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How to tell a true war story analysis tim obrien
How to tell a true war story analysis tim obrien
How to tell a true war story analysis tim obrien
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In her essay, “The Wreck of Time,” Annie Dillard explains the significance of an individual and how a person determines the significance of the self. Dillard analyzes the points where the human race becomes insignificant and the importance of the population becomes questionable throughout the history. She is trying to evoke the reader to question his/her vitality in the world. Tim O’Brien illustrates the element of a true war story and what makes a war story true in his work, “How to Tell a True War Story.” A soldier’s war story will not be the exact story of a war but it is a collection of how the soldier perceives each war experiences. O’Brien illustrates how remarkable experiences are chosen by the soldier. In his novel, “Into the Wild,” Jon Krakauer analyzes Chris McCandless’s journey to Alaska and the purpose of this journey. McCandless could have searched for his own self by staying in the social world where he lived, nevertheless disconnects all his links with the external world and tries to discover himself. McCandless tried to stand out from the stereotypical people and make him a bit more significant. All three authors use various language techniques to make their argument. A text’s tone, syntax and diction strengthen the language of the text. Dillard poses numerous questions to readers. These questions can stimulate emotion that is similar to the one that is portrayed in the text. O’Brien uses stories with different plots and expresses his ideas. Different plots make readers think in various angles. Krakauer analyzes his thoughts about McCandless and reevaluate the misconception he had about McCandless. Since Krakauer uses voices of multiple individuals, readers will be exposed to different views. All three authors try...
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...ing their articulation, they try to make the readers reflect their emotions. Dillard mainly uses her tone to portray her ideas. Krakauer uses contradictory views of other people and his own thoughts to evaluate the journey of McCandless. O’Brien illustrates war stories and emotions created due to war stories on different plots. All these authors use diction in certain parts of their text to make their argument peculiar. They use contradictory views to make the reader choose the view that is correct for him/her, instead of forcing a conclusion on them.
Works Cited
Dillard, Annie. "The Wreck of Time." Harper's. Jan. 1998: 51-56.
Krakauer, Jon. Into the Wild. New York: Anchor- Doubleday, 1997.
O’Brien, Tim. “How To Tell a True War Story.” The Compact Bedford Introduction to Literature. Ed. Michael Meyer. Boston: Bedford St. Martins, 2003. p. 420-429.
Into the Wild by John Krakauer is a rare book in which its author freely admits his bias within the first few pages. “I won't claim to be an impartial biographer,” states Krakauer in the author’s note, and indeed he is not. Although it is not revealed in the author's note whether Krakauer's bias will be positive or negative, it can be easily inferred. Krakauer's explanation of his obsession with McCandless's story makes it evident that Into the Wild was written to persuade the reader to view him as the author does; as remarkably intelligent, driven, and spirited. This differs greatly from the opinion many people hold that McCandless was a simply a foolhardy kid in way over his head. Some even go as far as saying that his recklessness was due to an apparent death-wish. Krakauer uses a combination of ethos, logos and pathos throughout his rendition of McCandless’s story to dispute these negative outlooks while also giving readers new to this enigmatic adventure a proper introduction.
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
"A picture is worth a thousand words," we say. From the eyes and mind of the archivist studying the pictures of Robert Ross' experience with war, they are worth a lot more. The photographs in the epilogue of Timothy Findley's "The Wars" play an important role in Findley establishing both a trust with the reader, and a sense of realism to his war story. This satisfies the need for realism in his tale. The result of this image that is brought forth through the medium of the photograph, is that we are forced to see the "before" and "after" of Roberts "experience" and figure out our way through what is deposited in between: the cause and effect.
The author skillfully uses literary techniques to convey his purpose of giving life to a man on an extraordinary path that led to his eventual demise and truthfully telling the somber story of Christopher McCandless. Krakauer enhances the story by using irony to establish Chris’s unique personality. The author also uses Characterization the give details about Chris’s lifestyle and his choices that affect his journey. Another literary element Krakauer uses is theme. The many themes in the story attract a diverse audience. Krakauer’s telling is world famous for being the truest, and most heart-felt account of Christopher McCandless’s life. The use of literary techniques including irony, characterization and theme help convey the authors purpose and enhance Into The Wild.
King, Rosemary. "O'Brien's 'How to Tell a True War Story.'" The Explicator. 57.3 (1999): 182. Expanded Academic ASAP.
