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Symbolism and Repression in The Yellow Wallpaper
Charlotte Perkins Gilman’s story, “The Yellow Wallpaper” is as a wonderful example of the gothic horror genre. It was not until the rediscovery of the story in the early 1970’s that “The Yellow Wallpaper” was recognized as a feminist indictment of a male dominated society. The story contains many typical gothic trappings, but beneath the conventional façade hides a tale of repression and freedom told in intricate symbolism as seen through the eyes of a mad narrator.
It is difficult to discuss the meaning in this story without first examining the author’s own personal experience. “The Yellow Wallpaper” gives an account of a woman driven to madness as a result of the Victorian “rest-cure,” a once frequently prescribed period of inactivity thought to cure hysteria and nervous conditions in women. As Gary Scharnhorst points out, this treatment originated with Dr. Weir Mitchell, who personally prescribed this “cure” to Gilman herself. She was in fact driven to near madness and later claimed to have written “The Yellow Wallpaper” to protest this treatment of women like herself, and specifically to address Dr. Weir Mitchell with a “propaganda piece.” A copy of the story was actually sent to Mitchell, and although he never replied to Gilman personally, he is said to have confessed to a friend that he had changed his treatment of hysterics after reading the story (15-19).
Although the autobiographical aspects of “The Yellow Wallpaper” are compelling, it is the symbolism and the underlying feminist connotations that lead best to discussion. First is John, the narrator’s husband. He could be viewed as the patriarchy itself, as Beverly Hume says, with his dismissal of all...
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Perkins Gilman, Charlotte. "The Yellow Wallpaper"." The Heath Anthology of American Literature. Concise Ed. Paul Lauter. Boston, MA: Houghton Mifflin, 2004. 1597-1609. Print.
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
Gilman, Charlotte Perkins. "The Yellow Wallpaper" (p.316-327). Literature: Reading and Writing With Critical Strategies. Ed. Steven Lynn. University of South Carolina, 2004
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Kennedy, X. J., and Dana Gioia. "The Yellow Wallpaper." Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. 2011. Print.
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
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Gilman, Charlotte. “The Yellow Wallpaper.” Literature a World of Writing: Stories, Poems, Plays, and Essays. Ed. David Pike, and Ana Acosta. New York: Longman, 2011. 543-51. Print.
Hume, Beverly A. "Gilman’s ‘Interminable Grotesque’: The Narrator of ‘The Yellow Wallpaper," Studies in Short Fiction 28 (Fall 1991): 477-484.