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War and post traumatic stress disorder
PTSD post - Vietnam
Essays on war and trauma
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Photography in The Wars by Timothy Findley
"A picture is worth a thousand words," we say. From the eyes and mind of the archivist studying the pictures of Robert Ross' experience with war, they are worth a lot more. The photographs in the epilogue of Timothy Findley's "The Wars" play an important role in Findley establishing both a trust with the reader, and a sense of realism to his war story. This satisfies the need for realism in his tale. The result of this image that is brought forth through the medium of the photograph, is that we are forced to see the "before" and "after" of Roberts "experience" and figure out our way through what is deposited in between: the cause and effect.
The Two photographs conflict with one another exceedingly. The first picture is one of the "after" depiction of Robert, the other being one of the "before" depiction of himself. The second picture described in the epilogue is the one of Robert, Rowena and Meg; Rowena seated astride the pony, with Robert holding her in place (on the back of the picture it is written, "look, you can see our breath!" This picture is symbolic of Roberts Views and understanding of life before facing his "wars". It represents what Robert was all about, His love for his disabled sister, Rowena, his definition of family and life. What is written on the back of the picture, "look, you can see our breath!" is as important as the picture itself. This statement defines what the picture itself has captured, his breath. The breath being the source of life, what keeps him and all things around him alive.
On the other hand, and in contrast to this photograph, is the "after" picture of Robert (after the wars). In this picture, life seems to have ceased. There are dead things all around, a dead man in the background with his hand dangling down, the short (dead) grass, and the skull of an animal which Robert has in his hand. Also, the narrator describes Robert as "staring straight into the camera with his lips slightly parted," this is the look of a dead person who is no longer breathing.
The two pictures, both mentioned together at the end of the novel, but taken at different points of Robert's life, display the extreme transformation that has taken place in his life. It makes you look back over all that has happened to Robert and determine what took place for him to have gone through such a change.
For instance the first chunk of the passage Richard Matheson operates a series of rhetorical devices to emphasize Robert Neville’s feelings such as , visual imagery and simile in line 1-3 from (He-Eyes) and more visual imagery on lines 4-5 (Robert-arm).Richard Matheson employs simile and visual imagery in a discrete manner and emphasizes that man’s skin to that “clammy turkey skin” and the visual imagery “red-splotched checks, the feverish eyes, “to highlight that Robert Neville is scared of the
War has been a constant part of human history. It has greatly affected the lives of people around the world. These effects, however, are extremely detrimental. Soldiers must shoulder extreme stress on the battlefield. Those that cannot mentally overcome these challenges may develop Post Traumatic Stress Disorder. Sadly, some resort to suicide to escape their insecurities. Soldiers, however, are not the only ones affected by wars; family members also experience mental hardships when their loved ones are sent to war. Timothy Findley accurately portrays the detrimental effects wars have on individuals in his masterpiece The Wars.
The title of this novel, “The Wars” is illusory. Upon first glance, it makes one expect a protagonist who goes to an actual war, uses physical strength to fight on the battlefield and becomes a war hero.While part of that is true, there are also other significances of the war associated with this title. This novel recounts the journey of the protagonist, Robert Ross as he starts out as a shy, introvert and an inexperienced person before he goes to war; he experiences a change in himself as a result of the people and the battle(s) that he fights with the factors in his surroundings. Therefore, “The Wars” doesn’t necessarily mean the war with the enemy but it includes the wars at home, wars against nature and wars of relationships. Which
Robert Ross becomes the anti-hero because of his need of to save others but inability to do so; Robert, himself, is not aware of the fact that all he wants to do is save others because he could not save the one person he cared about, Rowena: “It wasn’t Stuart’s fault. It was Robert’s fault. Robert was her guardian and he was locked in his bedroom. Making love to his pillows.” (16) Furthermore, Robert tries to save Rowena’s rabbits: “I’ll look after them. […] I’ll take care of them. Please!!!” (18) Meanwhile, he fails again when someone else was hired to do so: “It took him thirty seconds to emerge from his pain and to realize why Teddy Budge was there.” (20) Robert unknowingly feels the need to be a savior for the people in his life, but constantly fails to do so with every attempt. Throughout the book, Robert blames himself for not being able to save Rowena or her rabbits. Another reason Robert enlists in the war is to unintentionally make up for the lack of lives he could not save in his own household.
