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Love Poetry from Ancient Egypt
Reflection on ancient Egyptian love poems
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The Mystery of The Vigil of Venus
The author of the Latin poem, The Vigil of Venus, remains a mystery, along with the date it was penned. Many have speculated who might have written this piece of poetry, but no one can be certain. It is assumed that it was written in early spring on the eve of the festival of Venus, and set it what might be Sicily. The writer is focused on the natural world, and seems motivated by love, spring, and hope of the renewal of both. Some believe this particular piece is seen through the eyes of Venus, known in Greek mythology as the mother of the Roman people. Critics might argue that this poem somehow suggests the imminent fall of the Roman Empire, and while I agree with this possible explanation, I could argue
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that this piece is a reflection of love, hope, optimism and forgiveness, all seen through the eyes of a lover, and expressed through imagery. The Vigil of Venus can be seen to some as an acknowledgement and acceptance to the fact that the Roman Empire was on the cusp of a fall.
Venus, the “mother” of the Roman people, might view this as end to an era, yet sees possibilities of a new beginning. When this poem is read with this in mind, one can see the possibilities of this explanation. She seems to mourn what is to come and states, “And her life’s one wedlock show her flushed with the beauty no man saw,” (643) She reflects bewilderment at the absence of recognition in the charm and beauty of Rome. Her love for Rome is legitimate, and is proven with this poem, she hopes for love, and looks forward to possible peace.
Another theory of basis for this poem is love and hope. When it comes to the topic of love, most of us will readily agree that everyone wants to love and be loved. One of Venus’ primary functions in Greek mythology was love, and in this poem the writer uses her to paint a picture of love with colorful symbolism. The Vigil of Venus opens with, “Loveless hearts shall love tomorrow, hearts that have loved shall love anew.” (642) This line is consistently repeated in the poem. In my view, this gives the reader hope, to love and be loved, whether or not they have experienced it before, a promise of things to
come. Expectation and forgiveness are also suggested near the end of this composition. Venus alludes to the separation of the bulls, and the pairing of the sheep, swans, and birds. While the birds can be heard singing, she suggests all the pairs are lovers, who have forgiven the sins of the other. She speaks to this when she says, “Sings as clear as happy lover, sings as if forgot at last savage lord and ravished sister, all the anguish of the past.” (647) Following this, she questions with expectation when will her spring come, and when will she be free just as the birds are? She repeats her anthem of loveless hearts who might love tomorrow and reflects on the hope of love to be found again by someone who has loved before. With anticipation, she awaits passion and hopes for contentment, just like the animals in the fields. When reflecting on The Virgil of Venus, one can see the similarities between the love and devotion for Rome, and the love and affection one might feel for someone. Although, those who have studied Roman literature might not approach this poem with similar views. However, I feel that despite any objections others might have, Venus was optimistic. Ultimately, as I read it, The Vigil of Venus is suggestive of a faith in the likelihood of love, and new beginnings, either for Rome or for an individual. Remaining fearless, and despite great sadness when she finds herself forgotten, as love passes her by, she still clings to the hope of passion, longevity, and forgiveness, despite past wrongs and an unfamiliar future.
In the 1930s, who would have perpetrated violent acts against women in the name of sexual gratification yet still hold expectations that women take care of them? By making men in general the placeholder for “you” in the poem, it creates a much stronger and universal statement about the sexual inequality women face. She relates to women who have had “a god for [a] guest” yet it seems ironic because she is criticising the way these women have been treated (10). It could be argued, instead, that it is not that she sees men as gods, but that it is the way they see themselves. Zeus was a god who ruled Olympus and felt entitled to any woman he wanted, immortal or otherwise.
As the Roman Empire was founded around 27 BC, the wealthy women in its society started breaking the boundaries of domesticity. Kristina Milnor, in her book, Gender, Domesticity, and the Age of Augustus: Inventing Private Life, suggests that women even played an “indispensable symbolic role in the emergence into public discourse of an ‘imperial’ private life” in the environment. However, when women advanced in society, other Romans combatted this progress by reducing them to emotionally vulnerable beings who should therefore be submissive towards men. Furthermore, Virgil emphasizes the sexist ideas of Roman society through characters like Dido, Amata, Lavinia, and Anna in his poem, The Aeneid, which was published around 19 BC. Virgil’s works
The position of the statue of the Old Man provides a straightforward glimpse of the status of Rome and the legacy of Virgil. Standing straight and "erect" (XIV.104), the Old Man "looks at Rome" with his back "turned toward Damietta" (XIV.104-105). The statue’s back faces Damietta, an ancient city in Egypt. What’s more important, though, is that the Old Man is facing Rome. This precise detail makes it clear that Dante the poet wants his contemporary readers to know that Rome is the direction towards which society is converging. The image of the statue looking at Rome "as if it were his mirror" (XIV.105) drives this point further. Within Rome, the Old Man sees a reflection of all of his characteristics; Rome is a natural extension of all the great aspects of the Greek culture, including...
The prehistoric art is said to be a mother goddess by archeologist. Venus of Willendorf gets its name from the Roman goddess of love and beauty “Venus”, and its area of discover, because it was looked upon as beauty (Zygmont). Venus the Roman goddess also represented sex and fertility, she was looked upon highly to the the people of Rome and referred to as the mother, which is the same title people gave Venus of Willendorf. Women that resembled Venus of Willendorf was looked upon as success, during that time.
In romantic words, the poet expresses how much she does think of love. She state it clear that she will not trade love for peace in times of anguish.
