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Literature and different cultures
How christianity is represented in the poisonwood bible essay
How christianity is represented in the poisonwood bible essay
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Recommended: Literature and different cultures
In Barbara Kingsolver’s The Poisonwood Bible, Anatole proclaims that “there are more words in the world than no or yes” (310). He truly shows his wisdom by fully accepting that there is always something that can be more deeply understood. Anatole understands that accepting a new culture requires an effort to understand the differences and that is something that he truly proves to the Price family. Anatole grew up in the Congo with the culture that the Price girls find so strange. When the Prices start living in the Congo, Anatole starts to translate Nathan’s sermons. Once Anatole begins translating the sermons he sees Nathan’s and his family’s intolerance. Throughout the novel, this statement is demonstrated and is disregarded by many characters in many different situations and it completely illuminates the themes of cultural ignorance and global justice.
Nathan Price is the epitome of opposition in regard to cultural ignorance and global injustice. When Anatole is first introduced, he is invited to dinner with the Price family. At dinner Anatole tries to explain to Reverend Price that “Tata Ndu is concerned about the moral decline of his village”(127) because of the introduction of Christianity that is causing many Congolese to disregard their traditional religious duties. Anatole also tells Nathan that the villagers are carefully watching to see whether the Price’s god is capable of bringing them better luck than their local gods. In trying to explain this situation to Nathan, Anatole explains that most, if not all, of the congregation present in the Reverend’s church are known as “the lenzuka”(128). These are the people who have either shamed themselves or have had very bad luck. Such bad luck in fact, that many of the peo...
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...words in the world than no or yes” (130). His statement completely illuminates the themes of global injustice and global ignorance.He understands, as an English speaking native of the Congo, that cultural barriers exist between the United States and the Congo. The Prices, however, do not understand cultural differences. They believe that the United States does everything correctly and the Congo needs to change. The fact is that the culture of the Congo and the culture of the United States are completely different. Neither culture is completely right or completely wrong. They simply differ from eachother in ways that are hard for people to understand. Cultural ignorance and cultural injustice are gorwing problems in the world of the Price family and the problems will not go away without the desire to learn about differences and the ability to accept the differences.
In Barbara Kingsolver’s novel The Poisonwood Bible, characters Adah and Rachel Price differ in their outlooks on life. Adah contrasts Rachel with her inside reality, her dark fiction, as well as her dependence on others due to her slant. Rachel, on the other hand, loves the outside reality, compares her life to that of a light fairy tale, and is independent. Kingsolver’s choice of two vastly different characters aids in the demonstration of the complexity each character has. In order to portray each character’s aspects, Kingsolver uses forms of diction, metaphors, and symbolism.
The events of Chinua Achebe’s novel Things Fall Apart and the film Sugar Cane Alley detail the lives of a fictionalized Nigerian village and sugar cane harvesters in remote Martinique, respectively, during similar time periods of the 1900s. Both works contain explicit references to Christianity, and how the imposition of religion and white culture have negatively affected the African characters. European religious practice was used as a means of pacifying as well as terrifying the Umuofian people and the inhabitants of Sugar Cane Valley.
Literature has the ability to help readers discover and understand different cultures and traditions, and it can often alter a reader’s perspective of the world and their place in it. Throughout Arundhati Roy’s The God of Small Things and Dương Thu Hương’s Paradise of the Blind, the characters often find themselves restrained by their social class, which impacts negatively on their childhoods and results in many injustices. Both novels delve deep into the effects of being in a low social class and the injustice it can cause. In The God of Small
One of the flaws inside the Ibo culture that eventually leads to their downfall is the social system. The weaker people join the church as a way to gain acceptance. The osu, or outcasts who lived in the Ibo culture want to feel accepted and as a result, follow the Christians. “The two outcasts shaved off their hair, and soon they were the strongest adherents of the new faith” (157). These two outcasts never have the feeling of being a part of the clan. The church welcomes them. The osu cannot cut their hair, marry, or receive a title in the clan. They are “cast out like lepers” (157). The church welcomes the osu and treats them like human beings. This is where the Ibo social system is at fault. An ideal job is to be a farmer and since not everyone can afford seeds and a barn...
Cry, the Beloved Country, written by one of the greatest writers of South Africa, is the compelling story of how man-made evils in the city of Johannesburg affect the lives of each member of the Kumalo family. Stephen Kumalo, an old priest, has a major problem: he lost his brother, sister and son to the city. Losing them was one thing but later he is shocked to witness what his family has become. His brother, a politician and carpenter, has left the Church, his once decent sister has now moved on to become a prostitute and an alcoholic, but what he least expected was his own son committing crimes, such as robberies, and one going horribly bad. Naturalist writer, activist, and reformer Alan Paton has done an excellent job in showing the evils of the city. Not only has he done this, but in his writing Alan Paton uses Biblical references frequently. Throughout the novel we see characters changing and becoming more of a Christ or God figure. Through this style of writing, Paton has given South Africa a new, more modern Bible in which he teaches that one must love another in order for blacks and whites to live together.
