descriptive passages. By combing folklore, folk language and traditional literary techniques; Hurston created a truly unique literary voice and viewpoint. Zora Neale Hurston's underlying theme of self-expression and search for one’s independence was truly revolutionary for its time. She explored marginal issues ahead of her time using the oral tradition to explore contentious debates. In this essay I will explore Hurston narrative in her depiction of biblical imagery, oppression of African women and her use of colloquial dialect.
Zora Neale Hurston’s novel, Their Eyes Were Watching God and the film, Diary of a Mad Black Woman focus on the stories of two resilient African American women who overcome various adversities. They are both in abusive marriages, where they are abused physically and mentally. After series of events, they become independent women, learn how to adapt to the new environment they are in, and learn how to face the new set of challenges they are presented with.Throughout their stories, Janie and Helen characters’ undergo various changes as their characters develop and mature.
Racine, Maria J. "African American Review." Voice and Interiority in Zora Neale Hurston's Their Eyes Were Watching God 28.2 (1994): 283-92. Jstor. Black's Women Culture Issue, Summer 1994. Web. Dec. 2013.
She would eventually find that Joe needed to have control. The head rag was one of Joe’s ways of confining Janie, and a way he could keep her to himself and under his control. Hurston wrote, “This business of the head-rag irked [Janie] endlessly. But Jody was set on it. Her hair was not gong to show in the store… She was there in the store for him to look at, not those others” (6.31). Joe’s jealousy traps Janie, keeping her from being free to express her true self. Taking away her greatest display of beauty prevents her from having her own identity as a beautiful woman. Janie’s life became so confined, “she sat and watched the shadow of herself going about tending the store and prostrating itself before Jody, while all the time she herself sat under a shady tree with the wind blowing through her hair and her clothes” (7.5). Janie was so restrained by Joe’s jealousy she could only find freedom in her thoughts. She imagined a shadow of herself confined in the store while her true self was free to wonder under a tree, like she wondered under the pear tree, which defined her idea of love as teenager. After Joe died Janie “burnt up every one of her head rags and went about the house next morning with her hair in one thick braid swinging well below her waist” (9.3). This was an expression of Janie’s joyful liberation and defiance of Joe’s restrictive ways. After years of
Nanny believes that Janie needs the support of a man, preferably one with wealth. She is married to a man decades older than her sixteen years, Logan Killicks, because of his ability to provide her material comfort.... ... middle of paper ... ... Returning to Etonville, Janie recounts the story of an old friend.
Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home”(43). During this time women had no power; a woman’s role in society was to was to tend to the house and take care of kids, Like Nanny said women were the mule of the world especially black women and mules are not equated as being powerful and strong. They are considered dirty working creatures which you can treat ineptly , feed them garbage, and they are still expected to do their work and be obedient like the women of that time were