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Blake as a pure poet
Features of William Blake's poetry
Features of William Blake's poetry
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Romanticism was both an artistic and intellectual movement geared essentially toward emphasizing nature’s subliminal aura, the individual’s expression of emotion and imagination, and ultimately a heightened sense of consciousness. Widely acknowledged for his contributions to Romanticism, English poet William Blake is considered to be one of the most influential poets of the nineteenth century. Blake, a visionary far beyond his years, was adamant in expressing his views on the cosmos; that one cannot simply have the good without experiencing the bad nor can one have the bad without experiencing the good. Near the end of the seventeen hundreds, Blake published two highly acclaimed works supporting his claim that in order for the world to function as it does, all things in the universe must have an opposite, or a contrast. He published his poem collection entitled “Songs of Innocence and of Experience” in 1794 and finished composing his book “The Marriage of Heaven and Hell”, a few years prior to it. These two brilliant works exemplify exactly just how important a positive balance in the cosmos really is. William Black depicts good and evil in his poems with the use of the reference to joy and sorrow.
The poems “Infant Joy” and “Infant Sorrow” may be companionable because both poems share the same concept, they are direct opposites. The best examples of this are the titles themselves. Within the titles one can clearly gather that the following poems will contrast each other. Just from reading the title “Infant Joy” one can presume that it will be a positive and an uplifting poem. However, reading the opposing title “Infant sorrow” one gets a negative correlation. Inside these two poems there are two perspectives; a new born baby and...
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...y.” Songs of Innocence. The Literature Network. The Literature Network, n.d. Web. 19 Jan. 2014.
Blake, William. “Infant Sorrow.” Songs of Experience. The Literature Network. The Literature Network, n.d. Web. 19 Jan. 2014.
Blake, William. The Marriage of Heaven and Hell. Bartleby.com: Great Books Online. Bartleby.com. Web. 19 Jan. 2014.
BORUCH, MARIANNE. "Three Blakes." American Poetry Review 43.1 (2014): 41-45. Literary Reference Center. Web. 27 Jan. 2014.
Saklofske, Jon. "Remediating William Blake: Unbinding The Network Architectures Of Blake's Songs." European Romantic Review 22.3 (2011): 381-388. Literary Reference Center. Web. 27 Jan. 2014.
Williams, John. "Building A Heaven In Hell's Despair: The Everlasting Gospel Of Revolution According To William Blake And Douglas Oliver." Romanticism 18.2 (2012): 155-164. Literary Reference Center. Web. 27 Jan. 2014.
Stanza two shows us how the baby is well looked after, yet is lacking the affection that small children need. The child experiences a ‘vague passing spasm of loss.’ The mother blocks out her child’s cries. There is a lack of contact and warmth between the pair.
Lahiri, Jhumpa. “Hell-Heaven.” The Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. Boston: Bedford/St. Martin’s, 2011. 638-651. Print.
During the process of growing up, we are taught to believe that life is relatively colorful and rich; however, if this view is right, how can we explain why literature illustrates the negative and painful feeling of life? Thus, sorrow is inescapable; as it increase one cannot hide it. From the moment we are born into the world, people suffer from different kinds of sorrow. Even though we believe there are so many happy things around us, these things are heartbreaking. The poems “Tips from My Father” by Carol Ann Davis, “Not Waving but Drowning” by Stevie Smith, and “The Fish” by Elizabeth Bishop convey the sorrow about growing up, about sorrowful pretending, and even about life itself.
Infant Sorrow by William Blake is about the birth of a child into a dangerous world. The meaning behind this poem is that when a baby is born, they are entering a place that is unfamiliar to them and is full of hazardous circumstances and then seeks for safety and comfort by sulking on the mother's breast. Instead of blatantly telling the reader, Blake uses several poetic devices to deliver the meaning of Infant Sorrow. Some of the devices he uses are images, sound, figurative language, and the structure to bring out the meaning of his poem.
William Blake, was born in 1757 and died in 1827, created the poems “The Lamb,” “The Tyger,” and Proverbs of Hell. Blake grew up in a poor environment. He studied to become an Engraver and a professional artist. His engraving took part in the Romanticism era. The Romanticism is a movement that developed during the 18th and early 19th century as a reaction against the Restoration and Enlightenment periods focuses on logic and reason. Blake’s poetry would focus on imagination. When Blake created his work, it gained very little attention. Blake’s artistic and poetic vision consists in his creations. Blake was against the Church of England because he thought the doctrines were being misused as a form of social control, it meant the people were taught to be passively obedient and accept oppression, poverty, and inequality. In Blake’s poems “The Lamb,” “The Tyger,” and Proverbs of Hell, he shows that good requires evil in order to exist through imagery animals and man.
Abstract: William Blake's Songs of Innocence contains a group of poetic works that the artist conceptualized as entering into a dialogue with each other and with the works in his companion work, Songs of Experience. He also saw each of the poems in Innocence as operating as part of an artistic whole creation that was encompassed by the poems and images on the plates he used to print these works. While Blake exercised a fanatical degree of control over his publications during his lifetime, after his death his poems became popular and were encountered without the contextual material that he intended to accompany them.
