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Power in the tempest
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In Shakespeare 's play The Tempest, the usurpation of power is a central theme. The opening scene introduces us to power struggles among the noblemen and sailors. We later learn that the former Duke of Milan, Prospero, was stripped of his power by his brother, Antonio. Also, Antonio advises Sebastian, the King’s brother, to seize Alonso’s crown. These are just a few examples of complex power dynamics caused by a difference in opinion. Everyone has a different vision of ideal government, and everyone is greedy for power, a deadly combination. While there are many systems of government, I will be explaining the royal adviser Gonzalo 's system and how it compares to Prospero 's ruling when he held power. These two forms of government are flawed …show more content…
One must understand the limitations in Prospero 's personality to understand his government. Firstly, Prospero is consumed by a desire for knowledge, a bookworm in the truest sense of the word. He spent hours reading, perfecting his magic, and studying "the liberal arts." (1.2.73) He explains that while he was "transported and rapt in secret studies," he had to direct his rule to his brother, Antonio temporarily. (1.2.76-7) A ruler 's primary responsibility is to his people, and while advancing his knowledge of the world, Prospero neglected his duties as the duke. He makes it clear that he is not concerned with his people when he explains how Gonzalo "furnished [him] … with volumes that / [He] prize[s] above [his] dukedom." (1.2.166-8) Prospero values his mind more than his state, reflected by his love of books, and this curiosity prevents him from keeping a watchful eye over his dukedom. In fact, it was because of Prospero’s “neglecting worldly ends” that Antonio slowly gained power. (1.2.89) From a ruler’s perspective, government serves no purpose without a population of citizens, where Prospero would much rather be alone studying, but he was not disconnected completely from his people. His subjects remained loyal to him, and when it came time, murder was not an option for the usurpers: “They durst not kill [him], / So dear the …show more content…
Also, Gonzalo has no experience as a leader, nor would his society require a traditional “government” since the society would presumably keep itself in order. And while Gonzalo 's government was merely a theory, Prospero 's government was fact; it existed. It was, nonetheless, imperfect. Prospero tended to think of himself and his knowledge before he thought of others, whereas the ideal ruler would do the opposite. His main flaw was in his antisocial behavior, which prevented him from fulfilling his duties as duke. Prospero is a lazy, incapable leader at first, but his character undergoes enormous change. And while he was a little late to realize it, the virtue that saved his life before is evident in his rejecting magic at the end of the play. In this, his last work, Shakespeare explores the theme of government, and I believe is implying, through these flawed forms of government, that perfection can never be attained. Just as man is imperfect by nature, so is his
Prospero can be used to exemplify the Prince’s principles of how a ruler should not conduct his business. Prospero was an unfit ruler of Milan because he did not invest his time in politics but instead in “the liberal arts” (Shakespeare I.ii.91). Machiavelli states that a ruler should be invested in the well being of his people. Even though Prospero inherited the power to rule over Milan, Machiavelli would argue that Antonio rightfully acquired this power through prowess (Machiavelli 20). Machiavelli would justify Antonio’s action when he overthrows Prospero for power over Milan. Machiavelli would state that Antonio did what needed to be done in order to attain power. Prospero was not acting as a rightful ruler, so Antonio had the opportunity
Confronting experiences may prompt inner discoveries which result in the re-evaluation of the importance of power. Shakespeare’s The Tempest follows Prospero, an exiled megalomaniac’s plan to exact revenge
The Tempest presents the character of Prospero the usurped duke of Milan. In the beginning Prospero’s character can be described as foul, spiteful, and selfish. This can be seen in various scenes in acts one and two of the play where he treats the people around him as his servants especially the fateful Ariel who reminded him of his promise only to be threatened of imprisonment. He’s selfish in the sense that he would do anything to accomplish his goal of executing his plan. Like a master puppeteer he is manipulative and deceptive. He even manipulates his daughter to fit according to his scheme. However, all of his foul characteristics left him as his plan nears its end. It is as if the shedding of his clothes represented his change is personality and attitude. After Prospero discarded his staff, drowned his magic book, and wore his duke garments he became more responsible and sympathetic. Instead of exacting revenge on the king of Naples a...
In Shakespeare’s play, The Tempest, the character Prospero embarks on a journey of self discovery, undergoing a transformation that allows him to achieve a renewed perception of himself and others Prospero who was initially a duke, but later overruled by
Throughout history, powerful empires with boundless control have had a tendency to fall victim to corruption. It is common knowledge, among political scientists and historians, that power corrupts and absolute power corrupts absolutely. William Shakespeare's "Othello, the Moor of Venice" (reprinted in Laurence Perrine and Thomas R. Arp, Literature: Structure, Sound, and Sense, 6th ed. [Fort Worth: Harcourt, 1993] 1060-1147) contains several themes, but one theme in particular supports the truth of this knowledge. In "Othello, the Moor of Venice," the theme of control is one that causes corruption. Othello's control is stolen by Iago and, Iago's overbearing control of Othello's emotions causes chaos and absence of control until Lodovico arrives at the end of the story.
In Shakespeare’s The Tempest, the focus throughout the story is on the “human law” as Prospero is seen as a manipulator. Near the beginning of the play, Prospero enslaves Caliban, and he obeys Prospero all the time when Prospero orders him to do so. After Prospero gives instructions what to do, Caliban says in an aside that, “[He] must obey. [Prospero’s] art is of such power/ It would control [his] dam’s god, Setebos, / And make a vassal of [Setebos]” (Shakespeare I.ii.448-450). When Prospero threatens Caliban that he, “would control [Caliban’s] dam’s god, Setebos” (Shakespeare I.ii.449), making Prospero more powerful than the gods. Prospero’s actions prove that he is the top of the Great Chain of Being. Thus, Shakespeare use of indirect characterization demonstrates to the au...
