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Sylvia Plath as a poet
About the nature of Sylvia plath
Sylvia plath poetry themes
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Life has been some combination of fairy-tale coincidence and joie de vivre and shocks of beauty together with some hurtful self-questioning. --The Bell Jar by Sylvia Plath
It has been almost 50 years since the American literary community lost one of its greatest treasures, Sylvia Plath. Even in recent days, numerous scholars are still studying many admirable qualities in Plath’s collection of work. She has developed a unique writing style and performed thoroughly at an early age. Over the years, the events of her life highly affect the focus of her work. This transition is evident in her use of colors, object, and most importantly, her purpose for producing each poem. Plath’s development is presented clearly in her juvenilia poem “Female Author” to some of her later pieces, for instance “A Life”.
In Plath’s case, her tragic life is a crucial element that one cannot pass over. Various researchers believe that being able to recognize and study the poet’s life is the key to his or her poems. Glyn Austen agrees when he writes, “Certain key events provide a framework for approaching Plath…death of father, suicide attempt, psychiatric treatment, marriage, childbirth, hospitalization, betrayal, suicide” (Austen). All these factors suggest that emotion is Plath’s fundamental material when it comes to the motivation of her topic.
Although people often associate Plath’s accomplishments with her depression, sadness is not the only theme Plath is known for. The “Female Author” is a good model for Plath’s earlier work even though it was unpublished. It was probably written between her adolescence and her time in college. Plath is full of enthusiasm throughout this stage of her adulthood, as she states, “this is now, and now, and now. L...
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...Austen, Glyn. "Life and art: context in Sylvia Plath's poetry: Glyn Austen argues that an understanding of Sylvia Plath's life is the key to her poetry." The English Review Feb. 2002: 12+. Literature Resource Center. Web. 12 Dec. 2011.)
(A 1962 Sylvia Plath interview with Peter Orr, The Poet Speaks: Interviews with Contemporary Poets Conducted by Hilary Morrish, Peter Orr, John Press, and Ian Scott-Kilvery. London: Routledge 1966.)
(Plath, Sylvia, and Karen Kukil. "Sylvia Plath Quotes (Author of The Bell Jar)." Share Book Recommendations With Your Friends, Join Book Clubs, Answer Trivia. Knopf Doubleday Publishing Group. Web. 10 Dec. 2011.)
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In the short story “Initiation” author Sylvia Plath suggests that conformity, although the societal norm, is not always as grand as it is made out to be, while also suggesting that even though conformity typically hinders one’s self growth, there are times when the fear of conforming can make one’s sense of self stronger. These two ideas together show that Plath uses this short story to convey the message that even though conformity is not inherently a positive thing, it can drive a person to look in on themselves and develop a unique identity. Plath uses symbolism, and character introspection to assert this idea.
There is no shortage of media encouraging adolescents to ‘be themselves’, promoting self-worth regardless as to what others think. While many may be fed this message throughout music and film, rarely ever is it conveyed to actually have a lasting effect on one’s personal views quite like Sylvia Plath’s “Initiation”. Although formulaic, Plath’s uniquely optimistic short story warns against an obsession with belonging, and explores the importance of individuality through the protagonist Millicent Arnold’s gradual character development, from a self-conscious teenage girl to a stronger and more confident individual.
In American society, the common stereotype is that the father has the role of the dominant figure in the household. Sylvia Plath and Sharon Olds may come across as two seemingly different poets, however, they are really quite similar, especially in their driving forces behind their writing styles in poetry. The lives of Plath and Olds are both expressive of the realities of a father-dominated family, in which both of these poets lost their fathers at a young age. This is significant because both poets have faced a similar traumatic event that has had everlasting effects on their adult womanhood, which is reflected in their writings. For both these woman, their accesses to father-daughter relationships were denied based on life circumstances. Ironically, their fathers were their muses for writing and are what made them the women they are today.
The Unabridged Journals of Sylvia Plath: 1950-1962. 430 Ed. Karen V. Kukil. Transcribed from the original manuscripts at Smith College. New York: Anchor, 2000.
The Editors of Encyclopædia Britannica. "Sylvia Plath (American author)." 23 September 2013. Encyclopedia Britannica Online. 9 April 2014 .
