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History of comic books
History of comic books
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Comic Books In the United States, there are many subcultures. Subcultures come in a variety of forms. Comic books are a subculture that is always evolving. A subculture is group within a larger culture, often having beliefs or interests at variance with those of the larger culture (dictionary). From the beginning of comic books, people have been skeptical about how successful they would become and how it would impact our society. Comic books evolution has gone from only being able to read picture books to live action movies, comic con, television shows, and animated feature films. Throughout time, comics are only becoming more popular and always evolving. Comic books are also a way for family members to bond with relatives. The first comic book written in history dates back to Europe made in 1772 (Smolderen 1). It took more than two centuries, but the first comic book in the United States was released in February 17th, 1936 and was named The Phantom. The Phantom was the first superhero that wore a mask to hide his identity and also the first hero that fought crime (thecomicbooks.com). The phantom had no extraordinary powers. The comic book character was just a normal human being. During the time of the Phantom Comic era, it was not as …show more content…
Just as Superman was the first comic book and television show, it was also the first movie that Detective Comics made. Superman was used for a lot of projects due to the popularity the comic book hero shared with the comic book community. Superman plays an iconic role in the comic book culture. In 1976, the first live-action film Superman was released, and it was able to relate more to comic book fans (Screencruser.com). While the Superman film was being made, it shared the same difficulties as the live-action show. Technology made it difficult to make, but it was just as successful as the television show. Many comic books fans rushed to the movie theaters on opening
Inspired by the way comics were able to illustrate the events of WWII I decided to investigate to what extent did comic books influence American perceptions during World War II. Comics turned into an apparatus to exploit racial and social contrasts and outlet for wartime purposeful publicity. The Golden Age of Comic Books portrays a period of American comic books from the late 1930s to the mid 1950s. During this time, present day comic books were initially distributed and quickly expanded in notoriety. The superhero model was made and some surely understood characters were presented, for example, Superman, Batman, Captain America, Wonder Woman, and Captain Marvel.
In the 40s, comic books had a large audience. There would have been at least a dozen people in your class who read comics, claims Chabon. A few years later in the 70s, there would have been less than a dozen but more than one or two people who read comics. Now, it is hard to find more than a few people that you know who actually read comics. If you read comics today, you are considered unique. Children are loosing interest in everything that stimulates the mind in a positive way. Chabon claims that the obvious decline in interest in comic books should make authors want to take initiative and fix the
In Superhero Worship by Virginia Postrel published in The Atlantic explores the glamour of comic heroes coming to live, and what that glamour really is. From paper to screen superheroes have caught the wonder of the American people. The most wellknown superheroes were introduced in the 1930s through the late 1950s, during the time of warfare and national pride. Superman was welcomed in America in 1937 to keep spirits alive during the breakout of WWII, fighting Nazis or the Japanese Imperial Army. These heroes that were created used propaganda
In addition to, revolutionizing characters, Stan Lee made many of his comic books intricate and interesting compared to simple boring comic books in the past. His intricate comics had to do with his...
A. Wonder Woman #172. (Second Series) DC Comics: (August 2001) Kanigher, Robert. A. A. Sensation Comics #97 - "The Spectacular" DC Comics: May-June 1950. Kanigher, Robert. A. A. Wonder Woman #204 - "The Wonder Woman" DC Comics: January-February 1973.
In 1941, Stan Lee, the creator of the Marvel universe, released his firs comic book about the patriotic hero Captain America. This comic was released during World War 2 to give the Americans a sense of hope and to let people know that we’re not alone. Marvel does a good job with its comics because they want to show you that even when times get tough, as long as you have hope things will get better. A good example of this would be Spiderman. When his Uncle Ben died, his last words to Peter were, “With great power, comes great responsibility.” Spiderman goes on to
McCloud, Scott. “Time Frames”, Understanding Comics: The Invisible Art. New York : HarperCollins Publishers, 1993.