James Davison Hunter is Labrosse-Levinson Distinguished Professor of Religion, Culture and Social Theory at the University of Virginia and Director of the Institute for Advanced Studies in Culture. In To Change The World, The Irony, Tragedy, and Possibility of Christianity in The Late Modern World, Hunter writes three interconnected essays that are filled with chapters to make his case for the possibility of change.
As the villagers began to accept truth and not the superstitions, those who remained became very angry. The Ibo culture started to fall apart. The missionaries, Mr. Brown and Mr. Smith taught the women who were leaving their twins to die in t...
Jeanne never thought like other people did. People thought that Jeanne’s thoughts were wrong. To Jeanne, her thoughts were perfectly normal and everyone else’s thoughts were weird. Jeanne didn’t know what people meant when they said that the way she thought was weird, it was the way she thought, she didn’t know how to make it normal. Jeanne would think things that people would say were horrible, but secretly thought about themselves. People would tell Jeanne that she was incredibly disturbed or mentally ill, but to Jeanne, they were the ones who were ill.
Conrad, who had himself experienced at first hand the actual practices of colonialism, was aware that the noble exalted intentions and the so-called humanitarian mission to Africa, were merely a façade to extract the bounty of ivory, diamonds and gold available there in a vacant land. The motive to civilize , as Marlow's aunt says, to wean ''those ignorant millions from their horrid ways'' was the excuse to exploit the land for profit in the ''vilest scramble for loot'' the world has known. The difference—the discrepancy between what people believe exists and what, in reality, does exist takes the level of social satire in Conrad's Heart of Darkness. Marlow is like an observer of the ironical situation that appears in his journey from Europe to Africa and back to Europe is an intentional pattern which enables the moral values of European culture to be exposed and satirized. this is embodied when the exponents of white men's values are morally isolated from the confines of their organized society. When Marlow return, his illumination is the criterion whereby European culture is judged and condemned. What Marlow learn about these values in the Congo becomes the measure of the hypocrisy and false idealism of European civilization.
In John Steinbeck’s The Pearl, the author shows how a sudden fortune can affect and influence a person’s behavior and life. In this story, Kino- a native living in a village called La Paz- has a content life of poverty, but when he acquires an immediate amount of wealth, he finds that he is overcome with greed and violence. After he discovers “the Pearl of the World” (pg. 22), Kino feels that he has power and authority because of his new found wealth. He uses it recklessly with selfish and desire, and he ends up losing even more of what he started with, including the death of his first-born son.
For untouchables ignorance showed by the social world hues untouchable’s identity. Whether untouchables who are assigned as "various" don't consider themselves to be 'dalit', poor, handicapped, or creature, these terms by the by depict a key reality in society tuned to the oppression of ‘dalit’ and
The traditions involve the banishing of the lottery. Moreover, the members of society explain how they are afraid of getting rid of their old boxes because they had a traditional meaning to them. Through the theme of society and class, the town focuses on the old traditions, and they forget to implement the new policies that may enhance their economic growth. Therefore, the author uses the theme of social class and traditions to explain the doomed traditions in the town that hindered their progress. Most of the people in the town embraced the old traditions and those found acting contrary to the traditions were subjected to punishments. Most people in the book were punished because they were going against the town’s traditions. Additionally, those found guilty by the elders were compelled to offer a scapegoat for sacrifice reasons. The narrative, through the theme of society and class, is successful in portraying the society’s traditions and their repercussions on the society. Additionally, the theme of society and class is instrumental in explaining different criteria the town gave thanks to their gods. They usually praised their gods when their land was blessed, but they offered a sacrifice when the land was unproductive as a sign of pleasing their gods. Additionally, people who were reluctant in embracing the tradition of the town
Ngugi wa Thiong’o’s novel Wizard of the Crow presents its audience with a satirical point of view of life in a fictional totalitarian African nation. Ironically, it is called the “Free Republic” of Aburĩria. The country is ruled by a man who has been in the position of power for so long, that no one can even remember when his reign began. Towards the end of the story, the Ruler makes a statement that Aburĩrians are religious people., This is an accurate statement because throughout the course of the novel, Thiong’o’s characters proclaim belief in various prominent figures from a broad spectrum of faiths such as God, Jesus, and Satan as well as supernatural concepts such as magic spells and witch doctors. This plays an important role in the novel’s theme of magical realism.
“Ignorance is bliss”. The English poet who said this was definitely not a marketer. For all we know, “Consumer awareness” is probably the most important part of marketing. In the era of digital marketing and social media, creating a buzz is the utmost priority of a marketer. But, is creating a buzz enough? New generation marketers say Yes. How?
Chinua Achebe’s short story “The sacrificial Egg” illustrates the life of a young African native Julius Obi, and the arising conflicts between two cultures. This short story takes place in a very small village in Africa, called Umuru in the mid 1900’s. This young African Native, although no native of Umuru finds himself trapped between his own culture, beliefs and the westernized culture. Although Julius has embraced the western culture, after certain events he eventually finds himself coming back to his own beliefs. Achebe, uses these two very different cultures to demonstrate the clash it produces in this young men’s life and, how no matter how hard he has embraced the western culture he was always going to go back to his own beliefs.