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Interpretation of Daniel 9:24-27
Prophetic nature of the book of Daniel
Interpretation of Daniel 9:24-27
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The Book of Daniel is the only full-blown apocalyptic book in the Protestant recognized version of the Canon. A literary device divides the book into two halves. Chapters 1-6 are a collection of stories that introduces the reader to Daniel and three other Israelites as unwilling guests of the Babylonia Empire ruled by Nebuchadnezzar. The second half, Chapters 7-12 consists of apocalyptic imagery of deformed beasts and the heavenly court. The focus of this paper will be on chapter 7, which serves as a bridge of the two halves. Chapter 7 is the earliest of the visions as it identifies with the genre of 8-12 while through language and content it reverts to Daniel chapter 2. The linguistic break down is not as neat as the literary divide in that Dan. 2:4b-7:28 was written in Aramaic while other portions of the book is written in Hebrew. The timeline altered in the first verse of Dan. 7 serves as the opening to the four visions of in the remainder of Daniel. Belshazzar is cited in the first verse of chapter seven (7) as the King of Babylon, however Belshazzar is noted as the last King of Babylon and the son of Nebuchadnezzar in chapter five. The last king of the Babylonian Empire was Nabonidus. It is believed that Nabonidus for inexplicable reasons moved to the town of Teima and abrogated the empire to his son Belshazzar. Therefore, Seow points at that the “literary setting of Daniel 7 is the beginning of the end of the Babylonian Empire” (Seow, p. 101). The literary chronology of the period set is correct, but it is generally agreed among scholars (Collins, Hartman, Di Lella) there is no historical value in the dating. It is for this reason that most commentators immediately go into verse two of 7. Nevertheless, Daniel states, “Then ... ... middle of paper ... ...icture of evil origins, but at best, it is contrived in a way. Works Cited Seow, C. L. Daniel. Louisville & London: Westminster John Knox Press. Print. 2003 Hartman, Louis F. & DI Lella, Alexander A. The Anchor Bible, The Book Of Daniel. New Haven & London: Yale University Press. Print, 1978 Cook, Stephen L. The Apocalyptic Literature. Nashville, TN: Abingdon Press. Print. 2003 Roberts, Deotis J. Black Theology in Dialogue. Philadelphia, PA: The Westminster Press. Print. 1987 Lopez, Kathryn Muller. "Reading Daniel: Negotiating The Classic Issues Of The Book." Review & Expositor 109.4 (2012): 521-530. ATLASerials, Religion Collection. Web. 19 Nov. 2013. Jones, Barry A. "Resisting The Power Of Empire: The Theme Of Resistance In The Book Of Daniel." Review & Expositor 109.4 (2012): 541-556. ATLA Religion Database with ATLASerials. Web. 20 Nov. 2013.
Joseph Hirsch’s painting Daniel was painted in 1976-1977. In 1978 during the153rd Annual Exhibition of the National Academy of Design, it won the First Benjamin Altman (Figure) prize. It measures 38 inches by 45 inches (96.52 cm x 114.3 cm) with a five inch gold wood frame surrounding it. The medium is oil on canvas. Everything within the painting is centered to draw your eyes to the action of the turned head and the pointed finger. According to the placard next to the painting this is a modern day version of the biblical story of Belshazzar’s Feast following the sacking of Jesualism from the Book of Daniel. From this point on, each figure within the painting will be addressed as Hirsch intended. The painting depicts a seated king, a dozing courtesan and Daniel. The three figures are the focal point of the composition. Hirsch uses a strong color palette to give the painting a luxurious and wealthy feel. Although the detail is not miniscule, the composition as a whole is easily understood. The use of oil paint allowed Hirsch to play with the composition as it was created.
LaHaye, Tim, and Ed Hindson. The Popular Encyclopedia of Bible Prophecy. Eugene, OR.: Harvest House Publishers, 2004.
The Web. The Web. 22 March 2014. Hasen, Richard. The.
Urgo, Joseph R. "A Prologue to Rebellion: The Awakening and the Habit of Self-expression." The Southern Literary Journal 20.1 (1987): 22-32.
The New Chain Reference Bible. Ed. Frank Charles Thompson. Mt. Morris, N.Y: Chain Reference Bible Publishing. 1929.
