Agamemnon is a Greek play that has a wonderful balance of drama and action. Despite all of the thrilling and impressive dialect, the story remains a tragedy. It has several deaths mentioned and recalled, as well as thick plots being plotted, and a gripping storyline. All of these things are tragedies because of the human emotion behind them. It is what makes this story interesting.
One of the tragedies in this play is that Agamemnon kills his own daughter. When the gods demanded her life in exchange for the wind to sail to Troy to war, Agamemnon kills his own daughter as a sacrifice. Although it does not take place in the story of Agamemnon, (it takes place in the Iliad, another Greek tragedy) this is referenced throughout the story of Agamemnon. “Yes, he had the heart to sacrifice his daughter, to bless the war that avenged a woman’s loss, a bridal rite that sped the men-of-war.” (Lines 223-226)
The next tragedy to take place is when Agamemnon and his men completely overlook all the warnings given by the chorus and Cassandra about the unrest in his house. The leader of the chorus...
Agamemnon survived the ten year long Trojan War, even as other great warriors such as Achilleus fell. Tales of the war are widespread and it is described by both its veterans and non-participants in glorified terms. Agamemnon is often singled out for leadership and accomplishments. Demodokos sings of the “famous actions/ of men on that venture” and “that lord of men, Agamemnon” while performing for Odysseus on Alkinoos.(VIII, 73-74, 77). Agamemnon stands out as one of “the leaders of the bronze- armored Achaians” who fought at Troy and is recognized as a major hero of the war (IV,496).
Odysseus and Agamemnon are heroes who fought side by side to take down the city of Troy during the Trojan War. In Homer’s The Odyssey, why is Agamemnon slaughtered when he arrives home while Odysseus returns to find his loved ones still waiting for him? The reasons for the heroes’ differing fates are the nature of their homecoming and the loyalty of their wives.
In the introduction, “The Serpent and the Eagle”, written by Robert Fagles and W. B. Stanford, they write that the beginning of Agamemnon sets the tone and “rhythm” of the entire trilogy: “We begin in dark suspense: we are waiting for the light, and it no sooner dispels anxiety than a shadow falls again” (“The Serpent and the Eagle”, 24). This refers to the death of Agamemnon and the inevitable deaths of Clytaemnestra and Aegisthus at the hand of her own son, Orestes, which leads into the final play of the trilogy, and the ultimate e...
Clytemnestra has the ten years of the Trojan War to plan her revenge on Agamemnon. Upon his return Clytemnestra shows him some love. That love she showed quickly changes to rage and hatred when Clytemnestra she’s Agamemnon with his mistress Cassandra.
A Greek drama is a series of actions within a literary presentation in which the chief character has a disastrous fate. Many Greek dramas fall under the theatrical category of a tragedy due to the tragic events and unhappy ending that cause the downfall of the main character. During the famous play “Antigone” the Greek author Sophocles incorporated several features of a tragedy. These features include a morally significant dilemma and the presence of a tragic hero. The grand debate over which character can hold the title of the tragic hero has been discussed in the literary world for ages.
The Agamemnon picks up with Agamemnon and Menelaus, sons to Atreus, who joined together in the war of Troy after Paris, son of Priam, seduced Helen, wife to Menelaus. Angered by his ruthless man-sacrifices in the war, Artemis required that Agamemnon take the life of his daughter Iphigeneia in order to save the army and fleet o...
Agamemnon's pride and cowardice are again revealed in lines 261-272 when the Chorus states Agamemnon's horrid decision t...
