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Thematic idea of the cask of amontillado
The desire for revenge in “The Cask of Amontillado”
What are the similarities to poe and the character in the cask of amontillado
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In the wise words of Abraham Lincoln, “The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new, so we must think anew and act anew.” It’s important for our well-being that we not let our past get in the way of today or tomorrow. This concept is a central theme for both the main character in “The Things They Carried” by Tim O’Brien and the narrator in “The Cask of Amontillado” by Edgar Allan Poe. While the two stories are inherently different and set far apart in eras, they share the common ground and the timeless moral of moving on.
In both stories, events occur to instigate a forced separation of past from present; both protagonists must let go of their pasts to cope with the present. Each character has their own personal motivations and demons to address. In “The Cask of Amontillado”, a major change in social status and life renders Montressor’s other internal identity, represented as Fortunato, useless. The character of Fortunato is a constant reminder of Montressor’s personal loss of power, wealth, and the ending of his noble ancestral lineage. He is also a reminder of how cruel Fate and Fortune were in letting these things happen to his family, his world, and consequently him. Montressor is consumed by the idea of revenge; eliminating the past identity of arrogant and privileged Fortunato, thereby letting himself move on and adapt to a different life. He symbolizes moving on from his past by burying Fortunato; he destroys the part of his past that can no longer exist in his present. He does all of this for the sake of himself and his pride, nothing else.
This is in contrast to the catalyst and motivations of Li...
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...as an element that “The Cask of Amontillado” lacks; cause and effect. It is a clear, albeit distracted, telling of the moment when Lieutenant Cross realizes the harmful effects of dwelling on the past and thus decides to leave it behind. The resolution in this story is implied, there is no proverbial “happy ending”.
Despite having been set far apart in eras, progressing differently, being under different circumstances, and having separate motivations, the moral of both stories are the same. Life necessitates change, and in the end both men must let go of the past. The ideals and priorities of their former selves can no longer function in the reality of the present; the past’s harmful effects create the circumstances that force both protagonists to move on. For both men, to live in the past is to be your own worst enemy; there is no future in living in the past.
Within this plot of revenge, Poe uses irony and symbolism to develop his theme of a man who tries to gain absolution for the sin he is about to commit. Irony in "The Cask of Amontillado" Poe
In the Cask of Amontillado, our narrator’s situation is one he is quite happy being in. Our narrator is Montresor, an Italian man rich with pride, and you quickly learn through his narration that he is intelligent, conniving, and extremely sinister. Throughout the story, everything Montresor does is motivated by one thing, his own thirst for vengeance. Montresor explains his actions are a result of Fortunato constantly abusing him and finally going too far, but he never explains anything Fortunato has done to insult him. When we meet Fortunato, he is extremely friendly towards Montresor, albeit a little intoxicated, so much that he makes Montresor’s story of “a thousand injuries” seem unbelievable (Cask 1). Compared to Gilman’s narrator whose spiral out of control was triggered by her forced seclusion from the outside world, it seems that Montresor’s insanity come from inside his own head. There is no evidence that suggest any attempts by Fortunato to belittle or insult Montresor in any way. I believe that Montresor may have been jealous of Fortunato’s success in life, and that is what drove him to vengeance. For example, on their way to the catacombs Fortunato makes a hand gesture of the Masons, a secret brotherhood, which Montresor doesn’t understand. Fortunato ask if Montresor is a Mason and for him to prove it, and Montresor lies and shows his trowel (Cask 5). This proves that
In “The Cask of Amontillado”, Montresor made up in his mind that he would carry out his act of revenge on Fortunato. Whatever offense Fortunato committed against Montresor drove him to the brink. The hatred inside was somewhat poetic. Montresor schemed to every detail how to carry out his revenge. The setting of the story is a dark, gloomy night at a celebration during carnival season. Montresor would be detailed in describing the monetary status of his enemy, his wardrobe or costume he wore to the celebration. He would set the mood as cheerful. Despite the ill feelings he has towards the now drunken Fortunato, Montresor pretends to care for his company to lure him towards his cunning plan. He strokes Fortunato’s ego and his love for wine to draw him towards the cellar. The dark, damp halls, the claustrophobia, and the human skeletons lying about the earth were all a foreshadowing of Motresor’s plan for the drunken Fortunato. It enhanced suspense to the story, building up to the climax which would be Fortunato entering into his grave. As they further enter the hal...
Poe's, The Cask of Amontillado is a story about fear and revenge. The story begins with Montressor's vow of revenge, foreshadowing future actions. "The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult vowed revenge..." Montressor had to be sure not to raise suspicion of what he was going to do Fortunato. Montressor knew that Fortunato had a weakness that he could use towards his advantage.
In The Cask of Amontillado, the theme of revenge is established at the start of the story, when the narrator states that he suffered irreversible insult by his associate, Fortunato, thus he vowed to avenge this action. This is evident in the following statement in the opening paragraph of the story, “The thousand injuries of Fortunato I had borne as I best could; but when he ventured upon insult, I vowed revenge” (Poe 7). Therefore, it is apparent to the reader from the onset of the story that revenge is a major driving force for Montresor for him to dreadfully murder his acquaintance,...
