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Critical analysis essay on The Stranger
The stranger analysis
The stranger analysis
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Many people often base their opinions on a person by judging his whole life in general and his attitude towards life without caring about who the person really is deep down inside. This unfair reasoning can occur in the courtroom when people are put on trial and the judge and the jury must delve into the life of the accused and determine if he is a hazard to society. Occasionally, the judge and jury are too concerned with the accused’s past that they become too biased and give an unfair conviction and sentencing. In his novel, The Stranger, Albert Camus uses the courtroom as a symbol to represent society that judges the main character, Meursalt, unfairly to illustrate how society forms opinions based on one’s past.
Meursalt faces a jury and a tough prosecutor when he is on trial, and they all try to form an opinion on Meursalt based on what he has done before killing the Arab man. The director of the funeral home testifies that Meursalt shows no emotion towards his mother’s death, and that he “hadn’t cried once, and that [Meursalt] had left right after the funeral without paying [his] last respects at her grave.” (89). Society creates an imaginary rule where one must cry and show penitence at a funeral in order to be looked upon as a normal human being. It is not fair that Meursalt is judged for his lack of feelings at the funeral because it is his own choice to show remorse and to express his feelings as he pleases; his lack of feelings do not mean that he is not heartbroken about the loss of his mother. As the trial progresses, the prosecutor makes a statement of all the things that Meursalt did a day after his m...
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...intain society’s equilibrium.
In The Stranger, Camus utilizes the courtroom to symbolize society as a whole to prove that society forms opinions based on one’s past. The court’s attempts to create a rational explanation for Meursalt’s crime shows society’s attempt to find reasonable explanations for all the events in life. The court though, judges Meursalt unjustly because of society’s standards where everyone should show emotions during specific events. In addition, the courtroom is concerned in maintaining society’s balance, and will not allow those who do not conform to walk free. Although it is essential for the courtroom to maintain society’s rules, it is not necessary to allow such rules to interfere when judging a person for their committed crime instead of their past.
Often, a person is seen as the embodiment of the value of their action, thus a person can be seen as “good” or “bad,” and the consequences of justice that affect them are based on the general value of their general actions. The value given to actions is based on a soc...
Guilty or not guilty? This the key question during the murder trial of a young man accused of fatally stabbing his father. The play 12 Angry Men, by Reginald Rose, introduces to the audience twelve members of a jury made up of contrasting men from various backgrounds. One of the most critical elements of the play is how the personalities and experiences of these men influence their initial majority vote of guilty. Three of the most influential members include juror #3, juror #10, and juror #11. Their past experiences and personal bias determine their thoughts and opinions on the case. Therefore, how a person feels inside is reflected in his/her thoughts, opinions, and behavior.
“No matter where you run into it, prejudice obscures the trues” (page 66). Prejudice can be a dangerous thing, especially when it comes to adjusting somebody’s life. At that time in America a jury consists of twelve men can determine the life or death of one person by giving a unanimous verdict. A typical reflection of this reality is an influential drama “Twelve Anger Men”. Reginald Rose wrote this drama inspired by his experience of being a juror on a manslaughter case to reveal a common social phenomenon of prejudice. To stress the main idea that, Rose presents the key points that biased individuals are less rational or blinding themselves with an unfair judgement about one’s guilt. Moreover, she conveys the facts that stereotype produces an effect on one’s statement. Furthermore, prejudice constantly affect other jurors’ opinion, intentionally or unintentionally. With Rose’s vivid description and clear contrast between each juror, he emphasizes the existence of prejudice and further to spread an idea that prejudice influence the outcome of the trial.
The entire second half of the novel is set in the courtroom, which symbolizes society’s views towards life and social order. After Meursault murderers an Arab man on the beach while vacationing with his friends, he is convicted and is placed on trial for his crime. But the court system during this time was designed to focus more on the character of an individual as opposed to the crime itself. The fact that Merault killed the Arab is mentioned very few times in court. The prosecutor continuously focuses on how Meursault lacks emotions and normal human reactions to situations, saying, “Gentlemen of the jury, the day after his mother’s death, this man was out swimming, starting up dubious liaison, and going to the movies” (94). Because of this, Meursault comes off as a cold, calculated monster who lacks morals. His personality is what is being tried before the court. The judge is the moral dictator and the jurors are sent to place judgement on the accused. In contrast to the courtroom, Meursault refuses to judge others. He watches people from his balcony, but he is indifferent and objective when describing them. “ A little later, the local boys went by, hair greased back, red ties, tight-fitting jackets,with embroidered pocket handkerchiefs and square...
