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Themes contributing to janie's self discovery
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Everyday you make judgements. Whether you realize it or not, you make a subconscious judgement whether it is based on what you have heard, or what you have seen. These judgements aren’t always meant to be cold, but often there are subjects that cause people to make harsh and stern judgements. In the novel Their Eyes Were Watching God by Zora Neale Hurston, Hurston uses the character of Janie to show how people judge others by what they’ve seen and heard about their social status and appearance and not by what’s inside. Throughout the novel, there are many judgements made based on only appearance. For example when Janie is entering town at the beginning of the story, the ladies on the proch gossip saying things like, "”What she doin coming back here in dem overhalls? Can’t she find no dress to put on? – Where’s dat blue satin dress she left here in? – Where all dat money her husband took and died and left her? – What dat ole forty year ole ‘oman doin’ wid her hair swingin’ down her back lak some young gal? – Where she left dat young lad of a boy she went off here wid? – Thought she was going to marry? – Where he left her? – What he done wid all her money? – Betcha he off wid some gal so young she ain’t even got no hairs – Why she don’t stay in her class?” (Hurston Page 2). This quote demonstrates the quick judgements that the gossiping ladies on the porch have for Janie. They are judging her for running off with a no-name man as well as they way she is dressed when she trudges into town. There are many judgements expressed in this book, but they are not always bad. For instance, Janie describes a jaunty fellow who is walking into town as “a cityfied, stylish dressed man with his hat set at an angle that didn’t belong in these pa... ... middle of paper ... ...money and fun and foolishness. We must go dere” (Page 128). Tea Cake is basing this judgement purely off of things he has heard. He assumes it would be a nice place to stay, although he has no real idea. Hurston also demonstrates that these false judgements can lead to something bad as well. Like when Tea Cake tells Janie, "Ah got money on me, Janie. Dey can’t bother me” (Page 156). He has heard about people in the Everglades and has made a false judgement, assuming that everything will be okay if he has money. Throughout the entire novel, Hurston uses Janie to show all the judgements that can be made without even knowing a person or place. Whether the judgement is a harsh or gentle one it is evident that they are made very often. Usually with little evidence about the subject. Ultimately, it is shown that these judgements are often made and can hardly be avoided.
When they are caught in the storm, Janie does not question Tea Cake’s decision to stay, but instead watches attentively as to what he decides to do next. Her love for him rids her of powerlessness, and she regards him as God, because she loves him and is ready to leave at his command. After Tea Cake’s death, Janie still clings to her love for him, which empowers her.
Janie does so by choosing her new found love with Joe of the security that Logan provides. Hurston demonstrates Janie's new found ‘independence’ by the immediate marriage of Joe and Janie. Janie mistakenly chooses the pursuit of love over her pursuit of happiness and by doing so gave her independence to Joe, a man who believes a woman is a mere object; a doll. By choosing love over her own happiness Janie silences her voice. The realization of Janie's new reality is first realized when Joe states, “...nah wife don’t know nothin’ ‘bout no speech-makin’. Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home()" Joe is undermining Janie, cutting short any chance for Janie to make herself heard. Joe continues to hide Janie away from society keeping her dependent and voiceless. As Janie matures, she continues to be submissive to her husband, “He wanted her submission and he’d keep on fighting until he felt he had it. So gradually, she pressed her teeth together and learned to hush (71).” Though Janie ‘learned to hush’, and suppress herself, Janie still urges for her voice. When the opportunity came for Janie to reclaim her voice, "But Ah ain’t goin’ outa here and Ah ain’t gointuh hush. Naw, you gointuh listen tuh me one time befo’ you die. Have yo’ way all yo’ life, trample and mash down and then die ruther than tuh let yo’self heah ‘bout
Zora Hurston was an African American proto-feminist author who lived during a time when both African Americans and women were not treated equally. Hurston channeled her thirst for women’s dependence from men into her book Their Eyes Were Watching God. One of the many underlying themes in her book is feminism. Zora Hurston, the author of the book, uses Janie to represent aspects of feminism in her book as well as each relationship Janie had to represent her moving closer towards her independence.
