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Oppression and oppressive acts have been weaved into everyday life in the United States throughout much of its history. One specific time in American History where oppressive acts took place was during WWII, specifically Japanese Internment. Japanese Internment was when the Japanese living in the United States, two thirds of them being citizens, were forced to evacuate their homes and were then put into camps. The struggles of the oppressed during these times are highlighted throughout the article, “Home Was a Horse Stall.” Another example of oppression happening in history is found the short story, “The Yellow Wallpaper,” by women’s right activist, Charlotte Perkins Gilman. In the story, a woman is oppressed by her husband, also her doctor, …show more content…
Oppressive actions never fail to lead the victims to a feeling of loneliness. In both writings, the result of their specific acts of oppression left the sufferers isolated and alone. In “The Yellow Wallpaper,” John’s continual actions force his wife to be in a state where she feels as if no one has her back. Part of the wife’s treatment is to not interact with anyone and is if she is to interact with anyone they know the state of mind that she is in and how she is unable to do anything. By not interacting with anyone but herself, the wife seems to have not had an enjoyable time when John sets up a Fourth of July get together with some family members: “Well, the Fourth of July is over! The people are all gone and I am tired out. John thought it might do me good to see a little company...Of course I didn’t do a thing. Jennie sees to everything now. But it tired me all the same” (Stetson 650). The way John normally treats his wife forces her to take a the backseat approach to everything. In other words, she feels as if she is unable to perform tasks like she was once able too. This interaction with some family reassures the wife that she is alone and that everyone around her virtually controls her life. Similar feelings of isolation in the “Yellow Wallpaper” appear in the article, “Home Was a Horse Stall.” These Japanese Americans were singled out from the rest of the country. This resulted in them feelings as they were living on their own and nobody cared what ended up happening to them. After the tragic events at Pearl Harbor, these Japanese Americans were singled out from everyone else and unwillingly sent to specific camp locations, leaving them isolated from everyone and everything else in their lives. The camps that they were sent to were similar to the room that the wife from, “The Yellow Wallpaper,” was trapped in. In these places of space, lived a sense of loneliness and forced to
Beginning in March of 1942, in the midst of World War II, over 100,000 Japanese-Americans were forcefully removed from their homes and ordered to relocate to several of what the United States has euphemistically labeled “internment camps.” In Farewell to Manzanar, Jeanne Wakatsuki Houston describes in frightening detail her family’s experience of confinement for three and a half years during the war. In efforts to cope with the mortification and dehumanization and the boredom they were facing, the Wakatsukis and other Japanese-Americans participated in a wide range of activities. The children, before a structured school system was organized, generally played sports or made trouble; some adults worked for extremely meager wages, while others refused and had hobbies, and others involved themselves in more self-destructive activities.
The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression. " In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
John is a physician, and he feels like he knows the best treatment for her depression. Even though he feels like there is nothing really wrong with her and constantly reminds her of this. The treatment ultimately is to be locked away in the old nursery with yellow wallpaper and bars on the windows. Loralee MacPike writes a piece titled “Environment as Psychopathological Symbolism in ‘The Yellow Wallpaper’,” to illustrate the impact of setting and environment. MacPike makes the point that “The woman is legally a child; socially, economically, and philosophically she must be led by an adult—her husband; and therefore the nursery is an appropriate place to house her.” This is a very valid point showing that women are considered lesser and unequal to their male counterparts. MacPike is trying to trying to explain the male role in keeping the women oppressed and isolated. Because the narrator is suffering from postpartum depression, the old nursery is the perfect prison for her. The yellow wallpaper is just one more thing to push her over the edge. She was already suffering from postpartum depression and the isolation merely makes it worse. Postpartum depression already makes many feel very inadequate, so the isolation in a nursery just makes the narrator spiral more and more into
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a self-told story about a woman who approaches insanity. The story examines the change in the protagonist's character over three months of her seclusion in a room with yellow wallpaper and examines how she deals with her "disease." Since the story is written from a feminist perspective, it becomes evident that the story focuses on the effect of the society's structure on women and how society's values destruct women's individuality. In "Yellow Wallpaper," heroine's attempt to free her own individuality leads to mental breakdown.
As man developed more complex social systems, society placed more emphasis of childbearing. Over time, motherhood was raised to the status of “saintly”. This was certainly true in western cultures during the late 19th/early 20th century. Charlotte Perkins Gilman did not agree with the image of motherhood that society proposed to its members at the time. “Arguably ‘The Yellow Wallpaper’ reveals women’s frustration in a culture that seemingly glorifies motherhood while it actually relegates women to nursery-prisons” (Bauer 65). Among the many other social commentaries contained within this story, is the symbolic use of the nursery as a prison for the main character.
Charlotte Perkins Gilman’s story, “The Yellow Wallpaper” is as a wonderful example of the gothic horror genre. It was not until the rediscovery of the story in the early 1970’s that “The Yellow Wallpaper” was recognized as a feminist indictment of a male dominated society. The story contains many typical gothic trappings, but beneath the conventional façade hides a tale of repression and freedom told in intricate symbolism as seen through the eyes of a mad narrator.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, tells the story of a woman's descent into madness as a result of the "rest and ignore the problem cure" that is frequently prescribed to cure hysteria and nervous conditions in women. More importantly, the story is about control and attacks the role of women in society. The narrator of the story is symbolic for all women in the late 1800s, a prisoner of a confining society. Women are expected to bear children, keep house and do only as they are told. Since men are privileged enough to have education, they hold jobs and make all the decisions. Thus, women are cast into the prison of acquiescence because they live in a world dominated by men. Since men suppress women, John, the narrator's husband, is presumed to have control over the protagonist. Gilman, however, suggests otherwise. She implies that it is a combination of society's control as well as the woman's personal weakness that contribute to the suppression of women. These two factors result in the woman's inability to make her own decisions and voice opposition to men.