Russ,RJ.” Symbolism In edgar Allan Poe’s ‘ The Cask Of Amontillado’.” Yahoo Voices.Yahoo, Inc.,28 April 2008. Web.17 March 2014.
The book The Things They Carried by Tim O’Brien is fiction and truth wound together to create a frustrating and addicting novel of fiction about the Vietnam war. O’Brien created stories by using his experiences during the Vietnam whether they are true stories or not is an unattainable knowledge for the reader, the only person of that knowledge is only O 'Brien himself. Through his writing he emphasized the the fact that you cannot perfectly recall the experiences of your past when your telling a story but the way it is told is “true sometime than the happening-truth(O’Brien 171) which helps give The Things They Carried depth beyond that of a “true”, true story.
Edgar Allen Poe uses irony and poetic justice all throughout “The Cask of the Amontillado”. The places where irony and poetic justice hold the most significance are the scenes where, Montresor speaks of the wronging done to him by Fortunato, where Montresor and fortunato speak of the coat of arms, and where at the very end when Montresor traps Fortunato in the catacombs and leaves him to die. These scenes clearly show the use of these two tools that Poe used to tell the story of Montresor and
Montresor in "The Cask of Amontillado" is similar to the narrator in "The Tell-Tale Heart" in that his obsession with consuming the soul of Fortunato influences his every action. However, it is with Fortunato himself that he is obsessed. He feeds off of Fortunato's pain, unlike the narrator in "The Tell-Tale Heart" who's obsession is with destroying a menacing inanimate object. Montresor's entire conspiracy is focused around making Fortunato suffer, and for him to know just who is causing this suffering. This is why he goes to such lengths to put together this intricate strategy. It could have been so much easier to kill Fortunato in some easier, quicker way. Instead, he dedicates himself to torturing Fortunato. He creates a plan that leads Fortunato into the depths of the catacombs beneath his home, and kills him in an excruciating manner.
In the story "The Cask of Amontillado", Edgar Allen Poe tells the story of Montresor and Fortunato. This story has a much lighter mood to it, but from the beginning there is some tension between Fortunato and Montresor. The story its self has a
“The Cask of Amontillado” is a dark piece, much like other works of Edgar Allan Poe, and features the classic unreliable narrator, identified by himself only as Montresor. This sinister central character is a cold ruthless killer that is particularly fearsome because he views murder as a necessity and kills without remorse. Montresor is a character who personifies wickedness. Poe uses this character and his morally wrong thoughts and actions to help the reader identify with aspects of the extreme personage, allowing them to examine the less savory aspects of their own. The character of Montresor detailing the glorious murder he committed is a means of communicating to the reader that vengeance and pride are moral motivators that lead to treacherous deeds and dark thoughts.
Edgar Allen Poe’s gruesomely fascinating tale of vengeance and murder, “The Cask of Amontillado”, achieves its effect only through its usage of the first person point of view. This unusual perspective enables the reader to view the characters and conflicts through the eyes of the narrator, as he first discusses and justifies, and eventually, carries out his plans for the ruthless murder of his friend. The eerie tone and disorienting and materialistically-related setting of the story contribute to its theme of defending one’s honor and name and avenging all wrongdoings, even something so small as an insult.
“The Cask of Amontillado” starts out with the narrator, later discovered to be Montresor, positioning himself as a victim of Fortunato. In the opening line, he states, “The thousand injuries of Fortunato I had borne as I best could” (714). Instantaneously one feels sympathetic towards a person that has withstood a thousand inflictions. Montresor goes on to tell a parable of sorts about vengeance, and “when the avenger fails to make himself felt as such to him who has done the wrong” (715) he has lost. In this instance Poe has set Montresor apart from being at the least an unsuspecting
Unlike “The Tell Tale Heart” were the narrator loved the old man just hated his eye, the narrator of “The Cask of Amontillado” hated Fortunato but did things that make it look like he loved him. Montresor approaches Fortunato with claiming to have acquired something that could pass for Amontillado. Here Montresor may seem like he is being nice but he really just using Fortunato’s love for wine against him. As they went through the catacombs Montresor gave Fortunato enough wine so that he would be drunk and would be oblivious of what was happening as they went deeper and deeper into the catacombs. Fortunato never expected this to be the plan but just as a simple act of kindness from Montresor. As mentioned in the introduction of this paper the narrator of this story wanted revenge. Why does the Montresor want revenge? Well it is mention in the story on page three “THE thousand injuries of Fortunato I had borne as I best could; but when he ventured upon insult, I vowed revenge” but never gives us a full reason just that Fortunato insulted the Montresor in some
Bloom, Harold. “Plot Summary of ‘The Cask of Amontillado.’” Bloom’s Major Short Story Writers: Edgar Allan Poe. Ed. Harold Bloom, Gwendolyn Bellerman. Chelsea House Publishers, 1999. 55. Print.