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From the frontier of writing poem analysis
From the frontier of writing poem analysis
Elements of analyzing a poem
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“The Sun Rising” by John Donne is an aubade all about two lovers getting woken up by the sun when all they want to do is lay in bed all day. The entire poem is the speaker, presumably Donne himself, is talking to the sun and telling him to go away. This poem is broken into three stanzas with a rhyme scheme of ABBACDCDEE. Each of those stanzas represents what Donne is telling the sun to do, which is, to go away, I am stronger than you, and that he and his lover are the center of the world. Donne uses diction throughout all three stanzas to make his three points and to give the overall point of the poem, that love is not affected by time.
John Donne uses diction all throughout his poem “The Sun Rising” to emphasize that the sun is not welcome in waking him and is lover. In the beginning of the poem Donne is calling the sun an “old fool” and “unruly”, which shows that he is not grateful for the sun shining through their window and waking them up. He then goes on to tell the sun to go “chide” children going to school who are late and apprentices who have overslept and are “sour” about it. The sun should be an indication to the huntsmen that the king will want go out and ride and the sun will also indicate to the “ants” that it is a good day to harvest their crops. The sun should not be waking up the lovers, because love does not change with the rising of the sun or the change of the seasons. Donne ends the stanza saying that love does not know what time is. Donne classifies time as the “rags of time”.
The second stanza starts with Donne accusing the sun of thinking that its rays are so “reverend” and “strong” and then says why would anyone think that this is true. He goes on to say that he “could eclipse and cloud them with a win...
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...ote, for the sun is seem most often as a happy symbol and to Donne they are happier than the sun. The next line tells why they are happier than the sun, “in that the world’s contracted thus”, the world, in their mind, is in their bedroom and they do not have to hurry off someone like when others have to in the real world. Donne then claims that the sun has other duties to go warm the world, but since the world is his room the sun only has to warm them and then be done. The very last two lines wrap up his argument of him and his lover being the center of the world. He begs the sun to stay and warm them up and everywhere else, instead of going away like he wanted the sun to do in the first stanza. The last line of the stanza and poem, “this bed thy center is, these walls, thy sphere”, confirms that Donne thinks he is the center of not only the world but the universe.
In the play And When We Awoke There Was Light and Light by Laura Jacqmin, she analyzes the ethical issues revolving around service in America. The main character Katie, struggles with this common ethical issue just like all other Americans when making a life decision that challenges one’s morals. Katie struggles with conflicting messages about service, not being fully committed to helping David, her pen pal from Uganda and then realizing in the end that David is more important than Harvard.
In order to better understand Philip's critique of Donne within the lines of her poetry, a reading
In the novel, Darkness at Noon, by Koestler, Rubashov learns about himself, and makes an effort to cross the hazy lines between his conscience and his beliefs. Rubashov's realization of the individual aspect of morality is a gradual process, satisfying his internal arguments and questions of guilt. His confession to Gletkin reflects the logic that Rubashov had used (both by himself and his political regime), as well as his internal conflicts. He questioned the inferior value of the human, in respect to the priceless value of humanity. Rubashov's ideas on communism, he found, were blurred by his dedication to the Soviet revolutionaries, and ordeal that compromised his life to solve. In many ways, Rubashov was an antagonist to himself. One way Rubashov defeated his goal was by giving in to suit others. "The Party denied the free will of the individual - and at the same time it exacted his willing self-sacrifice… There was somewhere an error in the calculation; the equation did not work out."(204) Rubashov's confession implies a submission of his personal ego to a larger purpose, and he questions himself as to whether it is worth it. His ideals were not his own, but rather the ideals that the communist revolutionaries forced him to have. Rubashov was a man who thinks extremely logical in every situation; he follows every idea "…down to its final consequence."(80) He is an elite intellectual, but even as Ivanov and Gletkin question his line of thinking, Rubashov constantly asks himself the same questions. He justifies his rational by reminding himself that he is working for a more perfect society, no matter what the cost. As stated in the first partition of his confession, he heard only ...
During the first four lines of the poem the speaker feels like God has been very generous to him, he feels that God is almost too friendly and that he has been too caring. Donne feels that in orde...
“Dead Men’s Path” by Chinua Achebe. In this short story “Dead Men’s Path,” Chinua Achebe gives the protagonist an exciting chance to fulfill his dream. Michael Obi was officially headmaster of Ndume Central School, which was backward in every sense. He had to turn the school into a progressive one, however the school received a bad report when the supervisor came to inspect.
One of Donne's famous poetic devices is diction. Again in line one and ten appear "Mark" and "Oh stay." These words are denotations of strong causative voice in order to obtain mistress' attention. In addition to diction, another outstanding part is his rhetoric skill. For example, "Me it sucked first, and now sucks thee," (line 3). His using different ...
