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Why hegemonic masculinity encourages violence
Effects of the concepts of masculinity
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The Toxic Culture of Masculinity
This paper will detail the toxic effects that were caused by the hypermasculine attitude our culture has created. It will prove that glorification of masculinity encourages abuse, violence, and gender roles. What do most people think when they hear the phrase “be a man”? They probably think to toughen up and suppress their emotions, because everyone knows men don’t cry. In our society, traditional masculinity is characterized by violence, danger, promiscuity, and a lack of emotions. This is seen as the ultimate standard all men must aspire to. This infatuation with standard masculine ideals has instilled people with a mindset of male superiority. Society’s glorification of masculinity is toxic because it encourages
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Society’s encouragement of traditional masculinity is what makes men violent. It all starts when they are young. “We teach young boys that girls don’t mean no when they say no. We teach our daughters that boys who pull their hair when they are five do so because “they like them”. We teach our sons that being violent is the best way to tell someone they love them.” (Source 7.11). When boys act out, their actions are brushed off. This is where the phrase “boys will be boys” comes in. When people say this, it suggests that men have no control over their actions and act only on natural instinct. This is detrimental to both women and men. The phrase “boys will be boys” hurts women because it is often used to excuse abuse and rape, chalking it up to men being unable to manage their anger. In turn, men are stereotyped as animalistic brutes who are too stupid to understand the concept of …show more content…
At his base, Stanley represents everything men are encouraged to aspire to be: attractive, confident, well-built, hard-drinking, and possessing an appetite for pleasure. His alpha-male status is also helped by the role of Stanley being originated by charismatic sex symbol Marlon Brando. However, as the story unfolds, it becomes apparent that Stanley exemplifies the negative aspects of traditional masculinity. He’s abusive and dismissive to his wife Stella; at one point he goes as far as to hit her in a drunken rage, and it’s implied that this is normal for him. His actions towards his sister-in-law Blanche is no better. He continually strives to find out her secrets and destroy her life, seemingly on the basis that he dislikes her haughty and fanciful attitude. By prying into her past and revealing her issues, he asserts control over her. His actions ruin Blanche’s chance of a new start in life and drive her to the edge of a mental breakdown, which seems to be exactly what Stanley wanted. For the final nail in the coffin, Stanley rapes Blanche, shattering any semblance of sanity she had left. In the end, Stanley gets exactly what he wanted - Stella chooses to remain with him instead of leaving with their baby, and Blanche is dragged off to a mental asylum. He has upheld his status as the alpha-male.
This also leads into the fact that people interpret male violence and aggression as natural. They’ll pin it as something hardwired from ‘the hunter-gatherer days’. Often times they’ll also blame it on media violence, such as graphic video games, movies and TV shows. This is something much broader than that.
The concept of masculinity is considered as the qualities and characteristics of a man, typical what is appropriate to a man. In this article, A Community Psychology of Men and Masculinity: Historical and Conceptual Review, The author Eric S. Mankowski and Kenneth I. Maton, analyze four main themes: "Men as gendered beings, the privilege and damage of being a masculine man, men as a privileged group, and men’s power and subjective powerlessness. The second and fourth themes are described as
In scene three Stanley is having his poker party (pg. 57). At this point he is very drunk. Blanche distracting Stanley by listening to the radio instigates him to grab it off the table and toss it out the window. Stella in a state of panic tells everyone to go home which angers Stanley so he chases after her and hits her. This type of behavior is not normal of any human being involved in any relationship. Stanley repeatedly gets what he wants by use of any means possible. In addition the person whoever threatens the existence of his poker game receives a beating, in this case his wife. This scene demonstrates Stanley’s viscous animal like traits with such violence. If what happened here was repeated in today’s society he would find himself in a jail cell with a pending divorce.
...ices, such an attempt to elicit sympathy for this monster falls short” (Bell 2). Stanley is looked at as the monster of the play which is how he should be viewed. Luck was not on Blanches side through her life which made her make the mistakes she made. Even though her past was not clean, Stanley did not purge her of this. He tried to show her the reality of the world, but through his brutal treatment, only made her sensibility worse. Stanley is a primitive ape-like man, driven only by instinct, who views women as objects and has no respect for others. He is a wife batter and a rapist who is responsible for the crumbling sanity of Blanche who is “the last victim of the Old South, one who inherits the trappings of that grand society but pays the final price for the inability to adapt to a modern world that seeks to wipe grace and gentility out of existence” (Bell 2).
Stanley oftenly abuses Stella whenever he is drunk. One night, Stanley brings his friends over for a poker night. Mitch leaves the table in order to talk to Blanche. Stanley begins to get furious since Mitch is no longer playing. As more and more interruptions keep occurring, Stanley is furious and breaks the radio Blanche and Mitch were using. Stella then calls Stanley an animal. “He advances and disappears. There is a sound of a blow. Stella cries out.”(57) Stanley is usually abusive when he's either drunk or frustrated. After Stanley strikes her, Stella leaves the house and goes to her neighbors house. Blanche follows her sister upstairs to support Stella so she does not feel alone. Stanley then calms down and calls for Stella to come back. She returns and falls into Stanley's arms. Stella is very loyal to Stanley, she stays with him because he is her husband and does not want to change that. This is why she ignores her sister's pleas. Stanleys actions prove to the reader that he is an abusive husband to Stella and that Stella tolerates
The character Stanley represents the theme of reality. Stanley Kowalski is the simple blue-collar husband of Stella. His actions, reactions, and words show reality in its harshest most purist form. His actions are similar to a primitive human. For example he doesn’t close the door when he uses the restroom. This rudeness represents the harsh reality that Blanche refuses to accept. Moreover, when he was drunk he hit Stella. This attack on Blanches sister could be a symbolic “wake up” slap to the face of Blanche.
The "others" do not want to demonize men, yet are not taking an active role in eliminating the occasional poison that masculine expectations inhibit. Hamblin 's opinion, as well as several respected experts in psychology, criminology, and sociology, believes that toxic masculinity is an accurate term that can further both discussion and action on how to stop the aggressive and destructive notions of
However, there are also many instances where Stanley, a common working-class man, reveals his desire to be powerful and manly in his relationship with Stella, a woman who is of high class. Stanley is a man from a poor background and is married to a woman with a rich family history. Logically, Stanley may feel intimidated by Stella’s upbringing and feels that it is crucial to oppress her; it is hinted many times throughout the play as Stanley clearly demonstrates he is the one that holds the power by the way he treats Stella. Right from the start of the play, with Stanley’s introduction, he comes “around the corner… [with] a red-stained package from a butcher’s” (4), much like how an animal would bring its kill back home. With this, it is an analogy to a leader, Stanley, of a pack that brings back the food for the others to eat. The reliance of Stanley to bring back home the food broadcasts his will as the almighty alpha male that holds more importance than Stella. Furthermore, Stanley “heaves the meat at her (Stella),” (4) treating her as like a servant and also making a sexual innuendo. This action is one of disrespect and lets Stella know that she is under Stanley. This is an example of Stanley seeing Stella as a slave, a sexual object, under his control. Control is a large factor to Stanley as a husband and as a person. This is apparent when Stella explains that “Stanley doesn’t
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
This scene is in stark contrast to the society from which Blanche and Stella have come from. This is obviously a night meant for men only; however Blanche and Stella come home early and start to disrupt their night. Stanley almost immediately suggests that they leave them alone, “Why don’t you women go up and sit with Eunice.” this is him showing that they are not welcome. When Stella asks for him to finish soon he “whacks her thigh,” this is him showing his ownership in front of his friends, showing his authority and control over her, he is also placing his mark on her to prove she is his and on one else’s. This could also be to prove to Blanche that he can treat Stella however he wants, which makes him feel powerful and bold. Here Stanley is being the stereotypical husband, with ownership of his wife. This links in with the common theme throughout of male dominance over female inferior (shown throughout the play.) Williams portrays Stanley as the egotistical stereotypical man who is always correct. The men are dominant and all laugh, giving Stanley the audience he wanted so he feels macho, which accentuates the passive role of woman throughout the play. We start to see Stanley as the villain of this play, and when he hits Stella we see that he can be violent without warning, foreshadowing him seriously hurting Stella at the end
One characteristic of Stanley is his rudeness and cruelty towards Blanche, Stella's sister. It is very apparent that Stanley does not care for Blanche. Scene eight mentions Blanche's birthday party, and surprisingly, she receives a gift from Stanley. This gift, however, is not one that most people would appreciate. Blanche is very surprised to get a gift from Stanley, and as she opens it she says, "Why,why-Why, it's a-" .
[More laughter and shouts of parting come from the men. Stanley throws the screen door of the kitchen open and comes in. He is of medium height, about five feet eight or nine, and strongly, compactly built. Animal joy in his being is implicit in all his movements and attitudes. Since earliest manhood the center of his life has been pleasure with women, the giving and taking of it, not with weak indulgence, dependency, but with the power and pride of a richly feathered male bird among hens. Branching out from this complete and satisfying center are all the auxiliary channels of his life, such as his heartiness with men, his appreciation of rough humor, his love of good drink and food and games, his car, his radio, everything that is his, that bears his emblem of the gaudy seed-bearer. He sizes women up at a glance, with sexual classifications, crude images flashing into his mind and determining the way he smiles at them.] Blanche is uncomfortable and draws involuntarily back from his stare. She is keenly aware of his dominant position and reacts as women of the day did. Through all of this he is the leader of his group and in full control of his household. Any opposition to his leadership is quickly put down by physical force. He beats his wife, fights his friends and eventually humiliates Blanche by raping her.
Stanley does not take notice of his wife’s concern, but instead continues on his original course, asserting his own destiny, without any thought to the effect it may have on those around him. This taking blood at any cost to those around him is foreshadowed in scene one, with the packet of met which he forces upon his wife. It is through actions such as these that Stanley asserts power, symbolic of the male dominance throughout patriarchal society. He also gains a s...
What Stanley wants the most is to impose more power and be controlling of others. But things such as "That's how I'll clear the table! Don't ever talk that way to me!" and "you lay your hands on me and I'll..." which reveal that Stanley tries to assert his dominance by way of threats and physical violence, even if it means to abuse of his pregnant wife, but it backfires against him and instead leaves him to make up for the damage. The reason Stanley acts this way may be because of the time in which the characters live, being the forties, where domestic abuse is widely accepted as the norm. This is more supported when Stella does nothing about Stanley's abusive impulses because she accepts it as being the way it's supposed to be. If Stanley were to be more respectful, kind, and reasonable he would earn the respect of his friends and, more importantly, his wife. The character whom Stanley is antithetical is Mitch. This is evident in "I called him a liar at first. And then I checked on the story" and "Stanley crosses to block him" which shows that not only Stanley convinced Mitch to distrust Blanche to his own benefit but also Stanley won't allow for Mitch to help Blanche when she's being taken away, demonstrating that both characters want something opposite from the other. For Stanley to get rid of Blanche and for Mitch to have someone to fill the emptiness in his heart. This maintains the constant theme of a need in each character in the book, but in this case making a connection with two more
Stanley (Stella's husband) represents a theme of realism in the play; he is shown as a primitive, masculine character that is irresistible to Stella and on some levels even to his "opponent" Stella's sister Blanche.