Aristophanes denounces the importance of the gods' influence on the actions of mortals. In the usual tragedy, the gods play an extremely important role towards the actions of the mortal characters. Through fear of the alternative and examples of the past, Athenians carried out their everyday lives under the guidance of the gods' wishes. Aristophanes challenges the audience, and Greek culture as a whole, by offering a different view on the answers and directions of life, than that of the gods. He denounces the parables and explanations to answers in life that involve the gods. Instead he explains that such things as the aerial whirlwind, and especially the clouds, are the reasoning behind all of natures actions. On the surface these comments were seen as a mockery and very humorous. Underlying this humor is a scary truth, most likely ignored by the congregations witnessing this play. How many times has a character in a tragedy been so willing to contradict the gods? Dominant characters like Creon and Prometheus have blatantly disobeyed the gods. The alternative explanations serve a hidden truth in the hearts of many of the Athenian people. This truth is always again repressed by the end of each play, tragedy or comedy; because their was too great of a fear to upset the higher beings.
The prize was the daughter of an Apollon priest, Chrysies. The distressed father prays to Apollo who then sets a curse upon the king and townspeople. When Achilles hears that this was the cause of the horrible curse, he demands that Agamemnon return her. Agamemnon declares to Achilles that he must “fetch [him] another prize, and straight off too…” (line 138) to compensate for his loss. This shows how greedy and selfish the king really is and infuriates Achilles. To fetch someone else is a demeaning circumstance. Agamemnon reiterates his problem by griping that his prize is being taken away. By doing this, he tries to persuade and guilt Achilles into feeling bad for him. He wants Achilles to feel remorseful and hand Briseis to him. This conveys that women have no purpose to Agamemnon and are only thought of as objects. Therefore, he should see that the curse was his fault and nobody else’s. Instead, he should put the people before himself. Achilles is the best warrior who was willing to help the king out with his problem. He gestures that “We Achaeans will pay you back, three, four times over” (line 150) illustrating how forgiving Achilles can be in spite of the problem that has approached them. This depicts that he has pride and does not want the people to suffer anymore. He cares about the wellbeing of others. Furthermore,
In Aeschylus’s, Agamemnon, there is a great possibility that the death of Agamemnon could have been prevented, had the Chorus simply listened to Cassandra’s prophecy. But the words spoken between the two parties seem to have loss it’s meaning when it fell upon the Chorus; yet, they were obviously hearing what she was saying. But while they were hearing what she had to say, they did not listen to her words. Ironically, in this story, it is the women who posses all the knowledge. But once they try to share it, the men, who later suffer the consequence, ignore them. People only listen to what they want to hear, and a woman’s word is not considered important enough to listen to.
The play is about a strong-willed woman, Antigone, defying the laws of a proud king, Creon. Antigone is torn between her devotion to the gods, her brother Polynices, and her loyalty to the king. Creon, ruler of Thebes, issued the order to leave the traitor Polynices’ body unburied.
The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This in turn creates an excellent tragedy.
In the tragic play the Agamemnon, Aeschylus portrays Clytemnestra as a dominant, independent and cunning Queen. When her husband Agamemnon sacrificed their daughter Iphigenia in exchange for favorable winds, she sought vengeance on her husband and goes to extreme lengths to obtain it. Her use of manipulation plays a significant role in leading up to her triumph at the end of the play. Clytemnestra cleverly manipulates Agamemnon to attain her goal of murdering him.
In Aeschylus’ The Agamemnon, Agamemnon and Clytemnestra have to make tough decisions throughout the play, decisions they believe are justified. The actions of Agamemnon and Clytemnestra are not justified because they are caused by their blinding hubris and desire for power. Agamemnon makes the choice to kill his daughter just so he could lead his troops to Troy. Clytemnestra kills her husband, not just for revenge, but for his position and power as king of Mycenae. They make selfish choices and do not believe they will be punished for them. By exposing their true motives, Aeschylus makes it clear they are not justified in their actions.
In conclusion, the trilogy Agamemnon connects with the concept of fate. In evrysingle part of the play fate is proved from the beginning till the end. Fate occurred when Agamemnon went to the battle, when he sacrificed his own daughter for the God and Cassandra revenging Agamemnon for sacrificing her daughter who was known as the house beauty .