Blake's poems of innocence and experience are a reflection of Heaven and Hell. The innocence in Blake's earlier poems represents the people who will get into Heaven. They do not feel the emotions of anger and jealousy Satan wants humans to feel to lure them to Hell. The poems of experience reflect those feelings. This is illustrated by comparing and contrasting A Divine Image to a portion of The Divine Image.
His spiritual beliefs reached outside the boundaries of religious elites loyal to the monarchy. “He was inspired by dissident religious ideas rooted in the thinking of the most radical opponents of the monarchy during the English Civil War” (E. P. Thompson). Concern with war and the blighting effects of the industrial revolution were displayed in much of his work. One of Blake’s most famous works is The Songs of Innocence and The Songs of Experience. In this collection, Blake illuminates the naive hopes and fears that inform the lives of children and follow them into adulthood.... ...
Bloom and Trilling, 26-27. Print. The. Blake, William. The. “Songs of Experience: To Tirzah.”
Both Songs of Innocence and Songs of Experience provide social criticism on the dangers that child chimney sweepers endure but, Songs of Experience provides better social commentary as Songs of Experience directly identifies the potential for death unlike Songs of Innocence which implicitly identifies the dangers child sweeps endure. In Songs of Innocence, the child chimney sweeper dreams that while he was “lock’d up in coffins of black…an Angel who had a bright key… open’d the coffins…set them all free” (Blake, “Innocence” 12-14). The child’s dream of freedom appears happy and optimistic when in reality it is quite chilling that the child views death as freedom. Blake presents the child chimney sweeper as optimistic to suggest that society needs to help the children find freedom so they do not wish to die. The social commentary in Songs of Innocence is implicit in order to emphasize the child’s inability to fully understand and c...
In his work, Songs of Innocence and Experience: Shewing the Two Contrary States of the Human Soul, William Blake uses the aforementioned contrasting states of being to illustrate his unique view of the world around him. Through this work, Blake lays bare his soulful views of religion and ethics, daring the reader to continue on in their narcissistic attitudes and self-serving politics. While Blake's work had countless themes, some of the most prevalent were religious reform, social change, and morality. Philosophically, one would think that William Blake was a Deist; however Blake rejected the Deist view of life. He was a devout Christian, yet he also wanted nothing to do with the church or their teachings. These views give Blake a refreshingly sincere quality with regards to his art and writings. Blake frequently alluded to Biblical teachings in his work and, more often than not, used corresponding story lines to rail against the Church's views and accepted practices. One may say however, that Blake's universal appeal lies within his social commentary. Similar to a fable, Blake weaves a poetically mystical journey for the reader, usually culminating in a moral lesson. One such poem, "A Poison Tree," clearly illustrates some of William Blake's moral beliefs. With his use of imagery, as well as an instinctive knowledge of human nature, William Blake shows just how one goes from the light to the darkness (from innocence to experience) by the repression of emotions.
William Blake, one of the infamous English romantic poets, is most known for his romantic views on conventional scenes and objects, which were presented in his works The Songs of Innocence and The Songs of Experience. The first collection was published in 1789, and addresses subjects such as suffering and death from the innocent and optimistic perspective of a child. The later collection addresses these same issues, but is told from the perspective of an experienced bard. The poems contained in The Songs of Innocence often have a counter part in the second collection that reflects a darker or more corrupted take on the same subject. For example, the purity presented in the creation of “The Lamb” is dramatically contrasted with its shameful counterpart “The Tyger”. In this essay, I will argue that William Blake’s poem “The Tyger” alludes to his belief in a darker side of creation and the implications of the Industrial Revolution, my argument is based on Blake’s use of rhetorical questions, word choice, and the poem’s context; specifically in the fourth and fifth stanzas. In the beginning of the poem the tiger appears as a striking and wondrous creature, however, as the poem progresses, the tiger takes on a symbolic meaning, and comes to be a physical manifestation of the spiritual and moral problem the poem explores: creation, divine and manmade.
Throughout all of his literary works, Blake incorporates many classic romantic characteristics. But he also incorporated important people and events surrounding the time period. One of his most controversial works, “The Marriage of Heaven and Hell” explores three of the most prominent romantic themes in his works: the battle between good and evil, the presence of the supernatural and an affinity for nature. Most likely inspired by Emanuel Swedenborg’s “Heaven and Hell”, Blake used common romantic symbolism to demonstrate the prophetic meanings of the pieces in the book. In “The Marriage of Heaven and Hell”, Blake alludes to the idea that,
There is not much information within the poem that expresses the author’s perspective to being forced into hard child labor, and he instead uses his voice to address the problems of society through Tom Dacre. The speaker’s emotions are expressed when, “[he] could scarcely cry " 'weep! ' weep!
In the William Blake’s Songs of Innocence and of Experience, the vision of children and adults are placed in opposition of one another. Blake portrays childhood as a time of optimism and positivity, of heightened connection with the natural world, and where joy is the overpowering emotion. This joyful nature is shown in Infant Joy, where the speaker, a newborn baby, states “’I happy am,/ Joy is my name.’” (Line 4-5) The speaker in this poem is portrayed as being immediately joyful, which represents Blake’s larger view of childhood as a state of joy that is untouched by humanity, and is untarnished by the experience of the real world. In contrast, Blake’s portrayal of adulthood is one of negativity and pessimism. Blake’s child saw the most cheerful aspects of the natural wo...