Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Social ills of the yellow wallpaper
Gender discrimination literature review
Portrayal of women in american literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Social ills of the yellow wallpaper
Obsession Overcomes Oppression
In the short story "The Yellow Wallpaper" by Charlotte Perkins Gillman, the reader is taken into the mind of a mentally disturbed woman named Jane who has been imprisoned by trying to fit the stereotypical wife mold of the nineteenth century. The reader is able to take opinions from Jane which reflect the stereotypes of frailty and the nurturing roles given to women. These opinions close all of the doors for the emotions taking place except those of Jane. By showing the story from her perspective, a bias of men is formed. Through Jane's perceptions of her surroundings, the reader is able to understand how men assign the roles of women and essentially, drive them to madness. In learning of Jane's plight as seen through her eyes, a sense of empowerment develops amongst feminist supporters. Not only is there a strong theme of women's oppression by their male counterparts, but the reader is also able to see how this oppression can drive a woman further and further into lunacy.
The narrator, Jane, is suffering from a "temporary depression." She tells us in the beginning that "John is a physician, and perhaps I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind perhaps that he is one reason I do not get well faster." Jane creates a story that expresses the results a woman must deal with while in the care of a man. She certainly loves and trusts her husband but at the same time she has some deep-seated feeling that his treatment of complete and total bed rest is not the best remedy for her. Jane also points out that she has an older brother who is also a physician and agrees with her husband. As a consequence, Jane has no choice but to subjec...
... middle of paper ...
... up for what she wants and needs. Nevertheless, in doing so she shows her insanity when she is hysterically ripping away the wallpaper and saying that now he can never put her back in there. This is the rock bottom for Jane and her final decent into complete madness.
Jane is undoubtedly in an internal struggle to overcome the male dominance that has been placed upon her. She is a perfect illustration of the position women held in society at that time. As the product of a society that frequently accepts women as being below men, she only wants to escape victorious in freeing herself from her husband's control. Jane simply wants company and support which anyone should be allowed to have. Jane's emotions and ideas exemplify those of all women who struggle to make a place for themselves in a male dominated society. Jane can now "creep" openly when she wants to.
We learn that Jane is a young girl who is a victim of emotional and
Due to Jane’s husband enforcing a life in confinement due to her nervous breakdowns, it only takes a little time for the isolation to drive her mad. In the beginning of the story, it is clear that the narrator, Jane, suffers from post-natal depression, which is a common effect after childbirth. The way Jane sees her living quarters is much different than it actually is. She imagines the rings on the walls, the torn up wallpaper, and the bars on the windows as a nursery or a school for boys, when those features actually lead the audience to realize that it is a room for the mentally ill. Her husband, also her physician, believes that in order for her metal illness to be cured is to forbid her from exercising her imagination, working, and to keep her locked away. However, his theory proves to be wrong when her mind begins to see a world inside the wallpaper, caused by the abuse from confinement. Although her husband is doing this for what he thinks is best for her well
The narrator finally achieves an authoritative position in her marriage, with John unconscious and her creative imagination finally free of all restraints. Her continual “creeping” over his prone body serves as a repeated emphasis of this liberation, almost as if the narrator chooses to climb over him to highlight his inferiority over and over again” (Harrison). John was a weak person, Jane suffered from a nervous disorder which was made way worse by the feelings of being trapped in a room. The setting of the nursery room with barred windows in a colonial mansion provides an image of the loneliness and seclusion she experienced. Periods of time can lead to insanity. Maybe her illness wasn’t that bad but he made it worse on her part because he was a sick husband. Some critics have argued “Is the narrator really liberated? We’re inclined towards saying “no”, given that she’s still creeping around the room and that her psyche is broken”
To initiate on the theme of control I will proceed to speak about the narrators husband, who has complete control over her. Her husband John has told her time and time again that she is sick; this can be viewed as control for she cannot tell him otherwise for he is a physician and he knows better, as does the narrator’s brother who is also a physician. At the beginning of the story she can be viewed as an obedient child taking orders from a professor, and whatever these male doctors say is true. The narrator goes on to say, “personally, I disagree with their ideas” (557), that goes without saying that she is not very accepting of their diagnosis yet has no option to overturn her “treatment” the bed rest and isolation. Another example of her husband’s control would be the choice in room in which she must stay in. Her opinion is about the room she stays in is of no value. She is forced to stay in a room she feels uneasy about, but John has trapped her in this particular room, where the windows have bars and the bed is bolted to the floor, and of course the dreadful wall paper, “I never worse paper in my life.” (558) she says. Although she wishes to switch rooms and be in one of the downstairs rooms one that, “opened on the piazza and had roses all over the window. ...” (558). However, she knows that, “John would not hear of it.”(558) to change the rooms.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
... Jane tears down the wallpaper and separates from her alter ego as a result obtaining her freedom.
