In Aeschylus’ The Agamemnon, Agamemnon and Clytemnestra have to make tough decisions throughout the play, decisions they believe are justified. The actions of Agamemnon and Clytemnestra are not justified because they are caused by their blinding hubris and desire for power. Agamemnon makes the choice to kill his daughter just so he could lead his troops to Troy. Clytemnestra kills her husband, not just for revenge, but for his position and power as king of Mycenae. They make selfish choices and do not believe they will be punished for them. By exposing their true motives, Aeschylus makes it clear they are not justified in their actions. Agamemnon kills his daughter, Iphigenia, for power and respect. This power is more important to him than his daughter, thus he sacrifices Iphigenia instead of stepping back and letting someone else lead the armies to battle. The Chorus emphasizes this when they recall his words before he sacrifices Iphigenia “However he did not shrink from slaying a victim daughter in aid of war raged” (Aeschylus 20). He is more worried about losing respect than his own daughter. His lust after power and respect made him insensitive to fair judgement. He tries to justify himself by saying there is no other way but to sacrifice her. He does anything to fulfill the public’s desires to gain him their praise, up to and …show more content…
including killing Iphigenia. Clytemnestra tells herself that killing Agamemnon is to avenge her daughter, but it is also done for power.
After Agamemnon’s death, Aegisthus is next in line to become king and Clytemnestra is his queen. Her desire for power is hidden by her claims of justification. She challenges anyone to take her power. “[H]e who conquers me in fair fight shall rule me” (45). She threatens the Chorus to a fight for power. She knows she has all the power now the king was dead and she is his queen. Clytemnestra is aware she killed him for his power, but her arrogance makes her put the deed on the curse of the House of Atreus and vengeance for
Iphigenia. Aeschylus shows disapproval for both of their choices through the Chorus and Cassandra. Both make the selfish choice of power over family. Aeschylus believes that Agamemnon is not justified for sacrificing Iphigenia and says it through the Chorus. “[T]he harness of Necessity, his spirit set to the new quarter, impious, wicked, unholy, and from that moment he took to his heart unflinching resolve” (20). To the Chorus, his deed is wicked and unholy which are not words of justification; Aeschylus speaks through the Chorus here to make Agamemnon’s incorrect actions shown. The Chorus is aware that his true motives are for power and respect. Clytemnestra uses the excuse of Iphigenia for her own justification. The Chorus and Cassandra know she does it out of hubris and she is going to be punished by her son, Orestes. “For there shall come another yet to requite for us, one born to slay his mother, to avenge his sire” (42). Orestes is going to come back and kill his mother. This is Clytemnestra’s consequence for her unjustified actions. This does not occur in the play but is alluded to by Aeschylus through the Chorus and Cassandra. Agamemnon and Clytemnestra both kill their family for power over people. This yearning for power comes from their hubristic natures and leads to their demises. Their pride causes them to believe they are justified. Aeschylus believes they are not justified, and he made it obvious by way of 0the Chorus and Cassandra. No good can come from an evil act. They are not justified because their actions were of selfish reasons, making the deeds evil. Both Agamemnon and Clytemnestra will not be punished if they are justified, but they are punished and unjustified.
Over the years she has harboured ill feelings concerning her husband Agamemnon because he killed her husband and then begged her father for forgiveness. Eventually Iphigenia decides that she wants to sacrifice herself for glory and Greece. Glory is what stems all of the events throughout the movie. Greece is going to war against Troy because Helena left her husband. Greece wants a glorious win over Troy and are willing to sacrifice Iphigenia for a possible upper hand. Agamemnon is willing to sacrifice his eldest daughter so that he can be the great military leader that he once was. Iphigenia is willing to die with the belief and hopes of being immortal in the history of
Like other heroes of the war, Agamemnon is a powerful king. He was able to raise men to follow him to Troy. He is referred to by the epithet “sheperd of people” (III, 156). In the underwold, Achilleus tells Agamemnon,
There are obviously many obligations at hand in Iphigenia at Aulis. The one however that widely catches my attention is Iphigenia’s ending decision to accept her fate. Iphigenia’s fate of death is a sacrifice that her father Agamemnon has to uphold to his brother Menelaus. Agamemnon like any father would not willingly offer his child as a sacrifice, however he does so because of his “commander-in-chief” position and the oath he took on behalf of Menelaus.
