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The drama of Shakespeare
The drama of Shakespeare
Characterise shakespeare plays short topic
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The dangerous relationship of Claudius, the king, and Hamlet, the king’s nephew and stepson, contain two elements that are pervasive enough to categorize it as such. Treachery and paranoia are those traits.
Treachery is one of the basic unprinciples of the relationship, as is shown in the scene of the fencing match and the planning that goes around it. In a scene that relates to the planning of the match itself, the king and Laertes, a man whose family is dead because of Hamlet, have plotted the death of Hamlet through various things. All of which are to happen to Hamlet in the course of the match:
King. “…And wager on your heads. He, being remiss,
Most generous, and free from all contriving,
Will not peruse the foils, so that with ease,
Or with a little shuffling, you may choose
A sword unbated, and, in a pass of practice,
Requite him for your father.
Laertes. I will do’t
And for that purpose I’ll anoint my sword.
I bought an unction of a mountebank,
So mortal that, but dip a knife in it,
Where it draws blood, no cataplasm so rare,
Collected from all simples that have virtue
Under the moon, can save the thing from death
That is but scratched withal. I’ll tough my point
With this contagion, that, if I gall him slightly,
It may be death.”(IV, vii, 134-148)
So in fact, within this quote there are two foul plans, the use of an ‘unbated ’ foil, which is more than technically cheating in a fencing match, but then, adding insult, the use of a poison tipped foil. With the use of ‘contagion’ and the ‘unbated’ foil, Claudius and Laertes are making sure that they win. This is still not enough for them, however they move on to another backup scheme to win: a poisoned chalice:
King. “…When in your motion you are hot and dry-
As make your bouts more violent to that end-
And that he calls for a drink, I’ll have prepared him
A chalice for the nonce, whereon but sipping,
Our purpose may hold there. -…”(IV, vii, 157-162)
Claudius introduces a poisoned chalice, which, as the third option, or in better terms, the third method is used to kill Hamlet. After being stabbed by Hamlet, Laertes, in his final breaths pronounces the treachery of the king:
Laertes. “…The treacherous instrument is in thy hand,
Unbated and envenomed. The foul practice
Hath turned itself on me. Lo, here I lie,
Never to rise again. Thy mother’s poisoned
I can do no more. The King, the King’s to blame.
It is too late though, the poisonous sword had cut Hamlet. In anger, Hamlet steals the poisoned sword and runs it into Laertes. He then charges Claudius and runs into him. He also takes the wine and forces Claudius to drink from it. Both Claudius and Laertes died before Hamlet.
... of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a false fencing competition and foolishly pushing the poisoned wine without considering the suspiciousness of the action. In his short-sighted and rash decision making, Claudius shows that he allows his inflated sense of regality and self-worth to cloud his judgment.
In the last scene of the play Claudius sends for Hamlet asking if he will duel with Laertes for a wager the king has made. Horatio, the prince’s closest and dearest companion , advises against the jester notifying the prince, “You will lose this wager, my lord”(5.2.196). Horatio is aware that the king is attempting to mischief Hamlet, but the prince rejects horatio's notion and attends the duel anyway. Little to prince Hamlet's knowledge, the sword Laertes uses in the fight along with a cup of wine that is poured for the prince has been poisoned. Hamlet’s swordsmanship dominates Laertes's and the Queen mistakenly drinks Hamlet’s tainted cup wine. In the midst of the battle, Hamlet and Laertes are both cut with the poisonous sword. The Queen dies from the poison wine then Laertes, realizing he to will die, confesses and blames Claudius for
Shakespeare’s Hamlet (1603) is one of the most popular dramas in world literature, as it examines the intensely passionate, but poisonous ambitions of King Claudius. He murders his own brother, King Hamlet, because he desires his throne, power, and wife. As a result of King Claudius’ fratricide, he inherits the “primal eldest curse” of the biblical Cain and Abel, and the dispersion of poison lethally ends his relationship with several major characters. This includes, of course, Prince Hamlet, who falls into a suicidal depression over the death of his father whose ghost visits him. This essay will analyze Shakespeare’s trope of poison, embodied by King Claudius.
Hamlet 's deliberation in murdering Claudius results from the contradictory traits that quarrel within him. Henry MacKenzie notes contrasts in Hamlet 's personality, such as how he possesses the "strongest purposes of revenge" but is "irresolute and inactive," or how he holds the "gloom of the deepest melancholy" but is simultaneously "gay and jocular" (MacKenzie 150). This array of traits that
through a poisoned sword. Laertes is much more direct in his approach, he plans to
William Shakespeare’s Hamlet revolves around Hamlet’s quest to avenge his father’s murder. Claudius’ first speech as King at the beginning of Scene 2, Act 1 introduces the themes of hierarchy, incest and appearance versus reality and plays the crucial role of revealing Claudius’ character as part of the exposition. The audience is left skeptical after Horatio’s questioning of King Hamlet’s ghost in the first scene of the play. By placing Claudius’ pompous speech immediately after the frightening appearance of Hamlet’s ghost, Shakespeare contrasts the mournful atmosphere in Denmark to the fanfare at the palace and makes a statement about Claudius’ hypocrisy. Through diction, doubling and figurative language, Shakespeare reveals Claudius to be a self centered, hypocritical, manipulative and commanding politician.
