Their Eyes Were Watching God by Zora Neale Hurston
The novel, Their Eyes Were Watching God, written by, Zora Neale Hurston, was
full of imagination, imagery and phrasing. Janie’s character and dialogue seemed to slip wisdom
into the reader’s head without them knowing their ingesting something deep and true. The ups
and downs of Janie’s life have made her a stronger person. This is shown endless times
throughout the novel. I feel that this story recognizes that there are endless problems to the
human condition, such as the need to possess, fear of the unknowing and stagnation. However,
the story does not give a feeling of hopelessness. Through Janie’s character, Ms. Hurston extends
a recognition and understanding of humanity’s need to escape emptiness. “Dem meat skins is got
tuh rattle tuh make out they’s alive.” (Hurston 183) Her solution is simple: ““Yuh got tuh go
there tuh know there.” (Hurston 185)
Janie sets out on a quest to make sense of inner questions. She does not sit back and
let the tragedies in her life cripple her. Instead it strengthens her. Through questioning and
discovery she better understands the world she lives in and how small a thing like happiness is
comprised of, “If you kin see de light at daybreak, you don’t care if you die at dusk. It’s so many
people never seen de light at all.” (Hurston 151) This quote caught my eye while I was reading
because it makes you truly think of what really makes you happy in life.
Janie married Logan Killicks for protection rather than love. He seemed to feel that he
deserved to slap her around. Janie soon realizes that she is living in Nanny’s dreams rather than
her own and decides to escape with Jody. A feeling of sudden newness and change came over
her. “Even if Joe was not there waiting for her, the change was bound to do her good.”
(Hurston 32) This shows a great strength in her character because even if Joe was not there for
her she would still be determined to change without him. Joe seems closer to her ideal, closer to
the dream of marriage that she has. But, he represents a black man who wishes to gain wealth and
power.
From the beginning of their relationship there were signs that he was not the love Janie
was looking for. “On the train the next day, Joe didn’t made many speeches with rhymes to her,
By the end of the story, Janie has accomplished finding and conquering self-actualization, she has reached her enlightenment through the her marriages to Logan, Jody, and Tea Cake. It is apparant when she tells Pheoby, “You got tuh go there tuh know there..Two things everybody's got tuh do fuh theyselves. They got tuh go tuh God, and they got tuh find out about livin' fuh theyselves" (Hurtson 183).
..., she found her identity. It did not come easy for Janie. It took her years to find out who she really was.
From Janie’s first relationship with Logan Killicks, she learns about marriage. Janie is forced to marry Logan by Nanny, Janie’s grandmother. Janie was really young and she did not have any plans on getting married, but Nanny wants Janie to marry someone soon: “Tain’t Logan Killicks Ah wants you to have, baby, it’s protection. Ah ain’t gittin’ ole, honey, Ah’m done ole. One mornin’ soon, now, de angel wid de sword is gointuh stop by here. De day and de hour is hid from me, but it won’t be long. Ah as de Lawd when you was uh infant in mah arms to let me stay here till you got grown.
begins to order her around. But Janie is young and her will has not yet been
Janie’s first relationship was with Logan Killicks. She married him only because she wanted to appease her grandmother. Logan did not truly love Janie, but saw her as an asset to increase his own power. Logan expressed this through several actions. He first tries to use her to "increase his profits" rather than treating her as a wife when he travels to Lake City to buy a second mule so Janie can use it to plow in the potato field because potatoes were "bringin' big prices”. When Janie later refused to work at his command, stating that it was not her place to do so, Logan told her, "You ain't got no particular place. It's wherever Ah need yuh". After Logan told her this, Janie decided she had to either escape or face becoming her husband's mule for life. Janie stood up to her husband. This is a feminist action because Janie is willing to leave a husband who makes her unhappy, which was rare act of independence and defiance for women living in the 1930’s. To free herself from her marriage with Logan Killicks, she only needed to invalidate the elements of his symbolic vision. She recognized that for Killicks marriage was primarily a financial arrangement, and his sixty acres acted both as a sign and guarantee of matrimonial un...