Odysseus and Agamemnon are heroes who fought side by side to take down the city of Troy during the Trojan War. In Homer’s The Odyssey, why is Agamemnon slaughtered when he arrives home while Odysseus returns to find his loved ones still waiting for him? The reasons for the heroes’ differing fates are the nature of their homecoming and the loyalty of their wives.
Clytemnestra has the ten years of the Trojan War to plan her revenge on Agamemnon. Upon his return Clytemnestra shows him some love. That love she showed quickly changes to rage and hatred when Clytemnestra she’s Agamemnon with his mistress Cassandra.
In Aeschylus' trilogy, the Greeks' justice system went through a transformation from old to new ways. In the beginning of the trilogy, the characters settle their matters, both personal and professional, with vengeance. Vengeance is when someone is harmed or killed, and either the victim, or someone close to them takes revenge on the criminal. This matter is proven in the trilogy numerous times. For example, Clytemnestra murders Agamemnon as revenge for his sacrifice of their daughter Iphigeneia. Along those same lines, in the second part of the trilogy, Choephoroe, Orestes, who is Agamemnon son, murders Clytemnestra and Aegisthus. He does this in order to gain revenge on them for killing his father. It was by this way that people would deal with conflict, and it was thought to be not only a justice system, but also a honorable and fair. In fact, one of the principal purposes of the first play of the trilogy is to force us to recognize that justice based on revenge creates special difficulties, which in turn cannot be solved. It does not solve the problems that it is meant to, but only causes more problems that are even larger. As the third and last part of the trilogy begins, the system begins to evolve and change from vengeance to genuine justice. Instead of getting revenge on Orestes and killing him, they decide to put him on trial and have a jury decide whether or not he sho...
...ders are unable to adequately rule their people. It is evident to me that a tyrant need not be a particularly evil or dangerous leader, but merely one who cares more about his own power and honor than the people he leads, who lets his pride and greed overwhelm his responsibilities to the city or society he has been entrusted with. Agamemnon never tortured or killed his own men, but his judgment in protecting his men was compromised by his desire to gain honor in the sight of others. Tyranny can be overwhelming or subtle, but the very hint of its existence is sure to cause disharmony in the government, leading to the unjust, and thus unhappy society that Plato described.
Aristophanes denounces the importance of the gods' influence on the actions of mortals. In the usual tragedy, the gods play an extremely important role towards the actions of the mortal characters. Through fear of the alternative and examples of the past, Athenians carried out their everyday lives under the guidance of the gods' wishes. Aristophanes challenges the audience, and Greek culture as a whole, by offering a different view on the answers and directions of life, than that of the gods. He denounces the parables and explanations to answers in life that involve the gods. Instead he explains that such things as the aerial whirlwind, and especially the clouds, are the reasoning behind all of natures actions. On the surface these comments were seen as a mockery and very humorous. Underlying this humor is a scary truth, most likely ignored by the congregations witnessing this play. How many times has a character in a tragedy been so willing to contradict the gods? Dominant characters like Creon and Prometheus have blatantly disobeyed the gods. The alternative explanations serve a hidden truth in the hearts of many of the Athenian people. This truth is always again repressed by the end of each play, tragedy or comedy; because their was too great of a fear to upset the higher beings.
When the case is taken to trial Antigone takes an excessive amount of criticism and beating from her friends and colleagues as well as the media. She is said to be inhuman and her prerogative to why she has chosen to defend this demand woman, Medea is questioned. In addition, her place in society as a prominent "female" attorney is disregarded because her moral and ethical values are questioned. Yet, despite these terrible things, Antigone holds her head up high and walks into the courtroom determined to defend her client as best she could. In this courtroom it is inexplicable to anyone how somebody could murder her own children to teach her husband a lesson, every individual has forgotten their oath and placed their own personal opinion into their work, including Judge Good.