Prospero’s Abuse of Power in The Tempest. In William Shakespeare's The Tempest, Prospero lives with his daughter Miranda on a deserted island. On the surface, he appears to be a benevolent leader doing his best to protect and care for the inhabitants of the island, especially for Miranda. On closer inspection, however, Prospero plays God, controlling and creating each individual to fit the mold he desires.
Through The Tempest play, William Shakespeare weaves together a tale that is characterized by anti-colonialist sentiments. Prospero - the deposed Milan Duke - adopts a colonialist mentality by treating his colleagues as slaves who have no rights. Characters who suffer mistreatment under Prospero include: Ariel - the spirit creature; Ferdinand - the Naples Prince; and Caliban - Sycorax’s son. Prospero possesses much magical power which he uses to oppress his compatriots. Consequently, Prospero is portrayed as a colonial tyrant who abuses his immense power. Anti-colonialism feelings are especially evident through the actions, utterances and disposition and of Caliban, Miranda, Ferdinand and Ariel. To illustrate, Caliban berates Prospero for the former’s forced labor. Likewise, Ariel protests Prospero’s reluctance to release the former as earlier agreed. Miranda also expresses her dissatisfaction with Prospero’s unfair imprisonment of Ferdinand. Similarly, Ferdinand appears to challenge Prospero’s authority by briefly stopping dragging timber so as to flirt and chat with Miranda. The foregoing four characters exhibit conduct that highlights their displeasure with Prospero’s colonial-style authority over them. From the preceding expose, it can thus be concluded that Shakespeare’s The Tempest play is about anti-colonialism based on its depiction of Caliban, Miranda, Ferdinand and Ariel’s opposition to Prospero’s oppressive authority.
To be able to answer this question we must first understand why Prospero can be seen as good or evil. It is fair to say that Prospero is a main protagonist to the plot of Shakespeare’s Tempest. It is due to Prospero's role as a key figure in the play that has put him under so much scrutiny. Many different Shakespearean critics have their own view of Prospero and those that read or see the play also have their own opinion of the way in which Prospero may be seen.
The Tempest raises many questions regarding the formation of authority and power. Is hierarchy understood as natural or as constructed? Also, what are the consequences when authority is usurped? This paper will attempt to answer these questions in a succinct manner using textual references to solidify its arguments. As the play progresses, Prospero constructs the hierarchy in such a way as to return things to their "natural" state. Any type of usurpation, whether attempted or successful, will always end up with power back in its rightful place, and most of the time with a lesson learned.
The play, The Tempest, by William Shakespeare is a very cleverly thought out piece of work. Shakespeare very deliberately inter-relates several different forms of power during the course of the play. There is political power, shown through the plethora of political characters and their schemes, while at the same time parodied by the comic characters. The power of magic and love, and its ability to reunite and absolve also plays a major role in the play. Throughout the play, Prospero, the main character, takes great advantage of his power and authority, both properly and improperly.
Shakespeare's "The Tempest" forms a world within itself. Within this world, many topics regarding government, power and colonization are addressed. Shakespeare tackles the discovery of new places and races, the relationship between the colonized and the colonist, old world ideologies on new soil, as well as theories on civilization and government. These aspects at the core reveal a very clear struggle for political power. Prospero's first major monologue creates the foundation of such a theme. In 1.2 lines 30-175 Prospero tell his story recounting the usurpation of the power he had as Duke of Milan, then quickly renews his power on the island. Prospero beings his story with an authoritative tone stating: "Obey and be attentive" (1.2 48). Desiring political power and authority becomes the core from which other themes derive.
The Tempest, like any text, is a product of its context. It is constructed in relation to moral or ethical concerns of 17th century European Jacobean society. The resolution of conflict appears 'natural' or an inevitable consequence if regarded in relation to the concerns of its context. The resolution of conflict in this play incorporates Prospero being returned to his 'rightful' or natural position as Duke of Milan, his daughter Miranda getting married to Ferdinand, and the party returning to Milan leaving the island to the 'monster', Caliban. The resolution is a consequence of the concerns of the time, including the idea of the divine right of kings, courtly love, and colonisation.
The illusions of justice and freedom, and what they truly are, has been a reoccurring theme throughout the works. The definitions of justice and freedom have become so construed throughout the times. In William Shakespeare’s The Tempest, Prospero tries to enthrall his audience in his narrative of social justice. The idea of justice the play portrays represents one individual who controls the fate of all others. Their freedom is controlled by the interference of those around them. Although he spends most of the play righting the wrongs done to him, he is misdirecting so to hide his true motive. Prospero misconstrues the definitions of justice and freedom by enslaving Ariel and Caliban, using magic for his own good, and creating a false happy
The Tempest was written in 1611 as Shakespeare’s last romantic comedy. This play is focused mainly on the theme of power. Shakespeare portrays an aging magician who has been living in exile with his young daughter on a remote island for the past 12 years. Shakespeare presents forms of power in different ways, but mainly through the characters of Prospero. In The Tempest Shakespeare shows 3 different types of power, which are through love, power over his slave Caliban, and power of magic.