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In Alistair McLeod’s collection of short stories the Lost Salt Gift of Blood; death seems to be a constant companion. Death is important and perhaps even symbolic in this collection of short stories. It is important because it has the power to affect people and relationships, invokes freedom and even predetermines ones future, through the death of animal’s people and the impending death of others. The first story “In the Fall” consists of 2 deaths, the death of a horse and a death of chickens both with very different effects on people. The first death was the death of a horse who was a very close companion or more like an old family friend to the family but with age Scott the horse had grown old and incapable of farm work. The mother therefore decided to sell him. “We’ll just have to sell him; I remember my mother saying.” (p. ) As you read further on it is implied that the horse will be sold for mink feed. This has a most devastating effect on David, who in his anger and rage kill’s his mother’s chickens. “In the midst David moves like a small blood spattered dervish swinging h...
The deaths and dangers in the world we face are sometimes made of ourselves and of our fears. In the dark story The Masque of the Red Death the danger being unavoidable death that Prince Prospero shuns away but comes back to kill him. In Young Goodman Brown, the protagonist fears that his faith will be loss and nothing will be good in the world anymore. Both these stories are’ descriptive and use many symbols that connect to fear. While the protagonists in Young Goodman Brown and The Masque of the Red Death are both fearful, Goodman Brown fears of losing his innocence and runs off to find faith but loses it on the way, and the prince in The Masque of Red Death fears losing his riches.
The interpretations of what comes after death may vary greatly across literature, but one component remains constant: there will always be movement. In her collection Native Guard, Natasha Trethewey discusses the significance, permanence and meaning of death often. The topic is intimate and personal in her life, and inescapable in the general human experience. Part I of Native Guard hosts many of the most personal poems in the collection, and those very closely related to the death of Trethewey’s mother, and the exit of her mother’s presence from her life. In “Graveyard Blues”, Trethewey examines the definition of “home” as a place of lament, in contrast to the comforting meaning in the epitaph beginning Part I, and the significance
Many find reverence and respect for something through death. For some, respect is found for something once feared. In a passage from The Crossing by Cormac McCarthy, a man cares for a wolf that has died. The prominent religious motif and the paradox contrasting beauty and terror create a sense of awe that is felt by the narrator as he cares for the wolf.
There are many short stories in literature that share a common theme presented in different ways. A theme that always keeps readers’ attention is that of death because it is something that no one wants to face in real life, but something that can be easily faced when reading. “Harrison Bergeron” by Kurt Vonnegut and “The Lottery” by Shirley Jackson both exemplify how two authors use a common theme of death to stand as a metaphor for dystopian societies.
“...Put your pistol to your head and go to Fiddlers’ Green.” Throughout literary history, epic stories of heroes dying for their gods and their countries have called men to battle and romanticized death, but Langston Hughes approaches the subject in a different way. He addresses death as a concept throughout much of his work. From his allusions to the inevitability of death to his thoughts on the inherent injustice in death, the concept of human mortality is well addressed within his works. In Hughes’ classic work, “Poem to a Dead Soldier,” he describes death in quite unflattering terms as he profusely apologizes to a soldier sent to fight and die for his country.