In Half of a Yellow Sun, Chimamanda Ngozi Adichie attempts to use history in order to gain leverage on the present, to subvert the single story stereotypes that dominate many contemporary discourses on Africa. Written in the genre of historical fiction, Adichie’s novel transcends beyond mere historical narration and recreates the polyphonic experiences of varying groups of people in Nigeria before and after the Civil War. She employs temporal distortion in her narrative, distorting time in order to illustrate the intertwining effects of the past and present, immersing deep into the impact of western domination that not only catalyzed the war, but continues to affect contemporary Africa. In this paper, I will analyze her portrayal of the multifaceted culture produced by colonialism – one that coalesces elements from traditional African culture with notions of western modernity to varying degrees. I will argue that Adichie uses a range of characters, including Odenigbo’s mother, Ugwu, Olanna and Kainene, to each represent a point in a spectrum between tradition and modernity. Through her juxtaposition, she undermines the stereotypes that continue to characterize Africa as backwards and traditional, proving instead that colonialism has produced a cross culture where the two are intertwined.
In 'Twickernham Garden ' Donne cleverly uses a spider as the conceit of the poem to comment on the nature of love, to emphasise that just like a spider love traps you insidiously and leaves you helpless. As well as that there is religious connotations to transubstantiation and manna and serpents. By doing this Donne finds another way to create an effective poem in emphasising his meaning and thoughts. The Major conceit in 'A Valediction Forbidding Mourning ' is that of a compass. Samuel Johnson a fellow poet, who coined the term metaphysical poetry criticised Donne by stating that 'the poem 's compass analogy highlights the violence used by metaphysical poets to force the most heterogeneous ideas together. Disagreeing with this statement, Donne 's use of the compass to reinforce the idea that their souls are like the legs of the compass, even though they will physically separate he will always come back as they create something perfect 'Thy firmness makes my circle just and make me end where I begun '. The conceit reassures his lover that it is inevitable that he will return because they are joined spiritually, mentally and physically, and their love is strong because he will always come back to
...) This is one of the most important claims that Donne makes because he indirectly inducts himself and Anne into the canon of saints, thus making them sacred. The poem ends with Donne calling upon all those who have suffered from similar criticisms; this further dignifies Donne as a saint-like figure. Therefore, both of Donne’s latter poems expose the transformation that Donne acquires when he meets Anne. His sexist attitude and views transcend to a more spiritual and emotional one.
Andrew Marvell successfully writes about a delicate subject without coming off as dirty or disrespectful to the subject of sexuality. Each stanza carries a different way of looking at the same subject. The way Marvell speaks in the first stanza shows that he is not being impetuous, that he does love his mistress. He creates a sense of timelessness and then in the second stanza he sweeps that away and introduces death as frightening but unavoidable. He realizes how precious time is and is very effective in convincing his mistress of this fact as well. The last lines leave the reader with the image of this couple conquering and taking advantage of time by making the sun run. This poem would not be what it is without the detailed imagery, symbolism, and metaphors that Marvell applied to each stanza.
Saturday Night and Sunday Morning is a novel following the rebellious life of twenty-two year old Arthur Seaton. Arthur spends his weekdays working at a bicycle factory and relaxes on weekends with plenty of drinks while in the company of various lady friends. The novel was written by Alan Sillitoe who came to be known as one of the “angry young men.” This group of writers was a dominant literary force during the 1950s and was immensely popular due to their accurate portrayal of postwar Britain and the working class. The angry young men produced a number of books (amongst other things) expressing their contempt with the class system, postwar welfare state and the lack of class change post war, the disdain of these issues are very prominent throughout Sillitoe’s novel.
In ‘The Sun Rising’ the tone and the language Donne uses when interacting with the sun at the beginning of the poem is demeaning and powerful starting immediately with ‘Busy old fool, unruly Sun’, which shows Donne addressing the sun directly and perhaps scalding the sun for disturbing the sleeping lovers. Donne shows what the experience of love means to him by expressing his dislike for the sunrise of ultimately a new day, which represents the separation of the couple after spending the night together. In the first stanza Donne asks direct rhetorical questions which enquire about the sun’s existence ‘Must to thy motions lovers’ seasons run? This proves that Donne disagrees with the fact that the sun controls what the lovers do. It is also important to note that Donne uses a capital when addressing the ‘Sun’ as if it is personified and highlighting its importance in the poem. He continues to address the sun’s actions and is most reprimanding when he states ‘Go tell court-huntsmen that the king will ride’, suggesting that the sun should not disturb the couple as it is per...
For those who disagree, it also appears to be about a lover who perceives the world through love which he finds in sunlight.
He compares his relationship with his love as “stiff twin compasses” and other similar comparisons to describe their unity (Dunne 26). Like a compass, they always seem to be working cohesively as one unit. It could have the same theme as “The Passionate Shephard to His Love” by Christopher Marlowe, the theme of love conquering all. They both seem to have an idealistic view to the relationship as well, as the shephard in Marlowe’s poem insists that his love “will all the pleasures prove” if she were to go with him (Marlowe 2). Both poems aim for a perfect life with their love, and Donne’s poem manages to come up with a more realistic option out of the
in fact, that) than Donne is to have the sun obey him and the world in