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Game of Thrones Analysis
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This paper will focus on the television show Game of Thrones, a fantasy drama series that centers around seven noble families fighting for the rule over a mythical land. The shows main antagonist (which I will try to complicate in my essay) is the brutal and calculating leader of one of the seven noble families. I want to read Game of Thrones as a show that, depending on the way you look at it, truly doesn’t have an explicit good or bad side. In this series, what appears to be a ruthless villain in Tywin Lannister, is, in fact, a sympathetic character if you understand his life and his motives. Viewers of the show, think of Tywin as a villain because of the evil acts he plots and executes on the other noble families in this fantasy world. However, if we can overlook the evil actions, we can see that Tywin is a very decisive and powerful character. I will point to specific evil actions that Tywin has done throughout the series, but through my close …show more content…
Tess argues that a villain who is unpredictable and untrustworthy is a sympathetic villain because they keep us readers on edge. What the villain is going to do next keeps us engaged with the whole story and complicates how we look at them because we are constantly trying to figure them out. Collins argues that we are meant to read about “three dimensional villains” with complicated pasts and complicated motives in order to sympathize and really enjoy them as a character. Game of thrones is a show that directly focuses on villains. Tywin Lannister is definitely a villain that keeps us on edge. From his mental battles with his children to his ruthless and brutal orders, Tywin has never ceased to surprise us. I will work to forward Collins argument about how a “three dimensional villain” can’t be a villain at all through my close reading about Tywin’s ruthless, but well thought out and honest,
Literary villains are all around us. For instance, Voldemort from Harry Potter and Darth Vader from Star Wars. What makes a villain? They will go through anyone or damage anything to reach their goal. No matter how small or how tall they are, anyone can be a villain.
As the play goes on and tells the story the only important factor is kinship and tyranny to present a good king. Defining a good king can follow up
Beowulf is an epic poem telling the story of Beowulf, a legendary Geatish hero who later becomes king in the aforementioned epic poem. While the story in and of itself is quite interesting, for the purpose of this paper it is important to look at the character more so then his deeds, or rather why he did what he did.
A villainous mind is a closed box, unless opened nobody knows what’s inside however once opened easily visible. Similarly, a villainous character has the talent to be manipulative, prejudiced for others decisions and selfishly wanting to gain power without thinking about the affect it may have on other individuals. In Auther Miller’s The Crucible some depraved characters like Reverend Parris disrupt the peace in the society by manipulating other individuals and selfishly being greedy for power and reputation without keeping in mind the affect it may have on the society.
Everyone remembers the nasty villains that terrorize the happy people in fairy tales. Indeed, many of these fairy tales are defined by their clearly defined good and bad archetypes, using clichéd physical stereotypes. What is noteworthy is that these fairy tales are predominately either old themselves or based on stories of antiquity. Modern stories and epics do not offer these clear definitions; they force the reader to continually redefine the definitions of morality to the hero that is not fully good and the villain that is not so despicable. From Dante’s Inferno, through the winding mental visions in Shakespeare’s Hamlet, spiraling through the labyrinth in Kafka’s The Trial, and culminating in Joyce’s abstract realization of morality in “The Dead,” authors grapple with this development. In the literary progression to the modern world, the increasing abstraction of evil from its classic archetype to a foreign, supernatural entity without bounds or cure is strongly suggestive of the pugnacious assault on individualism in the face of literature’s dualistic, thematically oligopolistic heritage.
Villains today are typically shown wearing dark colors, large capes, mean eyes, and maybe a pointy-nose. The villain has their evil cackle that suggests that they know what they are doing is evil, but they love doing the evil things. For the most part, they are never regretful of their actions. Take Gargamel, from the movie The Smurfs. Gargamel is the evil wizard and enemy of the smurfs, whose main goal is to destroy them. He wears a dark cape, has a pointy nose, and an evil laugh. Throughout the movie, he never changes his views on his actions or questions his reasoning for attempting, what we would call murder. In the end he is defeated by the hero of the movie, while still coming back in follow-up movies to attempt his goal again and again. This archetype is not quite the villain archetype presented through Claudius of the novel
In most works of literature there is an “evil” character that has conflicting interests with the protagonist. This issue may arise in multiple forms including, but not limited to, abuse and manipulation. In this paper we will be discussing the similarities and differences between Shakespeare’s character Iago from Othello and J.K. Rowling’s character Voldemort from the Harry Potter series.