War and political strife will always leave a mark, no matter who, what, or where it makes contact with. In the novel, “When the Emperor was Divine”, the family depicted were heavily affected by Executive Order 9066 and the prejudice of Japanese-Americans, and were sent to internment camps for the remainder of the war. When they were finally released from their dreadful camp, their lives had profoundly changed, and their situation became something that could not be reversed nor forgotten. In the pre-Civil War days of America, many African-Americans were victims of the legalization of slavery in the South. They were often abused and mistreated, and forced to work without pay. In the film “12 Years a Slave”, a free man, Solomon Northup, was kidnapped and sold into slavery. His life took a change for the worst as he
In the story of “The Yellow Wallpaper”, Gilman suggests that the narrator should have the responsibility of a mother that she always want. For example, the narrator in the “The Yellow Wallpaper” needs and desires to take care of her child, but her husband does not let her. Instead, John takes up all the responsibilities in the family. The author suggests that John needs to let his wife do her job. Gilman proves this when the narrator misses her baby and she says, “…I cannot be with him, it makes me so nervous” (Gilman 78). This proves that John makes his wife feels worried and sad. These feelings add to her depression, and her depression gets worse. This also demonstrates that John’s desire to do all the works by himself has a negative effect on his wife health. In addition, women have the responsibility to maintain a happy and peaceful atmosphere in their family. For instance, Gilman provides examples of the narrator and her family. The family in the story “The Yellow Wallpaper” encounters a mournful incident because the husband does not allow his wife to be herself. When the wife feels sad, the atmosphere in the family changes because everyone in the family connects to each other by the emotional and physical attachment. Gilman proves this fact when the narrator in the story becomes insane, and her husband faints when he sees her (Gilman 89). This shows that John also feels the narrator’s energy when she is ill. Gilman illustrates this when she shows John’s energy decreases to the point where he cannot stand on his feet, and he faints. This tragic scene proves that John and his wife connect to each other both mentally and physically. The readers can surely assume that the husband will have to take care of his child by himself without the support from his wife. This can be a tremendous burden on the family especially on the child because a baby needs his or her
"The Yellow Wallpaper" motivated the female mind of creativity and mental strength through a patriarchal order of created gender roles and male power during the nineteenth century and into the twentieth century. While John represented characteristics of a typical male of his time, the yellow wallpaper represented a controlling patriarchal society; a sin of inequality that a righteous traitor needed to challenge and win. As the wallpaper deteriorates, so does the suppressing effect that male hierarchy imposed on women. Male belief in their own hierarchy was not deteriorating. Females began to think out of line, be aware of their suppression, and fight patriarchal rule. The progression of the yellow wallpaper and the narrator, through out the story, leads to a small win over John. This clearly represents and motivates the first steps of a feminist movement into the twentieth century.
Oppression is something that can cause a lot of harm especially when it comes from many different people. This is true in The Color Purple by Alice Walker. The main character, Celie, is a victim of oppression based on her skin color and the fact that she is a female. She isn’t the only one that has to go through getting discriminated against. The other person is Sofia, these two women have very different approaches on how they deal with their similar situations. Celie’s approach is more calm and accepting of what’s happening around her. While Sofia’s approach is more to stand up for herself and not allowing men to abuse her without her saying something. The treatment of Celie and Sofia based upon their sex and race is similar to a person being
For centuries now, males have dominated society, their homes, and their wives. Always being recognized as the supreme head of the household, inevitably leaving females to be viewed as inferior and most times in a state of infantile dependency. The authors’ use this concept to their advantage in “The Yellow Wallpaper” and “Woman Hollering Creek” by illustrating a homogeneous view of male supremacy over their wives. In the Yellow Wallpaper, the woman is enforced to act in accordance with the demands her husband implements for her. John illustrates patriarchal authority over her by controlling her actions, treatment, and environment despite how she feels. When she communicates her desire to stay in another room with a better energy, she claims:
Through the lens of Post-Structuralism, literature is a system of signs with an impossibility of understanding their meaning due to the fact that language is unstable, arbitrary and ambiguous. The signifiers so familiar in Structuralism become floating signifiers in Post-Structuralism in that the function of a word, or phrase, is not concrete, i.e. it changes. Binary oppositions (male/female, good/bad, open/closed) represent an implied classification and as such, along with the reader/author relationship, are destabilized. Through this lens, “The Yellow Wallpaper” contains binary oppositions worthy of focus. The narrator could very well be insane as she isn’t intimately familiar with her illness, she speaks of the house as being hateful and even haunted, and she almost immediately begins to hallucinate once she moves in. On the flip side the narrator could very well be sane as she is able to write legibly and maintain her diary in a neat and orderly fashion and acts in an intelligent manner, with movements that can be considered carefully planned. This blurs the line between sanity and insanity. The short story appears to present a situation in where a woman has endured a situation designed to deliberately exclude any sort of enjoyment of activity or mental expression. As such, the
The time setting in a text such as ‘The Yellow Wallpaper’ set in the 1890s reveal a lot about the society in America at the time. The narrative voice reveals that she is subjected to a ‘rest cure’, which is mostly identified with middle class women in Victorian America as they were expected to play the role of the Angel in the House, the ideal being submissive. A clear example of this is seen in the times the narrator speaks compared to the narrator’s husband, John. The narrator is seen as submissive when she writes “I wish he would let me go and make a visit”, here the narrator does not take any action to do something she wants, but it is assumed that she asks John for permission, as his response is recorded as “he said I wasn’t able to go”, this shows the narrators submissive behaviour further as she obeys what John has said, showing that he has control over her.