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Importance of theatre in our contemporary life
Role of theatre in education
Theatre and society
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Recommended: Importance of theatre in our contemporary life
Theater reveals the inner thoughts and feelings of individuals by existing as a dynamic medium that facilitates entertaining atmosphere of an exchange of ideas. The fluidity of Theater allows for numerous art forms to collaborate sending emotionally stirring messages that affect large numbers by entertaining and informing simultaneously. The simultaneous motives drive everyone involved from the actors to the audience to experience change within and while also changing the art creating an atmosphere of phenomena. Constant movement of the experience, phenomena, between various diverse groups allows the production to be fluid in every incarnation changing to social environment to still be relevant. Phenomena creating through the environment fostered by every actor, director, and choreographer; however, in the words of Mark Leslie, “An actor without techies is a naked person standing in the dark trying to emote” and technicians through the instruction of their designers create the physical world in which phenomena can be experienced. Technical design facilitates theatrical objectives by providing a physical environment to bring people together to convey powerful sentiments from diverse views and is vital for culture to thrive.
Theatrical designers use technology to effect and create sets, costumes, lighting effects, and sound playback. Before, engaging with the technology a designer must first understand the theory behind designing. To summarize Stephen Di Benedetto instructional text on the subject,
The principles of design are the guidelines used for putting elements together to create effective communication. While the elements [line, shape/form, measure, position, color, value, texture, and space] are the ‘what’ of a design, t...
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...nomena of performance art combine with so many other fields that allows for so many messages to come across to so many people.
Works Cited
Brantley, Ben. "Through Hot Pink Glasses, a World That's Nice." Rev. of Theater Review-Hairspray. New York Times 16 Aug. 2002: 1-2. Http://www.nytimes.com. New York Times. Web. 27 Nov. 2013.
Di Benedetto, Stephen. "The Vocabulary of Visual Thinking." An Introduction to Theatre Design. London: Routledge, 2012. 48-62. Print.
Russell, Bertrand. "Appearance and Reality." Theatre and Performance Design: A Reader in Scenography. Ed. Jane Collins and Andrew Nisbet. London: Routledge, 2010. 13-15. Print.
“Setting the Stage.”ATW-Working In The Theatre. 3 June 2013. iTunes.com. Web. 27 Nov. 2013
White, Christine A. "Methodological Practices For Directing and Designing." Directors & Designers. Bristol, UK: Intellect, 2009. 143-47. Print.
The specialization and individualized professions in the field of Technical Theatre are relatively new to the stage in comparison to the period of time in which the art of Theatre has grown. Aiding in the development of concentrated professions such as scenic design has been a plethora of talented, skillful, intelligent and highly driven individuals. Among these influential fountains of creativity have been John Lee Beatty, Eugene Lee, Boris Aronson, Ming Cho Lee, Jo Mielziner, Tony Walton, Robin Wager, John Napier, Santo Loquasto, Heidi Landesman, and Julie Taymor along with many more.
Lawson, Bryan. How Designers Think: The Design Process Demystified. 4th ed. Oxford: Architectural Press, 2006.
In the context of this essay I will be thinking from the perspective of the director in order to explore a breadth of design choices the director of a company has the privilege of making. This would be a primarily text-free interpretation of Angels in America and a highly physical-theatre driven work. The title of t...
Lawson, Bryan. How Designers Think: The Design Process Demystified. NY: Architectural Press, 1980, 2007. Massachusetts: NECSI Knowledge Press, 2004.
Russell Brown, J. 1995. The Oxford Illustrated History of the Theatre. 3rd ed. Oxford: Oxford University Press.
Globalization accompanies with the localization. People often read design via their recognitions of visual signals. By creating a more humanistic approach to visual design, a global design consisting of localization, graphic signal, research, marketing, and both linguistic and semiotic communication to breakdown the global code of design (Jones, 2011).
Throughout the history of the theatre its technology has helped to convey the story, amaze the audience, and to, at times, make the theatrical performance possible. Over the ages we have seen the growth of theatre shown in its technology, namely its staging, costumes, scenery, and lighting. We will trace the development and growth of these technologies from Ancient Greece through the end of the eighteenth-century.
Thom, P (1992), For an Audience: A Philosophy of the Performing Arts (Arts and Their Philosophies), Temple University Press
Applied Theatre work includes Theatre-in-Education, Community and Team-building, Conflict Resolution, and Political theatre, to name just a few of its uses. However, Christopher Balme states that “Grotowski define acting as a communicative process with spectators and not just as a production problem of the actor” (Balme, 2008: 25). Applied Theatre practices may adopt the following “theatrical transactions that involve participants in different participative relationships” such as Theatre for a community, Theatre with a community and Theatre by a community Prentki & Preston (2009: 10). Whereas, applied theatre one of its most major powers is that it gives voice to the voiceless and it is a theatre for, by, and with the people. However, Applied Theatre practitioners are devising educational and entertaining performances bringing personal stories to life and build
“Theatre makes us think about power and the way our society works and it does this with a clear purpose, to make a change.”
Nevertheless, the question at hand is whether theatre will have a role in the society of the future, where cinema, digital television, and computers will continue to expand and grow. The answer to this question is yes. Heading into the 21st century, theatre will only be a fraction in a solid media industry. However, despite all the excitement technology brings with it, they will never replace theatre because it has something that can not be recreated or offered anywhere else. The cinema and its larger than life world appeals as an affordable alternative. Digital television provides digital interaction between the viewer and the producer. Theatre on the other hand, and its contents may take on a larger dimension, but we receive it directly in flesh and blood – one to one. The magical atmosphere between an actor and spectator who are constantly aware of each other and the theatre’s level of engagement is fundamentally more human and far more intimate.
Imagine this following scene: You are sitting in a dark, fairly crowded large room. There are hundreds of other people, in hundreds of other seats surrounding you. In front of you, there is a large stage, with people acting out a play. Lights, music, and different sound effects set the mood of the play for you to understand more clearly what is going on. With these certain conventions, viewer can get a real grasp of a story in which several actors are trying to portray. However, it hasn’t always been this easy to enjoy a play in a theater. Theatre and plays go back as far as “b.c.” times.
Hegeman, J. (2008). The Thinking Behind Design. Master Thesis submitted to the school of design, Carngie Mellon University. Retrieved from: http://jamin.org/portfolio/thesis-paper/thinking-behind-design.pdf.
Theatre as we know it now was born more than two thousand years ago and has gone through many streams until it reached the current modernity. Among these streams is the avant-garde theatre. This theatre achieved a break in the traditional theatre and became the forefront of a new experimental theatre. Therefore it is necessary to ask how this theatre started, what impact it had on society and if this type of theatre is still common in our modern era.
Theatre is a more language driven medium, while movies and television are driven by what you see. Theatre relies solely on excellent script, and acting. Theatre has a live element, a more heightened sense of realism. Some argue that we are losing the very essence of theatre, its live-ness, because of recorded media seeping into plays and performances (Trueman). With technology things can more easily go wrong. Lyn Gardner says that if the show relies too heavily on technology, it can cause performances to be canceled completely due to technical glitches that instead of adding to performances, the technology has become the show. The spectacle has began to make actors obsolete, leaving the audience to feel alienated and passive to the performance rather than part of it as they should feel