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Characteristics of the characters in the cask of amontillado
Literary analysis of the cask of amontillado
Symbolism the cask of amontillado
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In Edgar Allen Poe’s “The Cask of the Amontillado”, Montresor has always been viewed as a sociopath. He is a man who lured his friend into his family 's catacombs by lying to him. He then got his friend, Fortunato, drunk enough that he did not know what was going on. Montresor then chained his friend to a wall and boxed him in with mortar, all as an act of revenge and justice in his eyes. Although Montresor trapping Fortunato in the catacombs can be viewed as a cold, evil, heartless act, it does not mean that Fortunato’s death was meaningless. Montresor viewed Fortunato’s death as poetic justice, but others can not help but think of the irony of the situation. Poetic justice is defined as a result or occurrence that seems proper because someone …show more content…
Thompson discusses the significance of Montresor’s family motto, “These details are essential to our understanding of the family imperatives rooted in Montresor 's mind as he plans and carries out the killing of Fortunato. ‘Nemo me impune lacessit.’ Montresor 's family motto has been translated, ‘No one attacks me with impunity’"(Thompson 552). This means that anyone who attacks the family name is warrant for …show more content…
Thompson states, “He similarly shows confidence in the rightness of his action in his last words to Fortunato. Fortunato, desperate for his life, pleads, ‘For the love of God, Montresor!’ Montresor, with what must strike Fortunato as biting irony, replies, ‘Yes,... for the love of God!’. He is doing this ... not ‘For God and Country!’but for ..., "For God and family!"(555) This shows the irony of the situation. Fortunato expected this all to be a joke, but he soon realizes that it is not. This also shows the final example of poetic justice. Montresor commits murder for the love and the name of his family which Fortunato has disgraced. Edgar Allen Poe uses irony and poetic justice all throughout “The Cask of the Amontillado”. The places where irony and poetic justice hold the most significance are the scenes where, Montresor speaks of the wronging done to him by Fortunato, where Montresor and fortunato speak of the coat of arms, and where at the very end when Montresor traps Fortunato in the catacombs and leaves him to die. These scenes clearly show the use of these two tools that Poe used to tell the story of Montresor and
A main theme presented in “The Cask of Amontillado” by Edgar Allan Poe is that Montresor shows obsession with the murder of fortunato. This is exemplified by Montresor’s precise planning, carefulness and slowness of speed in the process.
Montresor does not want Fortunato to die from anything other than his own plan of slow death by asphyxiation. Symbolism in "The Cask of Amontillado" This story by Poe has numerous examples of symbolism. For example, the manner in which Fortunato is dressed is ironic for a man with his societal prominence.
Have you ever met someone so clever, determined, and cruel to leave a man to die over an insult? Montresor is the perfect example of these character traits. In “The Cask of Amontillado”, by Edgar Allan Poe, Montresor uses all of these character traits to get revenge on Fortunado for insulting his family name. Montresor’s clever planning, determination for revenge, and cruel murder are the perfect combination for his unequaled revenge.
Montresor is a man who feels pride in himself and in his family, so when Fortunato—an acquaintance of Montresor— “venture[s] upon insult,” Montresor “vow[s] revenge” against him (1). Montresor hastily decides that he must kill Fortunato, even though his use of the word “venture” implies that Fortunato had not yet insulted him, but nearly did. Montresor’s impulsive need for revenge causes him to formulate a plan to murder his acquaintance. He keeps Fortunato intoxicated by “presenting him…[with] wine,” he “fetter[s] him to the granite,” and he “plaster[s] up… [a wall of] new masonry” to trap Fortunato in the catacombs (39, 71, 89). All of these acts are signs that the need for revenge has made Fortunato insane. A person who has any sense of morals would not commit crimes such as Montresor’s. His impetuous decision to exact revenge caused him to lose his
According to Montresor, Fortunato committed “a thousand injuries” against him, but it was Fortunado’s insult against Montresor that fueled Montresor’s hatred enough to commit what is the ultimate crime against another person; the crime of death. The opening paragraph of The Cask of Amontillado says,
In "Cask of Amontillado", Montresor is the narrator. "The thousand of injuries of Fortunato he has borne as he best could; but when he ventures upon insult, Montresor vows revenge" (Poe 528). As the story unfolds, "Montresor's idea of perfect revenge" is "characteristically precise and logical in detail" as to how he commits his crime (Delaney 1).