...hard to understand fully because of its comprehensive metaphoric language and the difference in culture from present day. It is also sometimes hard for us to understand God's actions because we think of him simply loving and caring rather than ruthless and violent. We need to understand that the creation of mankind is taking place in the recordings of these scriptures and so things may not be as customary as we would like to think. I believe that God has a plan for everyone. And, in the case of Saul, he had a plan to take away his kingdom in order to pass it on to David so the formation of history could continue. I also think this passage, like many other passages from the Bible, has a message linked to it, a lesson to the story if you will. The lesson is to prove that God's unlimited power must never be taken for granted or there surely will be hell to pay.
The Book of Daniel took place in between 605 BC and 530 BC however the message is still relevant in today’s society, 2544 years later. Different themes are found in the book. These themes teach a lesson which can be used into today’s society. Even though the times, tradition and circumstances are different now than it was back then the messages are greatly relevant. The main themes of the book were about faithfulness toward what you believe in no matter what society says or the dangers. God is trustworthy and does everything for a reason no matter if the person is in the worst spot ever in life they have to believe there is something better in the future. Also Gods ability to save his children in the face of danger and will give them justice, and that god gives messages in mysterious ways.
8. Buckley, Rev. Thomas. Introductions to the books of the Bible. Boston: Daughters of St. Paul, 1982.
Literalist fundamentalists read Revelation’s multivalent visions as predictions of doom and threat, of punishment for the many and salvation for the elect few. Scholarly scientific readings seek to translate the book’s ambiguity into one-to-one meanings and to transpose its language of symbol and myth into description and facts. In Elisabeth Schûssler Fiorenza’s The Book of Revelation: Justice and Judgment, a third way of reading Revelation is depicted. The collection of essays in this book seeks to intervene in scholarly as well as popular discourses on the apocalypse from a liberationist feminist perspective.
The plot summary is about a man named Saul who was courageous in battle. He was a generous king. Early in his reign he was admired and respected by the people. However, his life turned into a tragedy for one reason. Saul did not trust in God. Saul and his servant had just left the Land of Benjamin because they were in search for Saul’s father asses. Saul had figured that they could not find them and wanted to turn back to tell his father, but his servant suggested otherwise. The servant had suggested that they go see a well-known prophet in the city of Israel. So instead they venture off to the city of Israel and encountered the prophet.
Tenney, Merril C., ed. Pictorial Encyclopedia of the Bible, (Grand Rapids: Zondervan Publishing House, 1975).
Revelation, the last book of The New Testament, is believed to have been written by the Apostle John circa 95-96 AD. The writings in Revelation revolve around the idea of the end of time, the second coming of Jesus, and the time of judgment. Revelation is believed to have more symbolism than most of the other books in The New Testament. Revelation 18:1-17 can be interpreted in a number of ways, but the most likely, when viewing this in a historical context, is that it is referencing the corruption of Babylon throughout time. This means that the author was not simply talking about what was occurring within Babylon at that time of the writing, but also what has previously occurred. By looking at what was occurring in the city during the time in which it was likely to have been written and other references to Babylon within the New Testament, it is obvious that the author’s discussion of corruption within the city was referencing more than what was happening at the time. Although some readers may interpret the text to be symbolic in meaning, Revelation should be read with a critical min...
The book of Revelation literary genre are apocalyptic, prophetic and epistle. The author of this book is John of Patmos. Its was written circa A.D. 95-96 (Hindson & Towns, 2013). There are many key themes in Revelation. The most important themes are the message to seven ecclesians, three and a half years of tribulation ruled by the beast, Jesus’ second coming, the final battle between Jesus and Satan, the millennium, and beyond the millennium. The purpose of the book of Revelation was to inform people about the events before and after Second coming of Jesus Christ. Revelations denotes the past, present and future of what is yet to come during Earth’s end of days. Major events that Revelations denotes will occur when Jesus returns include: National
“Book of Daniel”. New King James Version of the Holy Bible. Thomas Nelson Publishers. Nashville. 1982.
The book of Revelation first off is not meant to promote fear or terrify those who serve God. Many associate the book with an apocalypse, but those who follow and understand the message. Revelation shows how powerful and merciful God truly is. Christ opens the first of the seven sealed scroll, the rider on the white horse appears, and promises peace. The second seal introduces a great world war. The third seal introduces the suffering of famine and inflation, the aftermath of war. Fast forward to the sixth seal, which exhibits the wrath of God in the form of an earthquake, which is so severe people call on the rocks to fall on them. What is seen from God in this is that he is quite powerful, but he shows grace and mercy and pulls away the ones who believe in