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Themes of a streetcar named desire
Themes in A Streetcar Named Desire
Themes in A Streetcar Named Desire
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Tennessee Williams has become one of the best known literary figures on the American Scene and also one of the most controversial. A Streetcar Named Desire is a 1947 play opened on Broadway on December 3,1947, and closed on December 17, 1949, in the
Ethel Barrymore Theatre. While recognizing his compassion for frustrated and sensitive persons trapped in a highly competitive, commercial world, question whether he has not sacrificed his talent for popular success (Mood 43). “He [Williams] continued this study with Blanche Dubois of A Streetcar Named Desire (1947).” Stanley Kowalski in A Streetcar Named Desire is epitome of full-bodied male pulchritude and Williams’ most radiant symbol of virility. “In A Streetcar Named Desire the Southern gentlewoman, the last representative of a dying culture, is to delicate to with land the crudeness and decay surrounding her [Blanche Dubois]” (Mood 45). Blanche Dubois the last relic of the decade Southern plantation “Belle Reve”. “It would take Williams to place the sex-happy adult children of the New Orleans slum in the Greek Isles of the Blessed” (Mood 45). “The entrance of Blanche Dubois, delicate as a moth and dressed in immaculate white- and looking as if Blanche Dubois were about to take cocktails or tea in the best drawing room or garden, is an incongruous and shocking intrusion” (Mood 46). “Williams was born on March, 26, 1911, Williams suffered through a difficult and troubling childhood. William’s father, Cornelius Williams, was a shoe salesman and an emotionally absent parent” (Mood 48). William’s father became increasingly abusive as the Williams children grew older. Williams’s mother had lived the adolescence and young woman hood of a spoiled Southern Belle. “While success freed Wil...
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...rapes her (Cardollo 89).
Works Cited
Bigsby, C.W.E. "Tennessee Williams Streetcar to glory." Modern Critcial interpretation. (1988): 41-48. Print.
Brekman, Leonard. "Tragic downfall of Blanche Dubois." Modern Critical Interpretation. (1988): 33-45. Print.
Cardollo, Bert. "Drama of intaming an tradegy of incomprehension ." Modern Critical Interpretation. (1988): 60-92. Print..
Corrigan, Mary. Critical Companion To Tennessee Williams. 260-280. Print.
Kernan, Alvin B. "Truth and dramatic in Street Car." Moderen Critical Interpretation. (1988): `17-20. Print.
Mood , John J. "Structure of a streetcar desire." Street Car Named Desire . 1. (1998): n. page. Print
Qurine, Leonard. "The Cards indicate a voyage on a streetcar named desire." Modern Critical interpretation. (1988): 61-78. Print.
Tennessee, Williams. Street Car Named Desire. New Orleans : 1947. 1-144. Print.
" American Literature 58.2 (May 1986): 181-202. Wright, Richard. A.
Schopen, Bernard A. "'They Rode On': Blood Meridian and the Art of Narrative." Western American Literature 30.2 (Summer 1995): 179-194. Rpt. inContemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 204. Detroit: Gale, 2005. Literature Resource Center. Web. 8 May 2014.
Identity in Contemporary American Drama – Between Reality and Illusion Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped. Firstly, we learn from an interview he gave, that the character of Blanche has been inspired from a member of his family.
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
Guerin, Wilford L. A Handbook of Critical Approaches to Literature. New York: Oxford University Press, Inc., 1979.
Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town. It is a crowded area of the city, causing close relations with neighbors, and the whole town knowing your business. Their section of the split house consists of two rooms, a bathroom, and a porch. This small house is not fit for three people. The main characters of the story are Stella and Stanley Kowalski, the home owners, Blanche DuBois, Stella’s sister, Harold Mitchell (Mitch), Stanley’s friend, and Eunice and Steve Hubbell, the couple that lives upstairs. Blanche is the protagonist in the story because all of the conflicts involve her. She struggles with Stanley’s ideals and with shielding her past.
Written in 1947, A Streetcar Named Desire has always been considered one of Tennessee William’s most successful plays. One way for this can be found is the way Williams makes major use of symbols and colours as a dramatic technique.
Throughout Tennessee William’s play “A Streetcar Named Desire,” Blanche Dubois exemplified several tragic flaws. She suffered from her haunting past; her inability to overcome; her desire to be someone else; and from the cruel, animalistic treatment she received from Stanley. Sadly, her sister Stella also played a role in her downfall. All of these factors ultimately led to Blanche’s tragic breakdown in the end.
Tennessee William’s A Streetcar Named Desire is one of the most popular plays in American history. The play contains this theme of Old South versus New South where old southern ideals and way of life clashes against newly formed ideals of the late 19th and early 20th century. The distinctions between the Old South’s emphasis on tradition, social class, and segregation versus the New South’s emphasis on hard work can be seen throughout the play. It is manifested in the main characters of the play. Blanche DuBois’s civilized and polished nature makes her a symbol of the Old South while Stanley Kowalski’s brutish, direct, and defying nature represents the New South. Tennessee Williams uses the characters of his play to present a picture of the social, gender role, and behavior distinctions that existed between the Old South versus the New South. Furthermore, the two settings provided in the play, Belle Reve and Elysian Fields can also be seen as different representations of the Old versus the New with the way both places are fundamentally different.
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
Londre, Felicia Hardison. "A Streetcar Running Fifty Years." The Cambridge Companion to Tennessee Williams. Ed. Matthew C. Roudane. New York: Cambridge UP, 1997. 45-66.
Tennessee Williams was one of the greatest American dramatists of the 20th century. Most of his plays take us to the southern states and show a confused society. In his works he exposes the degeneration of human feelings and relationships. His heroes suffer from broken families and they do not find their place in the society. They tend to be lonely and afraid of much that surrounds them. Among the major themes of his plays are racism, sexism, homophobia and realistic settings filled with loneliness and pain.1 Tennessee Williams characters showed us extremes of human brutality and sexual behavior.2 One of his most popular dramas was written in 1947, and it is called A Streetcar Named Desire.
*(2)- Critic- Tharpe, 513- source (http://www.cercles.com/n10/bak.pdf): CRITICISM ON A STREETCAR NAMED DESIRE, A Bibliographic Survey, 1947-2003, JOHN S. BAK, Université de Nancy II-C.T.U.
The arts stir emotion in audiences. Whether it is hate or humor, compassion or confusion, passion or pity, an artist's goal is to construct a particular feeling in an individual. Tennessee Williams is no different. In A Streetcar Named Desire, the audience is confronted with a blend of many unique emotions, perhaps the strongest being sympathy. Blanch Dubois is presented as the sympathetic character in Tennessee William's A Streetcar Named Desire as she battles mental anguish, depression, failure and disaster.
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.