As one of the most well known ancient Roman love poets, Ovid has demonstrated bountiful talents within his writing. When reading myths from his book titled Metamorphoses, you gain an enlightening insight of how he viewed mythology. To Ovid, love was the origin of everything. Therefore, it should not come as a surprise that most of his poems relate to the theme of love. However, not all poets are the same and every re-telling of a myth has its own unique perspective. In this paper I will compare and contrast the myth of Medea in Euripides Medea and Ovid’s Metamorphoses Book 7. I will then explain how Ovid’s approach to love and loss correlate to his general approach to myth as a whole. I will support my belief with evidence from Ovid’s Metamorphoses Book 14.
The gender roles in Vergil’s Aeneid are a complex composition that can be read differently from varying contextual perspectives. Particularly nuanced is his representation of female characters, both goddess and mortal. The intricacy of this representation stems from the dichotomy of a modern reading compared to the contemporary values of the time. Current values and norms have socialized the modern viewer to view Vergil’s female representations through culturally constructed roles, or tropes. Juno and Venus both exemplify traits that a modern viewer may identify as that of a woman scorned.
Peter Taylor’s short story Venus, Cupid, Folly and Time tells the tale of an odd brother-sister duo, Alfred and Louisa Dorset, who reside in the small, presumably southern, town of Mero. From the very beginning, readers are led to believe that the Dorsets are more than just brother and sister – they are lovers. Several occurrences throughout the story hint at a depraved relationship, however the story offers no firm confirmation of an incestuous relationship actually occurring. Despite their peculiarities, Mr. and Miss Dorset seem to have a great deal of influence on the social traditions of the town, the most important one being the annual party they host for the young children in the community. These parties are exclusive events that
...exemplifies this, as Lavinia and Rhea Silvia held crucial role in its earliest development. Further, various women in Livy’s work served as martyrs that sparked political change. Lucretia’s rape and suicide spawned a revolution that took down the monarchy and established the Roman Republic, and Verginia’s death re-established the Republic after the fall of the decemviri. As such, these representations of women go beyond the surface descriptions of women as submissive and are in fact quite complex when observing their symbolic function. Still, while other ancient works depict women as more assertive in their roles and relationships, Livy sought to create the representation that was most true to ancient Roman society. Therefore, the women in Livy’s writing were defined by their sacrifice in deference to men as well as their sacrifice to symbolically catalyze change.
The Venus of Willendorf and the Venus de Milo are two ancient day venus sculptures representing two different views on beauty. The Venus of Willendorf is a small 4.5 inch limestone figure of a Goddess which is believed to be used as a fertility symbol, while the Venus de Milo is a tall ancient Greek statue of a Goddess which is said to represent love and beauty. The Venus of Willendorf’s body structure is very different than that of Venus de Milo. The venus of Willendorf appears to be a short lady with a large emphasis on her reproductive organs, breasts and stomach area whereas the Venus de Milo appears to be very tall with smaller breasts, and a really athletic build. She appears to have abs and looks as if she has not had children before, while the Venus of Willendorf looks like she has had children due to her huge breasts and stretched out belly button. The Venus
The Venus of Willendorf is one of the earliest sculptures of the body made by humans during the Paleolithic era. She was made from limestone native to her location and covered with red orche. Despite standing only 4.4 inches, the purpose of the Venus of Willendorf is widely debated. Some will say the exaggerated breasts, navel, and vulva connects her to fertility as a representation of a mother goddess. Others, such as those in my class, believe her to be a figure of body image. The stumpy female figure features hanging breasts, an obese middle and belly, and distinct buttocks in all, represents a realistic form of a severely overweight woman. Due to the hash ice-age environment of where she’s from leads one to believe fatness and fertility would have been highly desirable. Whether the sculpture was based on a fantasy or a real life model the infatuations with the idea of self-acceptance through body
The Birth of Venus by Sandro Botticelli depicts a moment from Venus birth when she stepping, almost floating, off the seashell that was blown ashore by Zephyors along with Chloris. Horae awaits Venus arrival to shore with a large red cloak to cover her naked body .Venus is the Roman goddess of love, sex, beauty, fertility, and prostitution. Venus is the Roman Aphrodite. Born of seafoam from a singled drop of blood in to the sea from the castration of her farther Uranus by his son Saturn.
The Venus Fly Trap, Dionaea muscipula, is a carnivorous plant native to the bogs and swamplands of North and South Carolina. It is an interesting plant and this research paper will be covering the adaptive significance in the insectivtory of the Venus Flytrap and how this evolved into an adaptation for obtaining nutrients in their nutrient poor habitat. How their prey is captured, digestion, lifespan, and vulnerabilities will also be discussed. Including what happens if something other than a bug used for nutrients triggers their traps, and what the actions that take place are when this happens. There is also a reason to believe that this species is at risk for extinction due to fire suppression and poaching.
The Birth of Venus is a beautiful Renaissance canvas masterpiece created by Sandro Botticello. The picture illustrates the birth of Venus in a very mystical way. Venus has emerged from sea on a shell which is being driven to shore by flying wind-gods. She is surrounded by beautiful roses which are painted in a truly remarkable color. As she is about to step to land, one of the Hours hands her a purple cloak. The back drop includes the sea and a forest. The overall effect of this painting are almost overwhelming, color and beauty meet the eye in every angle.
“It is not the detestable beauty of Tyndarean Helen or sinful Paris that is to blame. No, it is the gods, the remorseless gods, who have ruined Troy and burnt the topless towers of Ilium.” Venus takes the mist away from Aeneas' sight to view the various gods at work destroying the city. Venus reminds Aeneas that his fate is elsewhere in Hesperia.