Hurston did not design her novel, Their Eyes Were Watching God with the intent of creating a protagonist figure in Tea Cake Woods. Hurston’s characters just naturally fit into the roles and personalities that African American women have been socialized to expect and accept from black men. The good over the bad; turn the other cheek; don't let it get you down. Forever taught that the road ain't gonna be easy and that a ain't-half-bad man is better than no man, African American women have been instilled with the belief that abuse, bitterness, and sadness can be ignored if there is something else to focus that energy on. In Janie's case, we are moved to accept Tea Cake, who is at times abusive, because of the way he makes Janie feel - young and happy.
Of least significance to Janie is her first husband, Logan Killicks. Hurston uses pathos to show that Janie and her first husband are not meant to be even though society thinks otherwise. Nanny thinks that Logan is really made for Janie, but Janie doesn’t love Logan. Janie tells Nanny, “Cause you told me Ah
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
The contrast of these two places reinforces the theme of a search for love and fulfillment. To see what an ideal situation for an independent woman like would be, Hurston must first show the reader what Janie cannot deal with. Hurston has her character Janie go on a quest, one that was begun the day she was forced to marry Logan Killucks. The contrast in the setting is similar to one between good and evil.
Hurston uses the power of language and different narrative techniques to show Janie's transition throughout the novel. It is important to notice that in Janie's journey from object to subject, the narration of the novel shifts from third person to a mixture of first and third person; thus, the shift shows the awareness of self within Janie. Language becomes an instrument of injury and salvation and of selfhood and empowerment. The use of powerful language is exemplified well in the text when Janie is asked to say a few words as the new Mrs. Mayor. Joe, her second husband, quickly cuts in and says, "Thank yuh fuh yo' compliments, but mah wife don't know nothin' 'bout no speech-makin'. Ah never married her for not...
Janie sets out on a quest to make sense of inner questions. She does not sit back and
The late first lady Eleanor Roosevelt once said, "Hate and force cannot be in just a part of the world without having an effect on the rest of it." Mrs. Roosevelt means that although one person may feel alone through the hardships one faces, one has millions beside oneself who can relate to and understand what one may feel. Zora Neale Hurston shows that even though Janie's family and spouses continue to be abusive and harsh toward Janie, their hate and control left her stronger than before, preparing her for the next challenges thrown at her. In Their Eyes Were Watching God, the deaths' of close relatives and family positively affect Janie because she tends to become more educated and wiser with each death she overcomes in the obstacles she calls her life.
...women he has seen walk seven full miles. But at the same time he still wants to feel like the man. In chapter 13, nstead of hitting her to show that, he just wants to be able to support his wife. "Put dat two hundred back wid de rest, Janie. Mah dice. Ah no need no assistance tuh help me feed mah woman. From now on, you gointuh eat whutever mah money can buy uh and wear de same. When Ah ain’t got nothin’ you don’t git nothin’." Tea Cake demonstrates his strong sense of masculinity by making "his woman," Janie, financially dependent on him. He takes pride in being able to provide for a woman who has lived such a privileged life. Although Janie never seems conflicted about living a poor life with Tea Cake, she kind of has to agree to live by what he provides or severely damage his pride. Also Janie likes that feeling of finally having someone who wants to support her.
From now on, you gointuh eat whatever mah money can buy uh and wear de same. When Ah ain’t got nothin’ you don’t git nothin’” (Hurston 128). Tea Cakes breaks the gender boundaries when he asks Janie to work on the field with him and he “would help get supper afterwards” (Hurston 133).
Our society expects women to generally serve men, to please men with their beauty, to be that innocent mind that depends men tremendously depend on, to be the helpmate any men would wish to have, and to be the girly woman we men dream of having. That said, when looking at “Sweat” through the feminist and historical lens, Hurston explains the idea of a sexist society full of men exploiting and breaking down women until they dispose them.
... Janie is free-spirited and unconcerned about what others think of her. When she returns to Eatonville after Tea Cake’s death, she shows no shame for what she has done or where she has been, because she is finally able to live the life she always wanted to lead. Hurston’s own struggles in life for individuality and an outlet for her suppressed spirit clearly contribute to the development of Janie’s character. Just as Hurston struggled for recognition, equality, and purpose in the literary world during the Harlem Renaissance, Janie’s struggle for the recognition, equality, and purpose in her relationships.