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Culture Analysis of The Joy Luck Club
Problems of cultural differences in the joy luck club
Culture Analysis of The Joy Luck Club
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The struggle of these second generational daughter’s to find their own niche is discussed more at length by Ben Xu from St. Mary’s college of California in his academic journal, Memory And The Ethnic Self: Reading Amy Tan's The Joy Luck Club, where he states “The daughters, unlike their mothers, are American not by choice, but by birth. Neither the Chinese nor the American culture is equipped to define them except in rather superficial terms.” (Xu 15) his analysis paints a dark picture for average Chinese American daughter who is in a difficult position being neither fully-Chinese nor All- American whose struggle to choose a side, and the realization that neither one fit’s, creates a mini- identity crisis. To make matters more difficult The mother’s spurred on by fear that their daughter’s will lose total connection with their ethnic origins, push harder, which only makes their daughters further retreat within themselves. As a result there is nearly a complete aversion by the daughters in the novel to anything relating their mother’s traditional background, resulting in a loss of culture and a mini failure on behalf of the mothers.
A second failure on behalf of the mothers that is highlighted in Tan’s novel, is the failure at times to maintain the respect of their daughters. Due to the lack of cultural understanding the gap between mother and daughter causes defiance and mistrust from the younger generation “I didn’t have to do what my mother said anymore. I wasn’t her slave. This wasn’t China. I had listened to her before and look what happened. She was the stupid one.” (Tan 152) the anger within the second generation of daughters again comes from a place of misunderstanding of their own cultural traditions. This misinterpreta...
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"Spirituality, Religion, & Faith: Asian-Nation." Asian Asian-Nation: The Landscape of Asian America. Asian-Nation., n.d. Web. 16 July 2014. http://www.asian-nation.org/religion.shtml
Tan, Amy. The Joy Luck Club. New York: Ballantine Books, 1989. Print.
Wood, Michelle Gaffner. "Negotiating The Geography Of Mother-Daughter Relationships In Amy Tan's "The Joy Luck Club.” Midwest Quarterly 54.1 (2012): 82-96. Academic Search Complete. Web. 16 July 2014.
Xu, Ben. "Memory And The Ethnic Self: Reading Amy Tan's The Joy Luck Club." Melus 19.1 (1994): 3. Academic Search Complete. Web. 19 July 2014.
Yew, Wally. "Immigrant Families 1: Three Basic Conflicts within the Family." Chinese Christian Mission. Chinese Christian Mission USA, Feb. 1987. Web. 20 July 2014. http://ccmusa.org/u2u/u2u.aspx?id=198702-2
No relationship is ever perfect no matter how great it seems. In the novel The Joy Luck Club, written by Amy Tan, she tells the story of a few mother daughter pairs that are in a group named the Joy Luck Club. The Joy Luck Club is a group of women who come together once a week to play mahjong. The founder of the Joy Luck Club, Suyuan Woo, dies, leaving her daughter Jing-mei to take her place in the club. Her daughter, Jing-mei, receives money from the other members of the club to travel to China in order to find her mother's twin daughters who were left many years ago. In this book you get more of the details of this family and a few more. Amy Tan uses the stories of Jing-mei and Suyuan, Waverly and Jindo, and An-mei and Rose to portray her theme of, mother daughter relationships can be hard at times but they are always worth it in the end.
Amy Tan 's novel, The Joy Luck Club, explores the relationships and experiences of four Chinese mothers with that of their four Chinese-American daughters. The differences in the upbringing of those women born around the 1920’s in China, and their daughters born in California in the 80’s, is undeniable. The relationships between the two are difficult due to lack of understanding and the considerable amount of barriers that exist between them.
Amy Tan’s novel, The Joy Luck Club uses much characterization. Each character is portrayed in different yet similar ways. When she was raised, she would do whatever she could to please other people. She even “gave up her life for her parents promise” (49), I the story The Red Candle we get to see how Tan portrays Lindo Jong and how she is brought to life.
Throughout Asian American literature there is a struggle between Asian women and their Asian American daughters. This is the case in The Joy Luck Club, written by Amy Tan and also in the short story "Waiting for Mr. Kim," written by Carol Roh-Spaulding. These two stories are very different, however they are similar in that they portray Asian women trying to get their American daughters to respect their Asian heritage. There are certain behaviors that Asian women are expected to have, and the mothers feel that their daughters should use these behaviors.
Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
Xu, Ben. "Memory and the Ethnic Self. Reading Amy Tan's The Joy Luck Club."Meleus. Spring 1994: 3 -16.
The American-born daughters do not fathom the amount of pain that their mothers had experienced so they do not realize that their problems could be much worse. The daughters relate to their mothers in that they are all facing their greatest problems. No matter how trivial or significant problems may seem, to one it may be the worst they have experienced and to another it could be less worse than what they have experienced. The immigrant mothers grew up with much more pain than their daughters, therefore they have a thicker skin and are less ignorant. Since the daughters have grown up “swallowing more Coca-Cola than sorrow,” (Tan, 17) they experience pain from seemingly insignificant problems in comparison to their mother’s hardships. The mother’s good intentions and struggles are unrecognized by their daughters. Tan writes about this misfortune through describing an old Chinese woman immigrating to America in the beginning of the novel: “But when she arrived in the new country, the immigration officials pulled her swan away from her, leaving the woman fluttering her arms and with only one swan feather for a memory. And then she had to fill out so many forms she forgot why she had come and what she had left behind” (Tan, 17). This immigrant’s story represents the four Chinese-American immigrants and how their hopes and dreams were hit with reality when they came to America. For example, Lindo describes how America has certain secret rules that you must discover. "This American rules...Every time people come out from foreign country, must know rules. You not know, judge say, Too bad, go back. They not telling you why so you can use their way go forward. They say, Don’t know why, you find out yourself. But they knowing all the time. Better you take it, find out why yourself" (Tan, 94). Lindo obviously believes in
By 1980, the majority of immigrants in America came from Asia and Latin America, with over 30,000 immigrating from China (Tindall 1344). Many of these Chinese immigrants arrived to experience a democracy immediately following the Communist victory in 1949, while others simply came to seek higher education for subjects they could not pursue in a developing country, each reason fueled by a desire to achieve the American Dream (Liu). Despite the promise of the American Dream, children of Chinese immigrants suffer from many problems arising from the many stereotypes and their misrepresentation as a “model minority” by native-born Americans. Amy Tan exemplifies this discrepancy between Chinese and American views on Chinese American children in The Joy Luck Club.
Chinese-Americans authors Amy Tan and Gish Jen have both grappled with the idea of mixed identity in America. For them, a generational problem develops over time, and cultural displacement occurs as family lines expand. While this is not the problem in and of itself, indeed, it is natural for current culture to gain foothold over distant culture, it serves as the backdrop for the disorientation that occurs between generations. In their novels, Tan and Jen pinpoint the cause of this unbalance in the active dismissal of Chinese mothers by their Chinese-American children.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
The Chinese mothers, so concentrated on the cultures of their own, don't want to realize what is going on around them. They don't want to accept the fact that their daughters are growing up in a culture so different from their own. Lindo Jong, says to her daughter, Waverly- "I once sacrificed my life to keep my parents' promise. This means nothing to you because to you, promises mean nothing. A daughter can promise to come to dinner, but if she has a headache, a traffic jam, if she wants to watch a favorite movie on T.V., she no longer has a promise."(Tan 42) Ying Ying St.Clair remarks- "...because I remained quiet for so long, now my daughter does not hear me. She sits by her fancy swimming pool and hears only her Sony Walkman, her cordless phone, her big, important husband asking her why they have charcoal and no lighter fluid."(Tan 64)
Just as with her books, Tan’s focus in this essay is her mother. Tan considered her book, The Joy Luck Club, a success after her mother read it and exclaimed over how easy it was to read. However, the audience of this essay is not Tan’s mother, but rather it is anyone who can relate to this situation. Tan’s purpose was to bring to attention the fact that when the language spoken at home is different from that spoken by the general public, problems will arise for those caught in...
June-May fulfills her mother’s name and life goal, her long-cherished wish. She finally meets her twin sisters and in an essence fulfills and reunites her mother with her daughter through her. For when they are all together they are one; they are their mother. It is here that June-May fulfills the family portion of her Chinese culture of family. In addition, she fully embraces herself as Chinese. She realizes that family is made out of love and that family is the key to being Chinese. “And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.” (Tan 159). Finally, her mother’s life burden is lifted and June-May’s doubts of being Chinese are set aside or as she says “After all these years, it can finally be let go,” (Tan 159).
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters.