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The Romantics had a unique connection and view of nature. In many ways nature was like a religion to them. They worshiped and cherished nature and its beauty. The contemporary view of nature is largely based on what can be proved by science. People now believe what can be verified by scientists as the truth, but there are a few exceptions to that. Some people now want to protect nature like the romantics wanted to all those years ago. Romantics looked to find the answers to their questions in nature.
Artists and poets from the romantic era worked hand in hand to show the beauty and power of nature. They believed nature had a healing power for your emotions. Romantics believed you should live in nature rather than the urban areas. Many of the works from the romantic era expressed the unity of humans and nature. William Woodsworth and Percy Bysshe Shelley headlined the poets from the romantic era. It’s hard to put into better words the Woodsworth did in his piece; Lines Composed a Few Miles Above Tinturn Abbey, when he said “The anchor of my purest thoughts, nurse, the guide, the guar...
Romanticism is a revolt against rationalism. The poets and authors of this time wrote about God, religion, and Beauty in nature. The romantics held a conviction that imagination and emotion are superior to reason. One such author is William Cullen Bryant, he wrote the poem Inscription for the Entrance to a Wood. This poem uses many literary devices, and has a strong message to portray to the reader.
Throughout the Romanticism period, human’s connection with nature was explored as writers strove to find the benefits that humans receive through such interactions. Without such relationships, these authors found that certain aspects of life were missing or completely different. For example, certain authors found death a very frightening idea, but through the incorporation of man’s relationship with the natural world, readers find the immense utility that nature can potentially provide. Whether it’d be as solace, in the case of death, or as a place where one can find oneself in their own truest form, nature will nevertheless be a place where they themselves were derived from. Nature is where all humans originated,
Romanticism, on the other hand, rejected the whole idea of the universe that could clearly not be explained by humankind’s intellect, and science. Romantics felt that a scientific worldview was absolutely cold and sterile. Romanticism felt that science and human law would rob people of their humanity. Both of these movements shatter the establishment norms and authority. Both of these movements encouraged society to take a different perspective.
Romanticism first came about in the 18th century and it was mostly used for art and literature. The actual word “romanticism” was created in Britain in the 1840s. People like Victor Hugo, William Wordsworth, and Percy Bysshe Shelley had big impacts on this style of art. Romanticism is an art in which people express their emotion. Whatever they believed is put into a picture, painting, poem, or book. Romanticism goes deep into a mind. It is very deep thinking and it’s expressing yourself through that deep thinking. Romanticism is the reaction to the Enlightenment and the enlightenment aka the “Age of Reason” took place during the 1700s to 1800s. The enlightenment emphasized being rational and using your mind; on the other hand, romanticism focuses on emotion and imagination. It says don’t just focus on rationality and reason.
Romantics often emphasized the beauty, strangeness, and mystery of nature. Romantic writers expressed their intuition of nature that came from within. The key to this inner world was the imagination of the writer; this frequently reflected their expressions of their inner essence and their attitude towards various aspects of nature. It was these attitudes that marked each writer of the Romantic period as a unique being. These attitudes are greatly reflected in the poem “When I Heard the Learned Astronomer” by Walt Whitman.
The Romantic period was an expressive and intellectual movement that originated in Europe towards the end of the 18th century and peaked in the 1800s-1850s. This movement was defined and given depth by an expulsion of all ideals set by the society of the particular time, in the sense that the Romantics sought something deeper, something greater than the simplistic and structured world that they lived in. They drew their inspiration from that around them. Their surroundings, especially nature and the very fabric of their minds, their imagination. This expulsion of the complexity of the simple human life their world had organised and maintained resulted in a unique revolution in history. Eradication of materialism, organisation and society and
In the literature of the time period in England, nature served in a way to connect an individual to their own self. What is meant by "the individual's own self" are the inner emotions that a person rarely gets a chance to express in an outwardly fashion due to social constrictions, fear, inability to properly express these emotions, etc. Nature was used as a gateway for self-expression and thus through this the individual was able to allow their emotions to flow out onto paper. Sometimes it is easier to convey one's feelings through an outlet of which other people also understand. In sixteenth century England, many people understood the use of nature imagery as a means of self-explication and therefore writers of the Renaissance era used it to their advantage.