Imagery returns once more, allowing the reader to sense the nerves that were beginning to affect the narrator; preparing them for a suspenseful turning point. The turning point that follows had been the revelation of the narrator’s thoughts about stealing the book- which may have been why she must’ve lost her doubts prior. The narrator could not bring herself to steal the book, but was not ready to forget her special moment; looking to the book for an
The husband describes the moment by saying, "I was in my house. I knew that. But I didn't feel like I was inside anything" (357). The previous information of how he saw the world to be and how he sees it now gives him a feeling of a connection with a higher being, more than just Robert. Yet he describes himself being separated (unconnected) from his body, free from this cage that has him materialistic and prejudice to the not-normal. The husband finally sees the world in a more liberal way than what he thought it to be, than what the stereotypes of society told him it was.
Carver’s purpose of having the narrator of the short story use imagery allows for the reader to be able to understand each and every moment he lives while explaining the blind man’s, Robert, visit to his home. In Cathedral, the narrator tells the story very detailed and descriptive. For instance, when the narrator describes his wife’s arrival with Robert, “I saw my wife laughing as she parked the car. I saw her get out of the car and shut the door…She went around to the other side of the car to where the blind man was already starting to get out…he was wearing a full beard!” Here, the author makes the narrator describe the scene and details it as if he is describing it to a blind person. Most of the short story uses imagery which makes clear images in the reader’s mind to unders...
In the novel The Wars, Robert Ross is a sensitive nineteen year old boy who experiences first-hand the horrors of battle as a Canadian Soldier in the First World War in hopes of trying to find who he is. Being named a Lieutenant shortly after arriving in Europe, Robert is thrust into combat. War has been a constant part of human history. It has greatly affected the lives of people around the world. These effects, however, are extremely detrimental. Soldiers must shoulder extreme stress on the battlefield. Those that cannot mentally overcome these challenges may develop Post Traumatic Stress Disorder. Timothy Findley shows the effects wars have on individuals in his novel The Wars. Findley suggests that war can change a persons behaviour in many different ways, however it is seen to be negatively more often then not. Robert Ross, the main character of The Wars, shows symptoms of what is known as Post Traumatic Stress Disorder in today’s society.
Chopin had also used imagery a lot. The imagery she uses gives us a look into what the characters look like, and the way that Chopin describes the love life of Edna and how she looks at Robert. “Robert’s voice was not pretentious. It was musical and true.” Chapter XIV page 40.
...his is a defining moment for Bub; he realized that Robert helped him see how blind he had been to the blessings in his life up to this point.
The abundant animal imagery in Timothy Findley's book The Wars is used to develop characterization and theme. The protagonist, Robert Ross, has a deep connection with animals that reflects his personality and the situations that he faces. This link between Robert and the animals shows the reader that human nature is not much different than animal nature.
...h the message is conveyed. Potter’s juxtaposition of picture and word also rewards the reader for trusting the evidence of his or her eyes, rather than simply submitting to the authoritative voice.
To the readers, this reveals a further truth within the narrator each time. This repeated image that is described is a signifier to her true trauma. The first mention of the body in the river is a critical signifier in the story.
The poem “This is a Photograph of Me” by Margaret Atwood starts off in detail about a photograph. She describes the image quality and then moves on to the background of the photo. Describing the corners, the lake and low hills beyond the picture. When you continue to read, Margaret then suddenly describes the lake where she drowned the day before. “I am in the lake, in the center / of the picture, just under the surface” (17-18). Margaret Atwood makes sure the reader doesn’t overlook those that are responsible for the picture, rather than those who are in the picture. Throughout the poem, Margaret Atwood uses many elements of poetry; such as: syntax, diction, and imagery.