Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Themes of cry, the beloved country essays
Cry the beloved country style analysis essay
Cry the beloved country style analysis essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Themes of cry, the beloved country essays
Cry, the Beloved Country, written by one of the greatest writers of South Africa, is the compelling story of how man-made evils in the city of Johannesburg affect the lives of each member of the Kumalo family. Stephen Kumalo, an old priest, has a major problem: he lost his brother, sister and son to the city. Losing them was one thing but later he is shocked to witness what his family has become. His brother, a politician and carpenter, has left the Church, his once decent sister has now moved on to become a prostitute and an alcoholic, but what he least expected was his own son committing crimes, such as robberies, and one going horribly bad. Naturalist writer, activist, and reformer Alan Paton has done an excellent job in showing the evils of the city. Not only has he done this, but in his writing Alan Paton uses Biblical references frequently. Throughout the novel we see characters changing and becoming more of a Christ or God figure. Through this style of writing, Paton has given South Africa a new, more modern Bible in which he teaches that one must love another in order for blacks and whites to live together.
In Cry, the Beloved Country, one sees many Biblical references such as names of characters, descriptions, and actions of characters. One may also notice a Christ figure emerging from the characters. In Cry, the Beloved Country one can surely see that Arthur Jarvis is a Christ figure in many ways. A Christ figure would be one that has suffered greatly, endured agony, recognized as a martyr, and is most likely betrayed. Arthur Jarvis fits perfectly in this category for he has several characteristics such as we mentioned above. For one he was determined to make a change, he made sure to pursue his aims at all t...
... middle of paper ...
...ves and finally understanding the problems of South Africa and trying to become united with the blacks, one can see that Mr. Jarvis is quintessential of a God figure.
Alan Paton did a wonderful job of using Biblical references in his magnificent novel. One can see this novel as a parable with a Christ and God figure easily. One can see that Arthur Jarvis resembled the Christ figure with all his agony, betrayal, and sacrifices while his father resembled the God figure, in that he embraced all and saved lives. Alan Paton is a magnificent author whose compelling novel which has many Biblical references in it surely enlightens one on what was occurring during this period of time. South Africa is progressing one step at a time and Alan Paton shows us this through this entrancing read.
Works Cited
Paton, Alan. Cry, the Beloved Country. New York, NY: Scribner, 2003
Thomas C. Foster in his work How to Read Literature Like a Professor argues that even though characters may display evil characteristics, their religious values overpower and express “themselves in connection with the [character’s] role within society” (Foster 125). Literary characters may display some of the same characteristics as Christ while accomplishing actions with “redemption, hope, or miracle” (132). Jay Gatsby in F. Scott Fitzgerald’s The Great Gatsby symbolically resembles a Christ figure—sacrificing himself to save Daisy from the law, outstretching his arms towards hope, and coming to West Egg to retrieve Daisy’s unworthy world.
Nearly everyone is familiar with the character of Christ. While understandings of Christ as a figure of faith may vary, he is universally recognized as a historical figure. The world knows that Christ was called “Son of God,” he called people to love, and he died a painful death on the cross. He has become such an important figure that images of him show up frequently in literature. Thomas Foster, author of How to Read Literature Like a Professor, outlines a wide range of characteristics common in Christ-like figures. In his list of descriptors, Foster suggests characters might be Christ figures if they have wounds reminiscent of the crucifixion, suffer in agony, or are self-sacrificing—and this is only the beginning of his list (126). Readers repeatedly identify Christ figures in literature, both because of the well-known characteristics Foster describes in his chapter on Christ figures and because readers find them through their own understandings. In Yu Hua’s
The savior of the Jewish people, Jesus Christ gave his life to absolve the world of its sins. He lived a pure and virtuous life guiding others towards the will of God while misdirecting them from the evils of earthly pleasures. Though he meant to bring peace, Jesus created discord in the governing processes of the land and was ultimately killed for it. His dissidence and claims of holiness displeased the rulers, but in perspective, he was a peasant who claimed to be the King of All Men; I would be skeptical also. Similarly, in One Flew Over the Cuckoo’s Nest by Ken Kesey, Randall P. McMurphy plays the martyr for a ward of mental patients against the regime of Nurse Ratched even though she is truly neither the cause nor the instigator of their mental difficulties. Kesey mocks the Christian religion through falsifying McMurphy’s sacrifice to convey white male fears of having minority groups in control.
Mobley, Marilyn Sanders. "Call and Response." New Essays on Song of Solomon. Ed. Valerie Smith. Cambridge [England]: Cambridge UP, 1995. 42-43. Print.