Jon Krakauer, fascinated by a young man in April 1992 who hitchhiked to Alaska and lived alone in the wild for four months before his decomposed body was discovered, writes the story of Christopher McCandless, in his national bestseller: Into the Wild. McCandless was always a unique and intelligent boy who saw the world differently. Into the Wild explores all aspects of McCandless’s life in order to better understand the reason why a smart, social boy, from an upper class family would put himself in extraordinary peril by living off the land in the Alaskan Bush. McCandless represents the true tragic hero that Aristotle defined. Krakauer depicts McCandless as a tragic hero by detailing his unique and perhaps flawed views on society, his final demise in the Alaskan Bush, and his recognition of the truth, to reveal that pure happiness requires sharing it with others.
...or himself with fillers to shape and create the people that he imagined them to be. At this point, readers can fully understand why distortion occurred in the book because O’Brien writes his thoughts out as the book progresses. As O’Brien learns more about his reasons of being an author, the reader learns more about why his war stories wouldn’t be the same if he hadn’t altered them.
during the war. This novel is able to portray the overwhelming effects and power war has
According to the Indian Times, madness is the rule in warfare (Hebert). The madness causes a person to struggle with experiences while in the war. In “How to Tell a True War Story”, the madness of the war caused the soldiers to react to certain situations within the environment differently. Tim O’Brien’s goal with the story “How to Tell a True War Story” is to shed light on the madness the soldiers face while in the war. Tim O’Brien tells the true story of Rat experiences of the war changing his life.
“Into The Wild” by John Krakauer is a non-fiction biographical novel which is based on the life of a young man, Christopher McCandless. Many readers view Christopher’s journey as an escape from his family and his old life. The setting of a book often has a significant impact on the story itself. The various settings in the book contribute to the main characters’ actions and to the theme as a whole. This can be proven by examining the impact the setting has on the theme of young manhood, the theme of survival and the theme of independent happiness.
YORK, LORRAINE. "Wars, The (1977)." Oxford Companion To Canadian Literature (1997): 1168. Literary Reference Center. Web. 9 Apr. 2014.
King, Rosemary. "O'Brien's 'How to Tell a True War Story.'" The Explicator. 57.3 (1999): 182. Expanded Academic ASAP.
Though the book is a novel, it gives the reader insights into the realities of war. In this genre, the author is free to develop the characters in a way that brings the reader into the life of Paul Baumer and his comrades. The novel frees the author from recounting only cold, sterile facts. This approach allows the reader to experience what might have been irrelevant facts if presented in a textbook. This book is written from a perspective foreign to most Americans.
Tim O’Brien’s The Things They Carried has readers and critics alike scratching their heads with wonder about the meaning of “story-truth” and “happening-truth.” Although, he served in the Vietnam War from 1968 until 1970, he fabricates the events of the war throughout The Things They Carried. At the same time, he insists that the truth lies at the heart of the emotion in the story, an idea that many readers question. Furthermore, it is pointless for the reader to attempt to sort through the stories and differentiate between the “story-truth” and “happening-truth,” because it is nearly impossible. This tactic is one of O’Brien’s more ingenious writing methods. He does not want the reader to know the difference between the two because in his opinion that fact is irrelevant. O’Brien obviously thinks outside the box and has everyone questioning reality. However, this fact is truly ironic, because the point is not to care what type of “truth” it is, but to instead feel the raw beauty of the emotion and to accept it as the truth. While trying to define “story-truth” and “happening-truth,” a couple chapters in particular focus on the idea of truth, “How to Tell a True War Story,” “The Man I Killed” and “Good Form.” O’Brien believes that the most important thing for a reader is to experience the emotion of the story, be it “story-truth” or “happening-truth,” as long as the real emotion is conveyed and understood by the reader, then it is as true as it could possibly be.
Throughout Tim O’Brien’s novel, The Things They Carried, a plethora of stories are told concerning the lives of a select number of soldiers in and out of the Vietnam War. In his writing, O’Brien also conveys his own thoughts on the art of storytelling and the nature of stories themselves. In these passages, O’Brien provides a detailed analysis of the challenges of storytelling, the effects of time on memory, the role of imagination in storytelling, the reason for retelling a story, and a story’s purpose and process for the reader.