Poe's, The Cask of Amontillado is a story about fear and revenge. The story begins with Montressor's vow of revenge, foreshadowing future actions. "The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult vowed revenge..." Montressor had to be sure not to raise suspicion of what he was going to do Fortunato. Montressor knew that Fortunato had a weakness that he could use towards his advantage.
Montresor proves that one should be careful about insulting another because he/she could seek revenge in the story. Montresor proves through his actions towards Fortunato. He states, “The thousand injuries of Fortunato I had borne as I best could; but when he
In much of Poe’s Work, the presence of revenge and death seem to precede each other. In both stories, if someone dies, then revenge follows. If someone commits revenge, death seems to find that person. With the death of the commoners in "The Masque of the Red Death", revenge seems to follow the prince who abandoned them. When Fortunato betrays Montresor in "The Cask of Amontillado", death follows shortly after. In the end of the stories the characters come full circle with fate, whether it fortune or misfortune.
Vengeance and pride are fundamentally important to this short story. From the inception of the tale it is clear that the narrator is a proud, vindictive man; opening with, “the thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge,” the narrator immediately alerts the reader to the dark aspects of his own character. Because “insult” and not “the thousand injuries” caused the narrator to “vow” revenge, the reader can infer Montresor is prideful because, although he already had conflict with Fortunato, insult was what made the tense situation unbearable for Montresor––so much so that he vowed to take action. Use of the word “vow” is significant because it indicates that the grievance was meaningful in the mind of Montresor, allowing for the reader to more easily identify with the actions to be revealed throughout the course of the story; if the reader believes that Montresor was provoked in a profound way, ...
In Edgar Allan Poe’s “The Cask of Amontillado,” Montresor sets out on a vengeful mission that will end Fortunato’s life in an untimely fate. Montresor appeals to Fortunato’s love for wine to tempt the unsuspecting fellow to his impending doom. While Montresor tricks the foolish Fortunato frightfully, it is ultimately Fortunato’s pride that leads to his demise in the crypt. Poe uses several literary devices to foreshadow this murderous exploit of Montresor. Through the use of irony, symbolism, and imagery, the story entices readers to delve into the relationships and differences between Montresor and Fortunato.
“The Cask of Amontillado” starts out with the narrator, later discovered to be Montresor, positioning himself as a victim of Fortunato. In the opening line, he states, “The thousand injuries of Fortunato I had borne as I best could” (714). Instantaneously one feels sympathetic towards a person that has withstood a thousand inflictions. Montresor goes on to tell a parable of sorts about vengeance, and “when the avenger fails to make himself felt as such to him who has done the wrong” (715) he has lost. In this instance Poe has set Montresor apart from being at the least an unsuspecting
These imply Montresor’s the whole family is filled with acts of revenge. These also illustrate self-esteem or pride hold a critical role in the family that they do not accept anyone try to injure them. If someone does so, they will use their own method to punish their wrongdoings, which they at least find a way to release their discontented against such behavior. Montresor also considers this action as an insult because he perceives that he is not being respect and look down by Fortunato. This is because Montresor is a poor man compared to Fortunato who can afford to buy the entire shipment of Amontilado. Therefore, Montresor says, “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge” (331). This shows Montresor family’s coat of arms and motto can be the key that leads him wants revenge for being insulted by Fortunato. Since no one is able to clear up the internal injuries that have been in his heart for a while, he deems he should take the risk and punishes Fortunato by himself. In some way, he may think that he helps the society to cut weeds and eliminate the roots by killing all the loose end or
Edgar Allan Poe is one of greatest American authors and poets. He is well-known as a master of using irony in his story. “The Cask of Amontillado” is a horror story about revenge of Montresor upon Fortunato. Fortunato believes Montresor is his good friend, but he ends up with being chained and walled in to the catacombs. There are three types of irony used in this short story: verbal irony, dramatic irony, and situational irony. Using these ironies, Poe wants the readers to understand about Montresor’s “friendship” with Fortunato.
This immediate familiarity helps the reader to see inside the calculating mind of Montresor, whom we later learn is a killer. When talking about the past insults of Fortunato, he takes on a cold, determined tone: “At length I would be avenged; this was a point definitively settled […] I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong” (Poe, 618).