The Ultimate Goal Line of Art

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From stick figures in the sand and the earliest animals painted and carved in stone, individuals worldwide have responded to the world by using images. The ultimate goal line of art, especially in the past, was to transport meaning and express important ideas, enlightening what was significant to every civilization, by eye-catching images. In be familiar with the subject matter of any painting, you have to look at the artist's objectives, which are regularly connected to social conditions, national or global issues and the demands of the public. To avoid the drawbacks of judging all art by our own personal experiences and personal views, we have to learn the background surrounding the artist when the work was created- that being the social and historical conditions of the time and the logical views which affected the way in which the artist viewed the world. Art is as wide-ranging as the life from which it springs and each artist represents different characteristics of the world they know. For a split second, it may be said that artists paint to find out reality and to generate direction. The inventors of art make innovations about the marvels and exquisiteness of nature and the poise and graciousness of man. They give these concepts an order to help us understand life in a greater depth. In understanding the history and style of any period of art, we have to understand the equilibrium between social and political development of that particular era. World matters have been mirrored in art throughout the ages. CRASH (John Matos), The Big Mouth, 1984, Spray paint on canvas. CRASH mainly does graffiti art, which is writing or drawings that have been scribbled, scratched, or sprayed illicitly on a wall or other surface in a public ... ... middle of paper ... ...d since his death—and even worse, recent season campaigns in the media have reactivated resentments virulent since the late 1920s, when Schuffenecker was suspected to have imitated the work of other contemporary artists, among them, Van Gogh. Still a contentious issue, it has not been established whether he produced forgeries. (De Leeuw) This art displays sharp, vivid images with a high degree of color accuracy. Works Cited "HOW I MAKE IT WORK; WELLBEING." Sunday Times [London, England] 22 May 2011: 56. Academic OneFile. Web. 12 Feb. 2014. Bouhours, Jean-Michel (director). Arman exhibition catalogue, Paris: Centre Georges Pompidou, 2010 De Leeuw, Ronald and Rijksmuseum Vincent van Gogh. “Van Gogh Museum,” 1997 DeWitte, Debra J. Ralph M. Larmann, and M. Kathryn Shields. Gateways to Art. 1st edition. New York, New York: Thames and Hudson publisher, 2012. Print

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