Zora Neale Hurston’s Their Eyes Were Watching God describes the life of Janie, a black woman at the turn of the century. Janie is raised by her Grandmother and spends her life traveling with different men until she finally returnes home. Robert E. Hemenway has said about the book, “Their Eyes Were Watching God is ... one of the most revealing treatments in modern literature of a woman’s quest for a satisfying life” I partially disagree with Hemenway because, although Janie is on a quest, it is not for a satisfying life. I believe that she is on a quest for someone on whom to lean. Although she achieves a somewhat satisfying life, Janie’s quest is for dependence rather than satisfaction.
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
When dealing with all of the different people Jaine faced, she would find a way to speak her ideas, receive a response, and through this exchange she developed her sense of self-worth. When Janie found a way to speak her ideas, they would have an impact on everyone. Though, Janie did not always speak her ideas. She would often do something that made an impression on someone. The first real action Janie took was to leave her husband, Logan Killicks.
His voice continuously oppresses Janie and her voice. She retreats within herself, where she still dreams of her bloom time, which had ended with Joe, “This moment lead Janie to ‘grow out of her identity, but out of her division into inside and outside. Knowing not to mix them is knowing that articulate language requires the co-presence of two distinct poles, not their collapse into oneness’ ” (Clarke 608). The marriage carries on like this until Joe lies sick and dies in his death bed.
The next man that Janie confides in is Joe Starks. Joe in a sense is Janie's savior in her relationship with Logan Killicks. Joe was a well kept man who worked for "white-folks" all his life and had earned enough money to move himself to a town called Eatonville that was run completely by black people. Janie meets Joe while she is still married to Logan and she begins to lean on him ever so slightly. She has wanted to leave Logan, and she wouldn't have if Joe had not come along. Joe convinced Janie that he would be better off for her by telling her, "Janie, if you think Ah aims to tole you off and make a dog outa you, youse wrong.
... Janie is a strong independent woman, who lives in a society that does not encourage that kind of behavior in women. During the novel she is told what to do, how to do it and at one point who to marry. She struggles with her growing unhappiness until she finally meets her true love. Bibliography Shmoop Editorial Team.
People are constantly searching for their voices. A voice gives someone independence and the ability to make her own decision. The First Amendment ensures that all United States citizens possess the freedom of speech; however, not all people are given the ability or opportunity to exercise that right. When a person has no voice they rely on others to make their decisions. Throughout Zora Neale Hurston’s Their Eyes Are Watching God, Janie constantly struggles to find her voice. Her marriage to Logan Killicks, Joe Starks, and Tea Cake help her discover and utilize her voice in different ways. During Janie’s first marriage to Logan she has no voice, Joe silences Janie’s tiniest whisper and controls her similar to a slave; in contrast to Logan and Joe, Tea Cake encourages Janie to use her voice and make her own decisions. Janie cannot express her voice until she discovers happiness and independence through her final marriage.
Over time Janie begins to develop her own ideas and ideals. In Their Eyes Watching God. Each principle character has their own perceptions. towards the end of marriage. & nbsp;
The late first lady Eleanor Roosevelt once said, "Hate and force cannot be in just a part of the world without having an effect on the rest of it." Mrs. Roosevelt means that although one person may feel alone through the hardships one faces, one has millions beside oneself who can relate to and understand what one may feel. Zora Neale Hurston shows that even though Janie's family and spouses continue to be abusive and harsh toward Janie, their hate and control left her stronger than before, preparing her for the next challenges thrown at her. In Their Eyes Were Watching God, the deaths' of close relatives and family positively affect Janie because she tends to become more educated and wiser with each death she overcomes in the obstacles she calls her life.
had for Janie was more of a lust than a love. He was very protective of