In Cry, the beloved country, Alan Paton tells the story of his journey across Africa, his experiences with the colonized Africa, and the destruction of the beautiful, pre-colonialism native land of Africa. Heart of Darkness also tells the story of a man and his experiences with colonialism, but a man who comes from a different time period and a very different background than Alan Paton’s Stephen Kumalo. Although, both Joseph Conrad and Alan Paton portray the colonized areas as very negative, death filled, and sinful places, it is when one analyzes the descriptions of the native lands of Africa that the authors reasons for their disapproval of colonialism are truly revealed. When comparing the writing styles of Alan Paton and Joseph Conrad, their descriptions of the land and the people in both works reveal their different attitudes and views towards colonialism. While Paton and Conrad ultimately oppose colonialism, Paton is concerned with the disappearance of African tribal tradition, whereas Conrad is concerned with the perceived corruption of the white colonists.
The story clearly illustrates that when one thinks of their ideal lifestyle they mainly rely on their personal experience which often results in deception. The theme is conveyed by literary devices such as setting, symbolism and iconic foreshadowing. The abolition of slavery was one step forward but there are still several more steps to be made. Steps that protect everyone from human trafficking and exploitation. Most importantly, racism is something that needs to stop, as well as providing equal opportunity to all without discrimination.
In the first four chapters, he explains the currents in modern African-America thought. In chapter one he tells us stories of victimology. The second chap...
Fear and Redemption in Cry the Beloved Country & nbsp; Fear grips all black societies and is widespread not only among black people but also white people. An unborn child will inherit this fear and will be deprived of loving and relishing his country because the greater he loves his country, the greater will be his pain. Paton shows us this throughout this book, but at the same time he also offers deliverance from this pain. This, I believe, is the greater purpose of this book. & nbsp; When Stephen goes to Johannesburg, he has a childlike fear for "the great city" Johannesburg. Khumalo's fears about his family are exactly the same as every other black person in South Africa.
... Print. The. 2003 Hartman, Louis F. & Lella, Alexander A. The Anchor Bible, The Book Of Daniel. New Haven & London: Yale University Press. Print, 1978 Cook, Stephen L. Apocalyptic Literature.
Racism Exposed in Cry, the Beloved Country. The purpose of Cry, the Beloved Country, is to awaken the population of South Africa to the racism that is slowly disintegrating the society and its people. The. Alan Paton designs his work to express his views on the injustices and racial hatred that plagues South Africa, in an attempt to bring about change and.
Chinua Achebe analyzes a culture he is not accustomed with. The Madwoman in the attic theory comes into play as a westerner writing about “savage Africa”. Things Fall Apart provides an important understanding of Africana identity and history for those in the West who may be unfamiliar with African culture. Achebe tackles female identity within this book with delicacy keeping with the Ibo view of female nature in the background of the story but the forefront of the reader’s mind. A discussion of womanhood must touch upon manhood because they operate as a complementary, opposing, and equal entity.
Bibliography w/4 sources Cry , the Beloved Country by Alan Paton is a perfect example of post-colonial literature. South Africa is a colonized country, which is, in many ways, still living under oppression. Though no longer living under apartheid, the indigenous Africans are treated as a minority, as they were when Paton wrote the book. This novel provides the political view of the author in both subtle and evident ways. Looking at the skeleton of the novel, it is extremely evident that relationship of the colonized vs. colonizers, in this case the blacks vs. the whites, rules the plot. Every character’s race is provided and has association with his/her place in life. A black man kills a white man, therefore that black man must die. A black umfundisi lives in a valley of desolation, while a white farmer dwells above on a rich plot of land. White men are even taken to court for the simple gesture of giving a black man a ride. This is not a subtle point, the reader is immediately stricken by the diversities in the lives of the South Africans.
Cape Town, npp, 1962. Kirwen, Michael. A. The Missionary and the Diviner. New York: Orbit Books, 1987.
The novel Tsotsi, by Athol Fugard, is a story of redemption and reconciliation, facing the past, and confronts the core elements of human nature. The character going through this journey, who the novel is named after, is a young man who is part of the lowest level of society in a poor shanty town in South Africa. Tsotsi is a thug, someone who kills for money and suffers no remorse. But he starts changing when circumstance finds him in possession of a baby, which acts as a catalyst in his life. A chain of events leads him to regain memories of his childhood and discover why he is the way he is. The novel sets parameters of being “human” and brings these to the consideration of the reader. The reader’s limits of redemption are challenged as Tsotsi comes from a life lacking what the novel suggests are base human emotions.