“She put her arms around me, one hand on my chest… ‘That’s why you’re here!’ ‘I...’ I didn’t know what to say. Not yes, but not no either. I couldn’t see much of her, we were standing too close. But I was overwhelmed by the presence of her naked body.” (Schlink 24)
The section of text that this quote is from disgusted and greatly shocked me, not because the two characters were intimate, but because the main character Michael was fifteen and the woman he was intimate with, Hanna, was in her early thirties. The author Bernhard Schlink is able to elicit this response from the reader because the scene is so aberrant and unexpected.
“I had woken up early, dressed quietly, and crept out of the room. I wanted to bring up breakfast and also see
…show more content…
He claims to be in love with Hanna, and he is obviously infatuated with her, but at the same time he takes an interest is Sophie, a girl his own age and to whom he can relate. The author uses Michael’s mental conflict to intrigue the reader and make them predict whether or not he will stay with Hanna.
“My body yearned for Hanna. But worse than my physical desire was my sense of guilt. Why hadn’t I jumped up immediately when she stood there and run to her! This one moment summed up all my halfheartedness of the past months, which had produced my denial of her, and my betrayal. Leaving was her punishment.” (Schlink 83)
This part of the text left me ambivalent. When Hanna suddenly disappeared from Michael’s life, part of me was relieved. She had abused him and I found the gap between their ages to be creepy and somewhat perverted. On the other hand, I felt sorry for Michael’s loss. It was cruel of her to leave without giving him any warning or goodbye, and it left him broken. She left him believing that it was his fault that she left. Here the author uses the weight of Hanna’s abandoning of Michael to elicit a response from the
Michael Patrick MacDonald lived a frightening life. To turn the book over and read the back cover, one might picture a decidedly idyllic existence. At times frightening, at times splendid, but always full of love. But to open this book is to open the door to Southie's ugly truth, to MacDonald's ugly truth, to take it in for all it's worth, to draw our own conclusions. One boy's hell is another boy's playground. Ma MacDonald is a palm tree in a hurricane, bending and swaying in the violent winds of Southie's interior, even as things are flying at her head, she crouches down to protect her children, to keep them out of harms way. We grew up watching Sesame Street, Reading Rainbow and Peanuts. Michael Patrick MacDonald grew up watching violence, sadness and death.
The Catcher in the Rye is not all horror of this sort. There is a wry humor in this sixteen-year-old's trying to live up to his height, to drink with men, to understand mature sex and why he is still a virgin at his age. His affection for children is spontaneous and delightful. There are few little girls in modern fiction as charming and lovable as his little sister, Phoebe. Altogether this is a book to be read thoughtfully and more than once. It is about an unusually sensitive and intelligent boy; but, then, are not all boys unusual and worthy of understanding? If they are bewildered at the complexity of modern life, unsure of themselves, shocked by the spectacle of perversity and evil around them - are not adults equally shocked by the knowledge that even children cannot escape this contact and awareness?
The story “Royal Beatings” is a beautiful representation of a young girl’s view of the world around her. Munro uses vivid details to create a story and characters that feel real. She draws the reader in and allows the reader to understand Rose through her poignant words about her life. Then, in the end, enables the reader to make the connections that Rose perhaps misses. “Royal Beatings” is not about any particular moment in Rose’s life or any certain action related to the reader. The story is, in fact, not about plot at all. It is instead about creating characters with a sense of verisimilitude and humanity while revealing “all their helplessness and rage and rancor.”
Michael soon decides that if he can trust Joe enough to keep in silence, he may be able to out wit the police. When Michael makes his decision, he never considers the ramifications that will come of it. For example, Michael never even considers the long agonizing nights he will stay awake or the ling pain filled days he will go through thinking of Jenna Ward and her mother suffering day after day. On the contrary, Michael thinks he will be able to just move on and forget about it.
As a single parent, Michael takes on the roles of father and mother to his teenage son. His brother-in-law even refers to him as, “a non-traditional mother,” in, “S.O.Bs” (Day and Vallely). Michael is a non-traditional parent in that he displays the qualities of a traditional mother as well as a traditional father. He fulfills the expectations of traditional father in disciplining his son, George Michael. When Michael chooses to transfer his studious son to a new school in, “S.O.Bs,” he is oblivious to George Michael’s unhappiness (Day and Vallely). After discovering what he believes to be the truth regardi...
Joe and Bazil 's status as the immediate family members to a sexual assault survivor allows readers to see how sexual assault can impact an entire family unit; a frequent situation that many people find themselves in, but don 't know how to sensibly handle emotionally. Through Joe 's perspective as a child in this novel, Erdrich guides her audience into understanding how complex of a societal issue sexual assault is by displaying how far reaching its effects are on the victim, family, and community of a
...nd personal story that shows the pitiful characters of Arpi and Connie that are victims of bullying at school. Then she concludes the story with a “perhasping” image of Connie and her mother at 7-Eleven transporting the readers from a classroom setting of kids bullied in front of an absentminded teacher to a sad picture in front of a store window. Considering the future, Murphy encourages the reader to evaluate their stand on cruelty and to make that difference not treat one another different. Murphy through rhetorical and tonal elements of pathos, logos, and diction expresses that cruelty in any form is wrong no matter how one tries to justify it. Doing bad for good is never right.