Hamlet is encumbered with securing retribution on his murdered father’s behalf from the King of Denmark, Claudius. In an effort to murder Claudius, Hamlet risks alienation occurring within multiple psychological parallels. The variants of indifference that risk Hamlet’s psychological sense of identity are his religion, his morals, his compatriots, his mother, and alienation from women.
[4, 1, 40] These idiosyncrasies are observed in the play when Claudius becomes concerned he will lose power as King and the likelihood Hamlet will murder him to avenge his father’s death. This is apparent when Gertrude informs Claudius that Hamlet is, “Mad as the sea and wind, when both contend which is mightier”. [4,1,6] With these thoughts daunting Claudius, he approaches Laertes in a Machiavellian manner to convince him to murder Hamlet, for he knows Laertes is angry, deranged and “Vows to the blackest devil” [4,5,131] after the death of his father. In doing so, Claudius has the intent to use Machiavellian powers over Laertes who is currently mentally unstable, with the objective being that Laertes will murder Hamlet to avenge his own father’s (Polonius) death. Claudius is able to successfully persuade Laertes in a manipulative speech, especially with his snide comment, “Not that I think you did not love your father, but that I know love is begun by time, and that I see a passage of proof.” [4,7,96] Claudius’ malicious comment indicates he is using his power over Laertes, so that the burden and repercussions do not rest on him, so that he may retain his authority as King. By utilizing his power over Laertes, Claudius is successful, as Hamlet is slain, however, as reflected in Claudius’
The complexity and effect of father-son relationships seems to be a theme that Shakespeare loved to explore in his writings. In Hamlet, the subject is used as a mechanism to identify the similarities between three very different characters: Fortinbras, Laertes, and Hamlet. They have each lost their fathers to violent deaths, which leads them to seek vengeance. As different as they may seem, they all share the common desire to avenge their father’s deaths. The method they each approach this is what differentiates each of their characters, and allows the audience to discern their individual characteristics. Fortinbras, Laertes, and Hamlet’s intense loyalty to their fathers drives them to individual extreme measures of revenge, exemplifying Shakespeare’s masterful use of describing the human psyche during Elizabethan times.
Laertes has the ability to perform tasks that may be unpleasant or dangerous. Laertes does not simply try to kill someone by thinking cautiously the whole time, but by directly confronting them and facing them head-on. When Laertes returns home to Denmark he even confronts Claudius about the death of his father. Swearing Laertes says “I dare damnation. To this point I stand,/That both the worlds I give to negligence,/Let come what comes, only I’ll be reveng’d/Most thoroughly for my father.” (IV. v. 133-136). With this declaration Laertes plots with Claudius to kill Hamlet and they construct a plan to have Laertes fence with Hamlet and for him to kill him. They instrument a plot of revenge for the death of Polonius, quickly coming up with three ways to kill Hamlet: stabbing him with an unblunted sword, placing poison on the sword, and poisoning Hamlet’s drink (IV. vii.). After they construct this plan they swiftly utilize the plan. Laertes did not wait for the perfect moment, at the perfect time, and at the perfect place. He created the place, time, and moment to carry out the dangerous task. Hamlet, however, waited and waited for what he thought one day would be the perfect moment in which he could kill his uncle. Even when Hamlet had an opportunity to kill Claudius, he talked himself out of it. When compared to Laertes, Hamlet is a coward because of his inability
Hamlet is petrified into inaction by the quickness of events that transpires at the beginning of the play. His uncle Claudius has killed his father, and his mother in less than a month has married the same man who committed this heinous murder thus beginning an incestuous relationship. Hamlet addressed his discord with this speed and nature of this relationship, “A little more than kin, and less than kind”...
Finally we arrive at the sword match between Hamlet and Laertes. Hamlet is unaware of Claudius’ poisoned goblet and the poisoned tip of Laertes’ sword. When Laertes cuts Hamlet, he makes the choice to stab Laertes, who would see him dead as well.
He has the ability to perform tasks that may be unpleasant or dangerous. Laertes does not simply try to kill someone by thinking cautiously the whole time, but by directly confronting them and facing them head-on. When Laertes returns home to Denmark he even confronts Claudius about the death of his father. Swearing Laertes says “I dare damnation. To this point I stand,/That both the worlds I give to negligence,/Let come what comes, only I’ll be reveng’d/Most throughly for my father.” (IV. v. 133-136). With this declaration Laertes plots with Claudius to kill Hamlet and they construct a plan to have Laertes fence with Hamlet and for him to kill him. They instrument a plot of revenge for the death of Polonius, quickly coming up with three ways to kill Hamlet: stabbing him with an unblunted sword, placing poison on the sword, and poisoning Hamlet’s drink (IV. vii.). After they construct this plan they swiftly utilize the plan. Laertes did not wait for the perfect moment, at the perfect time, and at the perfect place. He created the place, time, and moment to carry out the dangerous task. Hamlet, however, waited and waited for what he thought one day would be the perfect moment in which he could kill his uncle. Even when Hamlet had an opportunity to kill Claudius, he talked himself out of it. When compared to Laertes, Hamlet is a coward because of his inability to
He is in such a blind rage that he doesn’t think about what he is agreeing to do with Claudius. Just like Hamlet, his brash actions cost those around him his life. In carrying out the plan, the King, the Queen, Hamlet, and he all die of the poison that was used in the duel. Hamlet was slow and reckless, while Laertes was quick and reckless.