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Analysis of William Shakespeare
The tempest critical review
The tempest critical review
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Recommended: Analysis of William Shakespeare
The Tempest
Throughout history we have heard stories of people who strive for power. People willing to do anything for that power. However, there is always some form of struggle in order to get that power, whether the struggle being a personal issue or an issue with another person. In the play The Tempest by William Shakespeare has many examples of characters who strive for power.
One character in the play who strives for power is Caliban. He had his island taken from him and enslaved by Prospero. “This island’s mine by Sycorax my mother, Which thou tak’st from me”(524). This shows his anger for Prospero for taking his island and enslaving him.
Caliban not only struggles to gaining power from other people, but also with himself. In the play
Caliban meets Stephano and Trinculo. They give him alcohol and Caliban praises them like gods for it. Making Caliban struggle with himself by essentially becoming an alcoholic. “These be fine things, and if they be not sprites. That’s a brave god and bears celestial liquor. I will kneel to him”(548). When Caliban becomes addicted he then begins to struggle with himself, making it harder for him to gain power and regain his island. Caliban shows that people desire power because he is willing to do anything to get his island back, even if that means killing Prospero. “I’ll swear upon that bottle to be thy true true subject, for the liquor is not earthly”(548). He decides to serve Stephano and Trinculo thinking that they will help him. Little does he realize they actually hold him back on his search for freedom. Although Caliban struggles to gain power he eventually does gain the things he desires most, his island and his freedom. He does this befriending many people and learning from their mistakes. He eventually gets what he wants when Prospero becomes duke again and gives the island back to Caliban. “Since I have my dukedom got and pardoned the deceiver, dwell in this bare island by your spell;”(596). In conclusion, The Tempest shows how people are willing to do anything for power. They may fail over and over but they still will not give up until they get what they desire. Like a drug craving something they may never get again, dealing with social and mental issues in order to have power. Showing that people are willing to do anything to fulfill their desire.
With the semester coming to an end, many students are excited. This especially includes those who will be graduating soon. However, graduation can be seen as a bittersweet moment. On one hand, the graduates enter into a new chapter in their lives. On the other hand, they may lose communication with some of their friends. Unfortunately, this is a natural aspect of each person’s life. Everyone will experience some kind of loss in their life, whether it is person or an object. In The Tempest, Shakespeare discusses the topic of loss. While this theme is not talked about much compared to other themes in the play, it is very important since it is a theme that is included in the 1956 movie adaptation Forbidden Planet. While both works illustrate the ways people deals a loss, the later work demonstrates how the advancement in the world have affected the way modern society
Ultimately the characters strive for power does not end well. In particular the story of Gilgamesh the main character Gilgamesh has power and abuses it. Gilgamesh is a greedy king who gets what he wants. He often has no consideration for his people that are looking up to him. The quote stated above about Gilgamesh can also speak for his power. Because Gilgamesh had a lot of power he is able to do anything he wishes. When Gilgamesh and Enkidu meets Gilgamesh is trying to sleep with a bride before her husband can. Gilgamesh has power but he abuses his power and his people are the ones who are punished. Claudius also thrives for power. It is ultimately Claudius’s need for power that urges him to kill his brother so he could marry his brother’s wife and become king. Claudius does not even stop his wife Gertrude from drinking the poisoned wine. He does say “Gertrude, do not drink” (Shakespeare. 5.2. 262). Claudius does not but tell her not to drink the wine but by the time he tells her that it is too late. Both Gilgamesh and Claudius have power. They do not use their power to benefit others. Both Gilgamesh and Claudius’s power harms their
In the play, The Tempest by William Shakespeare, Prospero took control of Caliban and made him his servant. Prospero was able to do this because he viewed Caliban as an uncivilized being; Caliban was portrayed as a beast. Thus, Prospero was able to assume power over Caliban. It can be seen from Prospero’s speech that he thinks that Caliban is inferior to him when Prosper says, “I have used thee, Filth as thou art, with human care […]” (1.2.348-349). Prospero tries to justify enslaving Caliban, but all he really does is place Caliban into a category of bestial and uncivilized and as a result enslaves him.
In this whimsical play, Prospero, the former Duke of Milan, after being supplanted of his dukedom by his brother, arrives on an island. He frees a spirit named Ariel from a spell and in turn makes the spirit his slave. He also enslaves a native monster named Caliban. These two slaves, Caliban and Ariel, symbolize the theme of nature versus nurture. Caliban is regarded as the representation of the wild; the side that is usually looked down upon. Although from his repulsive behavior, Caliban can be viewed as a detestable beast of nature, it can be reasonably inferred that Shakespeare’s intent was to make Caliban a sympathetic character.
Caliban’s initial attempt to defy Prospero’s power via a verbal curse actually gives Prospero more authority as master in that the curse acknowledges the duke’s ultimate power. Caliban begins his speech with the vengeful request that all the evil "infections"(2.2.1) under the sun "fall"(2.2.2) upon the "tyrant"(2.2.160) Prospero. While Caliban wishes for Prospero to be so harmed by sickness, the slave does not have the power to make this happen. Instead, he must request that these evils "fall"(2.2.2) of their own accord upon Prospero. Caliban’s lack of authority because of his condition as a slave is immediately contrasted to that...
