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Nature of personality
Importance of personality
Importance of personality
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Why Michael Henchard’s Character Led to His Misery and Demise The Mayor of Casterbridge by Thomas Hardy is a novel about the rising and plummeting of a complex man named Michael Henchard. Michael Henchard does not just have one characteristic or just one personality for that matter. His personality can be described as thoughtful and strong-minded but also as ruthless, stubborn and cold. Henchard's impulsiveness, aggressive attitude, childishness and selfish nature made failure and misery inevitable in his life. The essence of his character is the root of his demise and misery. Michael Henchard’s pride and stubbornness leads to the start of his demise. When we first meet Henchard he is a dejected hay-trusser of twenty-one years, who is married to his wife Susan, with a young daughter, Elizabeth Jane. We see Henchard sell his wife and daughter in a drunken rage in a furmity tent at a county fair. It starts out first as a joke, but then is turned foul. "Why shouldn't they put 'em up and sell 'em by auction to men who are in need of such articles? Hey? Why, begad, I'd sell mine this minute if anybody would buy her!" Henchard said. The main reasons for Henchard continuing on with his joke to sell his wife and daughter to a sailor were his pride as well as the effect of the alcohol. Drinking alcohol leads to a couple decisions that Henchard comes to regret. In fact he often regrets things after he does them, and suffers the consequences. An example of this would be the fact that he sold his wife and daughter to a complete stranger for only five guineas. That sin stays nestled on his conscience and haunts him not only right after, but throughout his life. Henchard was young and naive and felt that his wife and daughter wer... ... middle of paper ... ...titude. “Henchard’s Will: ‘That Elizabeth Jane Farfrae be not told of my death, or made to grieve on a account of me. And that I be not buried in consecrated ground. And that no sexton be asked to toll the bell. SL And that nobody’s wish to see my dead body.’” Michael Henchard’s constant exercise of jealousy, pride, immature actions and overwhelming emotions bring him to his tragic end. Although Henchard might have you think he is a victim, the reader can see that his personality leads to the conclusion of his downfall and that Henchard’s inability to learn from his first mistakes takes him down a path no one wants to face. He might have been able to survive his mistakes had he not been so self-destructive. But because of the combination of his personality traits and the complexity of his character’s mind, he is eventually led to the nothingness that engulfs him.
Michael Patrick MacDonald lived a frightening life. To turn the book over and read the back cover, one might picture a decidedly idyllic existence. At times frightening, at times splendid, but always full of love. But to open this book is to open the door to Southie's ugly truth, to MacDonald's ugly truth, to take it in for all it's worth, to draw our own conclusions. One boy's hell is another boy's playground. Ma MacDonald is a palm tree in a hurricane, bending and swaying in the violent winds of Southie's interior, even as things are flying at her head, she crouches down to protect her children, to keep them out of harms way. We grew up watching Sesame Street, Reading Rainbow and Peanuts. Michael Patrick MacDonald grew up watching violence, sadness and death.
...his antagonist proves to be their own inner character which determines the trajectory of their decisions. As they all become aware, the consequences of their decisions prove to have an extensive impact on themselves and those around them.
Such a series of tragic events has a great toll among the two main characters (Cox ) . For a vicious, careless indivi...
...k with less than noble intentions. In the Baron, Michael discovers there are people willing to take advantage of children when he is coerced into breaking and entering. The narrator Michael explains that it was not until years into the future that he realized his misleading.