To the Romantics, the imagination was important. It was the core and foundation of everything they thought about, believed in, and even they way they perceived God itself. The leaders of the Romantic Movement were undoubtedly Samuel Taylor Coleridge and his close friend, William Wordsworth. Both were poets, and both wrote about the imagination. Wordsworth usually wrote about those close to nature, and therefore, in the minds of the Romantics, deeper into the imagination than the ordinary man. Coleridge, however, was to write about the supernatural, how nature extended past the depth of the rational mind.
For Wordsworth nature seems to sympathise with the love and suffering. of the persona, i.e. the persona. The landscape is seen as an interior presence rather. than an external scene, i.e. His idea is that emotions are reflected in the tranquillity of the nature. On the contrary, Coleridge says that poetry is.
Nature’s beauty can be seen all around us and has been and will always be there for us to appreciate; yet the way we experience and interpret nature is ever changing. The Romantic Era was a literary movement that gave a new attitude towards nature that was unique and spiritual. The Romantic movement, beginning around 1798, and carrying on well into the mid 1800s, expanded into almost every corner of Europe, into the United States, and Latin America. The ideology of the romantic era, of being completely humanistic, was the opposite of the new ideas of logic and reason of the Enlightenment.
Through the poems of Blake and Wordsworth, the meaning of nature expands far beyond the earlier century's definition of nature. "The road of excess leads to the palace of wisdom." The passion and imagination portrayal manifest this period unquestionably, as the Romantic Era. Nature is a place of solace where the imagination is free to roam. Wordsworth contrasts the material world to the innocent beauty of nature that is easily forgotten, or overlooked due to our insensitivities by our complete devotion to the trivial world. “But yet I know, where’er I go, that there hath passed away a glory from the earth.
The Romantics also, to an extent, agreed with this. They saw structured religion as denying the individual determination of the masses. They believed in Pantheism which sees nature as an organic force, governed by a Spiritual presence and the omnipresence of God. Keats poetry shows support of these views. He used sensory and aural imagery to share the beauty of the natural world.
Romantics believed in freedom and spontaneous creativity rather than order and imitation, they believed people should think for themselves instead of being bound to the fixed set of beliefs of the Enlightenment. Romanticism and Love Of all the emotions celebrated by the Romantics, the most popular was love. However, Romanticism should not be confused with romantic love in the sense of candle lit dinners and receiving love notes, flowers and boxes of candy. Instead, it was about a love for nature and beauty, and a sense of all human beings having a connection, empathy was heightened for others in which they brought on feeling the pains of other people in the world. To the Romantics love, which invokes compassion, was a natural God-given right.
The sunset was not spectacular that day. The vivid ruby and tangerine streaks that so often caressed the blue brow of the sky were sleeping, hidden behind the heavy mists. There are some days when the sunlight seems to dance, to weave and frolic with tongues of fire between the blades of grass. Not on that day. That evening, the yellow light was sickly. It diffused softly through the gray curtains with a shrouded light that just failed to illuminate. High up in the treetops, the leaves swayed, but on the ground, the grass was silent, limp and unmoving. The sun set and the earth waited.
Romantic poetry is the creative manifestation of the views of poets who penned during the Enlightenment era. Romantic poets sought not only to entertain with their art, but often to make grand social and political statements. Poets like William Blake and Percy Bysshe Shelley used their medium to shed light on perspectives that would otherwise remain unwritten due to their controversial nature. Religion, love, and politics were often the prevailing themes of romantic poetry. Some poems were rebellious against establishment, some regarded lifelong battles with religion, and some simply recalled a drug-induced hallucination of a journey to Xanadu. Regardless of the topic, romantic poets provided a much