The act of revenge in classical Greek plays and society is a complex issue with unavoidable consequences. In certain instances, it is a more paramount concern than familial ties. When a family member is murdered another family member is expected to seek out and administer revenge. If all parties involved are of the same blood, the revenge is eventually going to wipe out the family. Both Aeschylus, through "The Oresteia Trilogy," and Sophocles, through "Electra," attempt to show the Athenians that revenge is a just act that at times must have no limits on its reach. Orestes and his sister Electra, the children of the slain Agamemnon, struggle on how to avenge their father's death. Although unsure what course of action they must take, both brother and sister are in agreement that revenge must occur. Revenge is a crucial part of Greek plays that gives the characters a sense of honor and their actions a sense of justice.
The prize was the daughter of an Apollon priest, Chrysies. The distressed father prays to Apollo who then sets a curse upon the king and townspeople. When Achilles hears that this was the cause of the horrible curse, he demands that Agamemnon return her. Agamemnon declares to Achilles that he must “fetch [him] another prize, and straight off too…” (line 138) to compensate for his loss. This shows how greedy and selfish the king really is and infuriates Achilles. To fetch someone else is a demeaning circumstance. Agamemnon reiterates his problem by griping that his prize is being taken away. By doing this, he tries to persuade and guilt Achilles into feeling bad for him. He wants Achilles to feel remorseful and hand Briseis to him. This conveys that women have no purpose to Agamemnon and are only thought of as objects. Therefore, he should see that the curse was his fault and nobody else’s. Instead, he should put the people before himself. Achilles is the best warrior who was willing to help the king out with his problem. He gestures that “We Achaeans will pay you back, three, four times over” (line 150) illustrating how forgiving Achilles can be in spite of the problem that has approached them. This depicts that he has pride and does not want the people to suffer anymore. He cares about the wellbeing of others. Furthermore,
After coming out of the house with blood stained hands while announcing her murder, all the Chorus can do is talk about what a great loss they suffer. They accuse Klytaimestra for being a backstabber, and tell her she should be punished. When Klytaimestra defends her actions by pointing out how Agamemnon killed her daughter, they ignore her and keep mourning. Even though they can see with their own eyes that Klytaimestra killed her husband and Cassandra, they still refuse to really listen to her, as if they do not want to believe that a woman committed the murder of their almighty king.
Although the ransom is attractive, Agamemnon refuses the money because the girl represents power and glory and that is far more important than wealth. Plunder represents victory; therefore, the more women Agamemnon possesses, the more glorified and powerful he feels. Eventually, Agamemnon returns the girl to her father; however, he insists that someone give him a female to compensate for his loss and restore his honor. He views the situation as a challenge to his authority and complains, "I alone of the Argives go without my honor. That would be a disgrace" (1.139-40).
Agamemnon is the first part of the trilogy known as the Oresteia. Agamemnon is a story where the main character sacrifices his own daughter to a God, Artemis to win a battle and then his wife revenge him for the sacrifice. The concept of fate plays an important role in the tilogy Agamemnon which led to the tragic endings of the play. According to the meaning of fate it means the development of events outside a person’s control, regarded as predetermined by a super natural power. Fate is what send Agamemnon to the war with Menelaus to fight against Paris, fate is what predetermined Agamemnon to sacrifice his own blood for the sake of his ship and companions and fate is what determined Cassandra his wife to plot to kill him and to revenge him for her daughter.
...hought themselves the better man and considered themselves dishonored by each other. For this, they each sought vengeance. Agamemnon uses his power to take Achilles' prize from him. Achilles decides to not only stop fighting, but also to turn against the Grecians. He would rather them lose the war than be dishonored.