Pollitt, Katha. "A Note of Triumph [The Collected Poems]". Critical Essays on Sylvia Plath. Ed. Linda W. Wagner. Boston: G. K. Hall & Company, 1984. 67 - 72.
During a time when women didn't have many rights or received much recognition, Sylvia Plath was born in Jamaica Plain, Massachusetts on Oct. 27, 1932 (Rosenberg 10). Her parents would've never expected their daughter would one day become such a success in a male-dominated profession of writing. At an early age, her writing career started to kick off, as well as the start of many dark events that would become the inspiration for her writings. When I first read "Blackberrying" by Plath, I simply thought that it was a simple story about going to pick blackberries only to then get distracted by the lure of the sea. But after reading it a few more times, I started to pick up on the subtleties that lay within the poem.
...connection to Sylvia Plath is so strong that her story has become a means of coming to terms with elements of my own life. Her unflagging spirit and perseverant frame of mind have inspired me to define for myself my own inner worth, as opposed to allowing others’ approval to be responsible for characterizing who I am.
"About." Personal Blog, n.d. Web. 15 Nov. 2015. [When finding an explanation for the similarities between the writers, it is important to play close attention to biographies. In case the psychoeconomic factors that Ruonco describes are true, then biography constitutes most of the development of the Sylvia Plath affliction. Moreover, the biography provides an insight into the views of the author for a better and more accurate understanding of her poetry. Furthermore, it is imperative to use her auto-statement since she referres to her "muse" as something out of her control which can be traced to Kaufman's
Sylvia Plath’s life was full of disappointment, gloominess and resentment. Her relationship status with her parents was hostile and spiteful, especially with her father. Growing up during World War II did not help the mood of the nation either, which was dark and dreary. At age 8 Plath’s father of German ancestry died of diabetes and even though their relationship was never established nor secure, his death took a toll on her. “For Sylvia, who had been his favorite, it was an emotional holocaust and an experience from which she never fully recovered” (Kehoe 90). Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings. Along with his “hilterian figure,” her father’s attitude towards women was egotistical and dismissive, uncondemning. This behavior infuriated Plath; she was enraged about the double standard behavior towards women. Plath felt controlled in male-dominated world (Lant). “Because Plath associates power so exclusively with men, her conviction that femininity is suffocating and inhibiting comes as no surprise” (Lant 631). This idea of a male-dominated world also influenced Plath’s writing. Unfortunately, Plath married a man just like her father Ted Hughes. “Hughes abandonment apparently stirred in her the memories and feelings she had struggled with when her ...
In Plath's "Daddy," written just before her death and published posthumously, the most readily accessible emotion is anger, and much of the poem is couched in autobiographical allusions. Plath's own father died of a gangrenous infection, caused by diabetes he refused to treat, when Plath was eight years old, and his death was "the crucial event of her childhood" (Baym 2743). Plath makes personal references to her father as a...
middle of paper ... ... eals the mother’s attitude towards her new role. Just as in the Victorian era where women were limited in their development as individuals and mainly served as wives and mothers, the speaker feels as if she is confined to her new role as a mother and is denied her creative freedom. Clearly, Plath’s poems take a profoundly different approach to the concepts of pregnancy and motherhood, which are usually looked upon as rewarding and fulfilling stages in a woman’s life.
Giles, Richard F. “Sylvia Plath.” Magill’s Critical Survey of Poetry. Ed. Frank N. Magill, b. 1875. Pasadena: Salem Press, 1992.
Through her dark and intense poetry, Sylvia Plath left an eternal mark on the literary community. Her personal struggles with depression, insecurities, and suicidal thoughts influenced her poetry and literary works. As a respected twentieth century writer, Sylvia Plath incorporated various literary techniques to intensify her writing. Her use of personification, metaphors, and allusions in her poems “Ariel,” “Lady Lazarus,” and “Edge”, exemplifies her talent as a poet and the influence her own troubled life had on her poetry.
Plaths Poetry can be understood through the psychoanalytic model. The motifs of oral fixation, sadomasochism and the desire to return to primary narcissism are consistent throughout Plaths Poetry. Overall these motifs represent the desire to return to the state of primary narcissism and to be reunited with the incestuous love object.