As much as society does not want to admit, violence serves as a form of entertainment. In media today, violence typically has no meaning. Literature, movies, and music, saturated with violence, enter the homes of millions everyday. On the other hand, in Beloved, a novel by Toni Morrison, violence contributes greatly to the overall work. The story takes place during the age of the enslavement of African-Americans for rural labor in plantations. Sethe, the proud and noble protagonist, has suffered a great deal at the hand of schoolteacher. The unfortunate and seemingly inevitable events that occur in her life, fraught with violence and heartache, tug at the reader’s heart-strings. The wrongdoings Sethe endures are significant to the meaning of the novel.
The events in the novel are predicated upon the death of Joel's mother. The account of his mother's death and the upheaval it caused for him (p 10 ) is more poignant to a reader who has experienced the untimely death of a parent than to one who has not. The reader who has experienced the loss can identify with everyone “always smiling” and with the unexplainable changes in one's own behavior toward others as one adjusts to the emptiness.
...e last beating she received from Hy-Lo, a recovery from the loss of her cat, a recovery from the emotional stress of listening to her mother and brother get beaten, and eventually a recovery from a broken life. The importance of the theme of forgiveness cannot be overlooked either as she struggles to leave behind the man that stole the childhood she deserved to have. He seems warmer and dies almost immediately after she forgives him, almost as if he too needed to be forgiven in order to move on. She is able to face the future by obtaining recovery through forgiveness, forgiveness through understanding, and understanding through confronting her past. McFadden paints a vivid picture and helps us understand the impacts of an abusive past in a very real way that leaves a deep impact on the reader. Even though it's difficult to read about abuse, I thought this was a good
Furthermore, Mary’s father was abusive in the family home to both Mary and her mother. A lifelong criminal, who was known to commit violent armed robberies, was not a good influence for Mary. Billy was often out of work, depending on earnings form Betty to sustain the house. It must be noted that there is some question if Billy is actually Mary’s father, given Betty’s profession; chances are great that Billy was just another victimizer in Mary’s lif...
During a freedom march on May 29, 1964 in Canton, Mississippi a boy by the name of McKinley Hamilton was brutally beaten by police to the point of unconsciousness. One of the witnesses of this event, and the author of the autobiography which this paper is written in response to, was Anne (Essie Mae) Moody. This event was just one of a long line of violent experiences of Moody’s life; experiences that ranged from her own physical domestic abuse to emotional and psychological damage encountered daily in a racist, divided South. In her autobiography Moody not only discusses in detail the abuses in her life, but also her responses and actions to resist them. The reader can track her progression in these strategies throughout the various stages of her life; from innocent childhood, to adolescence at which time her views from a sheltered childhood began to unravel and finally in adulthood when she took it upon herself to fight back against racial prejudice.
In every moment of Michael’s life, he encountered various love related moments created by Bernhard Schlink that shaped his life. The unique form of relationship between Hanna and Michael was a meaningful one, especially to the couple. The effects of the relationship positively affected Michael and highlighted every happy moment portrayed by their relationship. Nevertheless, their breakup was a tragic end to their relationship. This resulted in Michael’s sadness throughout the whole story. Michael always reminisced on the unforgettable moments of his relationship with Hanna. Thus, love was a major theme throughout the whole story and was successfully portrayed by Bernhard Schlink. In summary, Bernhard Schlink is portrayed as a proponent of love.
With the help Mangan’s sister, the boy’s uncle, the priest, and the girl at the bazaar, the boy learns how to be a mature adult. The lessons that those characters have taught the boy will forever change him, as well as the reader, because of the many scenes of maturity, love and rejection. Joyce has captivated a diverse audience of readers that ranges from young, free-spirited kids to old, atrophying adults because of his astounding ability to relate the story to them. This story of the process of maturity will, in no doubt, teach the boy to never again chase after beauty alone, because if he does, he will once again wind up empty and detached with no meaning left in his life.
Michael Henchard’s constant exercise of jealousy, pride, immature actions and overwhelming emotions bring him to his tragic end. Although Henchard might have you think he is a victim, the reader can see that his personality leads to the conclusion of his downfall and that Henchard’s inability to learn from his first mistakes takes him down a path no one wants to face. He might have been able to survive his mistakes had he not been so self-destructive. But because of the combination of his personality traits and the complexity of his character’s mind, he is eventually led to the nothingness that engulfs him.