A Game of Thrones by George R.R. Martin is a complex novel filled with an equally complex and diverse set of characters. Martin explores and questions many aspects of humanity, society, and morality by creating three-dimensional, imperfect characters. For many of these characters, it is difficult to determine whether they should be considered good or evil due to the fact that they are so human and realistic. Some characters are easy to love, and others, like Joffrey Baratheon, are incredibly easy to hate. It can be difficult to talk about Joffrey without immediately wanting to write him off as one of the cruelest and worst characters ever created. Not many people stop to ask why he is the way he is. What caused him to become so mean and sadistic?
Biography: William Shakespeare's Macbeth tells the story of a man who would be king. And he is the king, because he murders. Him and his wife murder to get their way. This works greatly for them, until they are questioned, and their guilt sets in. The task for this paper was to compare the Macbeth's to two people who did great evil to accomplish good. IE: Adolf Hitler and Osama bin Laden, whom were used in this essay.
Throughout the Greek play, “Antigone”, we see one of the main character’s, Creon, who recently was named King of Thebes due to his Nephews battling to the death for the throne. Creon by the end of the play would eventually develop a theme known as a “Tragic Hero.” His character's emotion and motivations conflict with another main character, his Niece who the play is named after, Antigone. The characteristics of Creon have conflicting motives such as his hierarchy, greed, and vengefulness are highlighted by Antigone’s opposing ethics. Ultimately these conflicting motivations develop Creon as a tragic hero by making him regret his Decree and rash decisions once he has learned of his fate.
Henry V, like most characters created by Shakespeare, is very complex, and cannot by defined in black and white or as good or bad. However, he is the sum of his actions, and his actions and decisions during the campaign during the campaign in France lead him to be classified as a war criminal. A politician who works for his own good and through that, the good of his country, Henry’s decisions are often cold and calculated, designed to manipulate those around him.
Macbeth is a tragic play which begins by setting up the story of a hero of Scotland. This hero is the main character Macbeth. “Fair is foul and foul is fair” (Crowther Macbeth 1.1.12). Very early, a reoccurring theme is introduced, as well as the planted idea of power. Both of which are given to us by the witches, with unknown motives. Nonetheless, the witches plot the eventual downfall of this Scottish hero. Yet how this approach is made is due to the possibility of gaining a higher position of power. The reason for Macbeth’s corruption in Shakespeare’s Macbeth involves the power that power exerts over an individual who has gained a position of authority.
Throughout Shakespeare’s play Hamlet, the revelation of Claudius’ betrayal of the late King Hamlet becomes the causation of a slippery slope of events that revolve around a revenge on Claudius for his betrayal against the late King. Consequently, this key act of betrayal forms the plays overall theme of revenge while also showing the connection between power and corruption and the idea that ‘”what goes around, comes around.”
Shakespeare draws an amazing psychological portrait of a man who became a villain by means of ambition, desire and an imbalance of good and evil. “Macbeth” is a play composed of the disintegration of a noble man’s world. The play begins by offering the audience Macbeth, a war hero, with a high regard from Duncan, the king of Scotland. By the end of the play Macbeth transforms into a universally despised man without a place in the social community. Shakespeare draws an amazing face of a man made to be a villain by ambition, desire and an imbalance of good and evil.
This essay explores the research question “In what ways does the use of supernatural elements in literature serve to reflect the nature of humanity?” and focuses on fairy tales, Hamlet, and Macbeth. It begins by outlining and examining the role of supernatural elements in promoting struggles between both the characters and groups within the plot. It then proceeds to showcase how using these elements to create struggles within the plot helps the author to outline the societal struggles of his or her time period within the work of literature. This essay then goes on to consider how and why the use of supernatural elements plays a role in a literary work’s adaptability over time and region. From there, this essay explores how important supernatural elements are in making the stories that they are a part of more intricate and interesting. The role of supernatural elements in aiding character development and the role of certain characters within the plot is examined afterwards.