Louise, the unfortunate spouse of Brently Mallard dies of a supposed “heart disease.” Upon the doctor’s diagnosis, it is the death of a “joy that kills.” This is a paradox of happiness resulting into a dreadful ending. Nevertheless, in reality it is actually the other way around. Of which, is the irony of Louise dying due to her suffering from a massive amount of depression knowing her husband is not dead, but alive. This is the prime example to show how women are unfairly treated. If it is logical enough for a wife to be this jovial about her husband’s mournful state of life then she must be in a marriage of never-ending nightmares. This shows how terribly the wife is being exploited due her gender in the relationship. As a result of a female being treated or perceived in such a manner, she will often times lose herself like the “girl
Thinking too much of oneself can blind a person of their wrongdoings until it is too late. For instance, Armand found out after the departure of his wife and son that it was he that was not white while purging all things that reminded Armand of his family, “…Armand will never know that his mother… belongs to the race that is cursed with the brand of slavery” he reads from a stray letter found in his dresser from his mom to his father (Chopin). Fortunato was lustful to death for Amontillado, despite the series of warnings concerning his health. For prime example, “In an instant he had reached the extremity of the niche, and finding his progress arrested by the rock, stood stupidly bewildered” although Montresor guided him it was his greed that steered him to his demise (Poe). Both characters faced the harsh reality that their narcissistic ways ultimately ended with the presence of
These characters, however different they lie on the morality scale, all share the sinful trait of greed. They all ask, and take too much, ruining what the good that they had in their lives. Understanding their mistakes offers its useful readers a lesson, not to demand too much of the things we are offered. The characters struggle with their desires, each of them succombing to their passions.
Hindley’s obstructive actions, imposed on Heathcliff’s life, expand an internal anger that arouses as Heathcliff’s time at Wuthering Heights draws to a close. The negligent and condemnatory conditions advanced by Hindley transform Heathcliff’s futuristic outcome and supply him with motives to carry out vengeance on multiple personalities involved in the plot. Heathcliff’s troubled social environment renders it difficult to determine the ethical legitimacy behind his decisions, contributing to the moral ambiguity of his
...was a desperate act of a lonely, insane woman who could not bear to loose him. The structure of this story, however, is such that the important details are delivered in almost random order, without a clear road map that connects events. The ending comes as a morbid shock, until a second reading of the story reveals the carefully hidden details that foreshadow the logical conclusion.
The characters in Things Fall Apart are not black and white: they are flawed, redeemed, frustrated, assertive, violent, reasonable, and genuine. These traits are determined by perspective, and the a...
The relation between Hindley and Heathcliff plays a major role in Heathcliff’s social status. Hindley happens to despise Heathcliff because he was adopted by his father and received special treatment which Hindley longed to receive. Perhaps, this triggers Hindley jealousy and hatred towards and ...
In the early lives of Catherine and Hindley Earnshaw, their father 's overzealous love for Heathcliff causes a jealous rage in Hindley that starts the chain of disastrous events to come in the future. Mr. Earnshaw fails to remedy the situation, and Hindley, "learnt to regard his father as an oppressor rather than a friend … and he grew bitter with brooding over these injuries." The envious feelings that Hindley harbors for Heathcliff leads him to treat the orphan with contempt and cruelty. This in turn generates an intense hatred in Heathcliff for Hindley that fuels a craving for revenge that lasts for nearly all of his life.
James Hogg’s novel Confessions is told through two distinct narratives. The first narrative and the second narrative represent the main character, Wringham differently. In doing this, Hogg illustrates that the narrator’s viewpoints have no authority. The first narrative represents Wringham as a “devilish-looking youth” who constantly tries to provoke an altercation with George (Hogg 20). He harasses George to the point that none of George’s friends will spend time with him (30). Wringham is one-dimensionally evil. In the second narrative, Wringham as a character becomes much more complex. Though he is committing wicked acts, his justifications poses the question of whether or not Wringham is as sinister as presented in the first narrative.
As they got older, Hindley and Heathcliff alter their actions and expressions, becoming exceedingly fearsome, terrorizing men. After his father’s passing and new ascendancy over Wuthering Heights, Hindley starts to treat Heathcliff with a belligerent ...
Hardy originated from a working class family. The son of a master mason, Hardy was slightly above that of his agricultural peers. Hardy’s examination of transition between classes is usually similar to that of D.H. Lawrence, that if you step outside your circle you will die. The ambitious lives of the characters within Hardy’s novels like Jude and Tess usually end fatally; as they attempt to break away from the constraints of their class, thus, depicting Hardy’s view upon the transition between classes. Hardy valued lower class morals and traditions, it is apparent through reading Tess that her struggles are evidently permeated through the social sufferings of the working class. A central theme running throughout Hardy’s novels is the decline of old families. It is said Hardy himself traced the Dorset Hardy’s lineage and found once they were of great i...