Every child in the United States has heard or read the Marvel and DC comics books. If you have not then you have probably have heard of their characters like the famous star spangled hero, Captain America, or the Dark Knight himself, Batman. Both Marvel and DC has influenced the children and adults of American in its darkest times. The great wars affected many by its poisonous grasps, and its victims sought comfort with the antidote provided by the marvelous illustrators and writers of comic books. Now their cinematic counterparts are here to inspire the 21st century. The Marvel and DC cinematic universes have similar content, they both have unique characteristics that set them apart.
In our society, certain ideals are held in high regard. Individuals relentlessly pursue these ideals to achieve a perceived perfection. These principles are often depicted in media that further glorifies and establishes a desire to pursue these paragons. In a medium such as comic books, however, these standards and perceptions are heavily distorted by the characterizations and settings. Particularly, the superhero genre absorbs the ideals we strive towards and regurgitates them in an extreme and unrealistic manner. The superhero genre is often reflective of societal changes in ideas and morals. These ideals are then molded into misleading representations that influence the behaviors of viewers. Comic books absorb elements of our society and transform them. For example, as the enemies of America change, so do the enemies of our superheroes. However, the enemies are transformed into supervillains that are extremely dark and villainous. Such characterizations cloud people’s understanding of real threats and enemies affecting our society. Also, to cater to the value that American society places on intelligence, attractiveness, and physical strength, comic books create characters that epitomize these characteristics. Though the represent society’s ideals, these characters manipulate the ideas and convey them back to the audience in an unrecognizable manner. In developing such distorted representations, the superhero genre affects human behavior and perceptions of these ideals.
-Themes and plot would also have to be portrayed differently if V was not a graphic novel. This is because the visuals would not exist to help form and build the conflicts.
Both superhero films, Spiderman and Superman have evolved in many ways. I will however elaborate more on the evolution of the Spiderman films. Spiderman has had many changes to his costumes. The traditional costume that has been used a lot is made from lycra and spandex. The suit had blue and red on it although most of the suit was covered up with blue.
“The Golden Age of Comics” PBS. PBS, 2011 Web. Retrieved on February 11 2014 from http://www.pbs.org/opb/historydetectives/feature/the-golden-age-of-comics/
However, this popularity has fluctuated throughout history. In the past few decades, demand for comics in the print media had been falling, in part due to the successes of other children 's media, such as cartoons. “Our biggest fear was that that audience was going to get to a point where we weren 't able to build it up again,” says Dan DiDio, co-publisher of DC Comics, “and a lot of what we do would be branded lost because there was nobody out there reading it" (Martin 14). Luckily, comic creators realized that the stories were perfect for screen adaptations: "they 're full of spectacle [and] adventure with an emotional arc for the hero. That 's what movies have always been about” (Humphries). The promise of lucrative merchandise sales and cross-promotion undoubtedly encouraged production, as well. Comic books were first adapted for television in the 40s and 50s, and met with huge success. Thus, superhero television programs set the stage for the inevitable point when comics took to the big screen with the first Superman movie in 1978 (Humphries). This cinematic moment ushered in a tricking of other superhero feature films, which eventually became the flood of superhero films that is taking place in the 21st
It may not be that powerful but it can help change society” (Leiva). Comics can help make people realize that they can be who they want to be no matter what they look like or what they believe. Many people do believe that entertainment can change people’s mindsets for good, this journalist included; “[Ms. Marvel] made me realize that I don’t want to be anyone other than a stronger version of myself, that I don’t have to change my color or my values to be an influential figure to the world.” (Dern) Some people are probably wondering if there is any need for an expansion of the comic book industry especially if they are doing so well.
Most people believe that graphic novels are just an art book with minimal text. They believe it is just for entertainment for kids or young adults. They think that graphic novels are just like comics. But to get to the point, graphic novels are just like all the other novels. They are a piece of literature that tells a story and pulls out the reader’s imagination, so that they feel that they are a part of the story or can even relate to the story. Graphic novels have changed and developed into such remarkable pieces of literature and should be accepted by all scholars to be placed in that category. According to John Ridley, “There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are-at their best-an amazing blend of art, literature and the theater of the mind”.