Firstly, The Masque of the Red Death is a short story that dwells on a wide variety of societal issues. On the other hand, The Raven adopts the form of a poem, which is especially notable for its dramatic and melodic properties. The poet uses the refrain of “Lenore” and “nevermore” in order to emphasize the narrators’ troubled interaction with death (Poe, The Works of Edgar Allen Poe). Furthermore, The Raven employs allusion in its attempt to explain the mysteries surrounding death. The poet seeks to know whether there is “balm in Gilead” in reference to the hope of life after death demonstrated in various religious faiths such as Christianity. In The Masque of the Red Death the author addresses death’s inevitability and its wider implication on the society (Poe). The short story addresses the ability of epidemics to wreck havoc on populations. Furthermore, the short story addresses the authority’s selfishness and incompetence when it comes to addressing pivotal issues affecting people. Instead of finding ways of protecting people from further infections, the prince selfishly runs away from the rest of the population. Whereas death finally catches up with everybody regardless of one’s social status, the short story plays a pivotal role in highlighting leadership discrepancies that plague many civilized
Death is an inevitable part at the end of human life, despite how many people try to avoid it. Sometimes death is seen as a sacrifice, as noticed in “The Scarlet Ibis” by James Hurst. However, not all sacrifices are deaths, as seen in “The Most Dangerous Game” by Richard Connell. In both stories, upon analysis and comparison, one can see the similarities and differences involving the theme of sacrifice. When the two stories are put side by side, one will see that Connell and Hurst both use death in a way that displays character development. This is shown when Brother of “The Scarlet Ibis” becomes regretful and Rainsford of “The Most Dangerous Game” becomes what he once hated, the reader will also realize how the characters’ personality traits
The seventeenth-century play Macbeth, by William Shakespeare, employs blood as a powerful symbol to amplify the tragic nature of the work. Prior to, and immediately following Duncan’s death, blood magnifies the treachery of Macbeth’s murderous act. Throughout the play, blood constantly reminds the audience of the ruthless means the Macbeths implement to gain the crown. In the culmination of the play, blood symbolizes the irreconcilable guilt that will haunt the Macbeths for the duration of their lives. Blood’s ubiquitous symbolism emphasizes the constant guilt felt by the Macbeths in their tragic pursuit of the monarchy.
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
I will discuss the similarities by which these poems explore themes of death and violence through the language, structure and imagery used. In some of the poems I will explore the characters’ motivation for targeting their anger and need to kill towards individuals they know personally whereas others take out their frustration on innocent strangers. On the other hand, the remaining poems I will consider view death in a completely different way by exploring the raw emotions that come with losing a loved one.
In “The Lottery” by Shirley Jackson, she speaks much about tradition in a small town in which many have been lost over the years. The black box, which Shirley speaks about in the beginning of the story, is of great importance. The black box represents the entrapment of tradition and the change over time. It is the trapping of tradition because now that it is worn and ragged they still do not want to change it because it is tradition. Along with the box changing many people’s views on The Lottery, it also lets the town’s people stand strong by themselves. Shirley Jackson in “The Lottery” uses symbolism and irony to foreshadow death.
“You cannot create experience, you must undergo it.” In the story The Crossing by Cormac McCarthy, the protagonist undergoes an experience in which he comes face to face with the inevitability of death. The piece is abundant with imagery, careful diction, and religious undertone. McCarthy employs these literary devices in order to convey the protagonist’s deep concern for a wounded wolf he encounters in the wilderness and his quiet sense of reverence, loss and even fear when confronted by the animal’s death.
Death is an unstoppable event that occurs in every individual’s life, and yet it is a very taboo topic as people rarely broach the subject because it causes incredible distress; it is certainly not a comical topic of conversation and one that is very seldom and rarely congratulated. Yet Oscar Wilde manages to deliver the ever present looming topic of death as if it held the same gravity as a bad hairdo in his comedic play, The Importance of Being Earnest. Instead of expressing support, sorrow and sympathy for the victims of Death and for the relatives, Wilde treats Death in comparison to a result of an impromptu action; no more serious than if a person was to walk into another, due to lack of observation in where they were going; The Importance of
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
In the 1862 poem, After Great pain, a formal feeling comes--, Emily Dickenson presents death from the perspective of the bereaved. This poem is written in the third person, and informs the reader as to the actions and thoughts of the mourners through an omniscient narration. In contrast, most of Dickenson's other death related poems show the reader the perspective of the dead. The vivid imagery in this poem functions to enhance the reader's perception of the poem. The following passage conveys a resplendent physical sense of coldness as someone is frozen to death: "This is the Hour of Lead-- Remembered, if outlived,