By ____, he very accurately portrays the relationship between enslaved and slave holder. Although Miranda and Prospero see the knowledge as power, Caliban only sees it as a reminder of his he is not like them and how they took everything away from him out of selfishness. While Prospero believes he has done Caliban a favor by educating him, Caliban sees it as a dictatorship. Prospero then thinks Caliban to be ungrateful for all the good things he has done to help him, but there was nothing wrong with the way he was living before Prospero’s arrival. Just because Caliban refuses the civilization does not mean he is any less of a HUMAN. He is not ungrateful; he is just different. He realizes the only way out of this battle is to use what they have given him against them, and this is when he decides to go against everything he believes in attempt to overthrow Prospero. He realizes that he has to play dirty because Prospero is playing unfairly.
Prospero appears to be a ruthless tyrant that strikes fear into Caliban to make him work but further on in the text we learn that this is not the case. Caliban's foul-mouthed insults,
Upon Prospero’s arrival, he teaches Caliban language as to make this “savage” more civilized and obedient, however, Caliban uses the language he has learned to “curse” his master and refuse to accept the commands from Prospero, showing his rebellion. Moreover, even though Caliban is under the punishment of “apes that mow and chatter” and “hedgehogs which lie tumbling in [his] barefoot”, which significantly shows that he is far less powerful than Prospero, he is still uncompromised: he is very eager to conduct his “revenge” and “bite [Prospero] to death” because, at his first encounter with Stephano and Trinculo, Caliban immediately suggests that. Though Caliban’s attempt to “destroy [Prospero]” ends up in failure, this endeavor is rebellious. And Caliban’s rebellion against the oppression from “tyrant” reveals his nobility that he is courageous to fight against Prospero, even though Prospero is much more powerful than him. This rebellious and uncompromising character of Caliban in The Tempest sharply differs from the “waned and left” indigenous people in Indian Place-Names.
All stories within plays, books, movies, and pictures are never finished. However, unfinished doesn’t simply imply they have missing pixels or words. Texts and pictures, actually, as they age, are interpreted by all; yet, the original story intended by the writer is endlessly changing. Directors, actors, and readers use original stories as a baseline for augmentation. Specifically, after studying multiple forms of The Tempest, a play about a magical Prospero who was once duke of Milan and is now banished onto an island with his daughter, continual creation and interpretation are evident in how director Julie Taymor directed her perception of The Tempest in 2010.
Power can be a great thing and a truly magnificent asset to many people. Unfortunately, some people are willing to go as far as killing for it. Obtaining massive amounts of power can be a major making or breaking point to whomever gets a chance to get it. In the play, Julius Caesar by William Shakespeare, the theme of power portrays exactly how it can change people and portray the worst in people. William Shakespeare expresses this theme mainly by the dialogue and speeches that the characters give throughout the course of the play.
Throughout the whole play there is evidence of power, someone in possession of it and another subordinate to the person with the power. Mostly this happens in the scenes with prospero, as he is almost an omniscient and omnipotent character, with god-like qualities. He has the means to change many things not possible for humans, because of his magic and his power over magical creatures such as Ariel. Caliban also does the will of Prospero;
The Tempest by William Shakespeare, among other themes, is a play very centered around rivalries, an important one being the one between Prospero and Caliban. As one would naturally expect, the triumphs and failures of the ongoing conflict yield different reactions for the two different characters. The conflict illustrates a dichotomous view of the way in which people respond to failure or defeat. Whereas Caliban responds to defeat instinctively with furious acts of retaliation, Prospero reasons that when those kinds of acts are examined under the scope of logic, they appear to be unlike that of a noble and therefore, should not be undertaken.
It makes sense to me to see in this Shakespeare's sense of his own art--both what it can achieve and what it cannot. The theatre--that magical world of poetry, song, illusion, pleasing and threatening apparitions--can, like Prospero's magic, educate us into a better sense of ourselves, into a final acceptance of the world, a state in which we forgive and forget in the interests of the greater human community. The theatre, that is, can reconcile us to the joys of the human community so that we do not destroy our families in a search for righting past evils in a spirit of personal revenge or as crude assertions of our own egos. It can, in a very real sense, help us fully to understand the central Christian commitment to charity, to loving our neighbour as ourselves. The magic here brings about a total reconciliation of all levels of society from sophisticated rulers to semi-human brutes, momentarily holding off Machiavellian deceit, drunken foolishness, and animalistic rebellion--each person, no matter how he has lived, has a place in the magic circle at the end. And no one is asking any awkward questions.
The tempest VS Risen A discovery will lead to a transformed or renewed perspective of the world, and as a result will challenge the views and beliefs previously held by an individual. These ideas are echoed in William Shakespeare’s pastoral Romance “The Tempest”, 1611, where the characters are forced to adapt to a new society and way life because of the actions of Prospero, who induces the Tempest. Similar ideas are examined through Kevin Reynolds 2016 film Risen, which focuses on the Roman Tribune Clavius’ discovery of the resurrected Jesus Christ and shows how this unexpected discovery has altered his whole world and presented it in a new and more meaningful fashion.
Throughout history, the struggle for power has led mankind to commit unspeakable acts of violence in order to obtain or maintain dominion over others. Imprisonment, torture and murder are all tools tyrants such as Caligula of Rome, Ivan IV of Russia and Pol Pot of Cambodia used to subject their will on others. At the most basic level these are all stories of men obsessed with power. The Tempest, by William Shakespeare is another such story that shows just how far a person will go to gain control and power over others. The character relationship between Prospero and his slaves, Ariel and Caliban, provides insight into the overall theme of the story which is the struggle between those who have power and those that are envious of that power and will stop at nothing to take it from themselves.