... middle of paper ... ... She has discovered the one place where she can have supreme control, and nothing will challenge her, apart from her own mind.
Jane seems to learn quickly that she is the only one who can help her break free from her entrapment. The first place Jane must learn how to leave is Gateshead. She is not happy at Gateshead because is constantly put down by her cousins and even the servants. Helen tries to teach Jane to forgive her enemies in order for Jane to be able move on and gain confidence in herself:
There are multiple possible causes for the internal conflict the narrator faces. The first being nervous depression and the other is the fact that her life is being controlled by her husband. Her husband is in full control because in the beginning of the story, John, her husband, influences how she should act. He decides the actions that should be taken in regards to her health and sanctity. Although she finds herself disagreeing with his synopsis, she is confined and does not admit how she feels to him. This also brings about another a major conflict that occurred in the 19th century, men being dominant and woman being categorized as inferior. Evidence can be found when the narrator states, “If a physician of high standing, and one’s own husband assures friends and relatives that there is nothing the matter with o...
Mrs Reed keeps Jane only because of a promise she made to her husband on his deathbed. This abuse and neglect from her relatives forces Jane to be resentful and full of hatred. Later on Jane begins to stand up for herself. Once Jane begins to rebel to the abuse done by John and Mrs Reed, it is as if an uncontrollable beast had been unleashed inside of her.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, tells the story of a woman's descent into madness as a result of the "rest and ignore the problem cure" that is frequently prescribed to cure hysteria and nervous conditions in women. More importantly, the story is about control and attacks the role of women in society. The narrator of the story is symbolic for all women in the late 1800s, a prisoner of a confining society. Women are expected to bear children, keep house and do only as they are told. Since men are privileged enough to have education, they hold jobs and make all the decisions. Thus, women are cast into the prison of acquiescence because they live in a world dominated by men. Since men suppress women, John, the narrator's husband, is presumed to have control over the protagonist. Gilman, however, suggests otherwise. She implies that it is a combination of society's control as well as the woman's personal weakness that contribute to the suppression of women. These two factors result in the woman's inability to make her own decisions and voice opposition to men.
The creeping woman is Jane’s mental illness personified, and it affects Jane’s behaviour by making her more assertive. Although she does not speak to John, she wants to tell him that he “can’t open [the door]” and “it’s no use,” both of which are uncharacteristic of Jane’s passive nature. The absur...
Jane does not experience a typical family life throughout the novel. Her various living arrangements led her through different households, yet none were a representation of the norm of family life in the nineteenth century. Through research of families in the nineteenth century, it is clear that Jane’s life does not follow with the stereotypical family made up of a patriarchal father and nurturing mother, both whose primary focus was in raising their children. Jane’s life was void of this true family experience so common during the nineteenth century. Yet, Jane is surrounded by men, who in giving an accurate portrayal of fathers and masculinity in the nineteenth century, fulfill on one hand the father role that had never been present in her life, and on the other hand the husband portrait that Jane seeks out throughout the novel.
Oppression and oppressive acts have been weaved into everyday life in the United States throughout much of its history. One specific time in American History where oppressive acts took place was during WWII, specifically Japanese Internment. Japanese Internment was when the Japanese living in the United States, two thirds of them being citizens, were forced to evacuate their homes and were then put into camps. The struggles of the oppressed during these times are highlighted throughout the article, “Home Was a Horse Stall.” Another example of oppression happening in history is found the short story, “The Yellow Wallpaper,” by women’s right activist, Charlotte Perkins Gilman. In the story, a woman is oppressed by her husband, also her doctor,
At the beginning of the book, Jane was living with her aunt Mrs. Reed and her children. Although Jane is treated cruelly and is abused constantly, she still displays passion and spirit by fighting back at John and finally standing up to Mrs Reed. Even Bessie ‘knew it was always in her’. Mrs. Reed accuses Jane of lying and being a troublesome person when Mr. Brocklehurst of Lowood School visited Gateshead. Jane is hurt, as she knows she was not deceitful so she defends herself as she defended herself to John Reed when he abused her, as she said “Wicked and cruel boy! You are like a murderer – you are like a slave driver – you are like the Roman emperors!” to John Reed instead of staying silent and taking in the abuse, which would damage her self-confidence and self-worth. With the anger she had gotten from being treated cruelly, she was able to gain ...