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In Albert Camus’s The Stranger, Meursault, the protagonist, could be seen as immoral if he were judged on the basis of his actions alone. However, through Camus’s use of a first person narrative, we begin to understand Meursault as not an immoral man, but simply an indifferent one. Meursault is a symbol of the universe, and so in understanding him we understand that the universe is also not evil, but instead a place of gentle indifference.
Chapter 6 of part I of The Stranger concluded with Meursault’s conscious decision to shoot an Arab because of the physical discomfort the Arab’s knife caused him. The significance of the ending of part I is that it was the first demonstration of Meursault’s awareness of the possible consequences of the act that he committed. This awareness continues into the second part of the novel as he is arrested and trialed. The reason for Meursault’s trial is the murder of the Arab. His insensitivity towards Maman’s death and lack of a social conscientious are factors that contributed to support further investigations, but are not reasons to trial him because they have not ‘harmed’ society on a way that he could be arrested for. For example, if Meursault
Albert Camus’ novel, The Stranger, examines what happens to a passive man when mixed in a murder. During the trial of the main character, Meursault, the prosecutor examines Meursault’s normal behavior as callous and cold. In order for the prosecutor to have a case in the reader’s mind, Camus must create the past that the trial calls for. Camus shows a passive man, and the way that he deals with normal life occurrences. Camus must create a portrait of indifference.
Since he cares little for the affairs of the world, claiming they do not mean anything, then justice—a major concern of the world—also means nothing to him. His actions both before and after his decision to kill a man without provocation demonstrate his apathetic view of the world, and his indifference to justice. Therefore Meursault’s search for justice, culminated by the court’s decision to execute him, remains an example to all of the inability of society to instill justice in criminals. Meursault’s perpetual refusal to acquire a sense of morality and emotion instigates skepticism in all who learn of his story of society’s true ability to instill justice in the
In Camus’ The Stranger, the use of the minor character Raymond helps illustrate the absurd nature of Meursault. Through imagery, dialogue, and irony, the novel investigates the moral decisions Meursault makes under Raymond’s influence. The constant tactical bribery and other forms of manipulation steer Meursault’s writing of the letter that leads to him killing the Arab and ultimately receiving the death penalty. Camus uses Raymond to highlight the cultural and societal values. In addition, through Raymond’s help, Meursault ends up in jail where he finally realizes the theme that life is
As if to mock the crumbling principles of a fallen era, “The Just Judges” preside over a solemn dumping ground of earthly hell. This flimsy legion of justice, like the omnipresent eyes of Dr. T.J. Eckleburg in F. Scott Fitzgerald’s The Great Gatsby, casts a shadow of pseudo-morality over a land spiraling towards pathos. But Albert Camus’s The Fall unfolds amidst the seedy Amsterdam underground--a larger, more sinister prison than the Valley of Ashes, whose center is Mexico City, a neighborhood bar and Mecca for the world’s refuse. The narrator and self-proclaimed judge-penitent, Jean-Baptiste Clamence, presides over his subjects every night to “offer his services,” although partially dissembled and highly suspect, to any who will listen. More artfully than a black widow preying on her unsuspecting mate, he traps us in his confessional monologue, weaving a web so intricate and complete that no one can escape its clutches.
The trial portrays the absurdist ideal that absolute truth does not exist. This ideal destroys the very purpose of the trial, which seeks to place a rational explanation on Meursault’s senseless killing of the Arab. However, because there is no rational explanation for Meursault’s murder, the defense and prosecution merely end up constructing their own explanations. They each declare their statements to be the truth, but are all based on false assumptions. The prosecution itself is viewed as absurd. The prosecutor tries to persuade the jury that Meursault has no feelings or morals by asking Perez if “he had at least seen [Meursault] cry” (91). The prosecutor then continues to turn the crowd against Meursault when he asks him about his “liaison” with Marie right after his mother’s death. Though Meursault’s relationship with Marie and his lack of emotions at his mother’s funeral may seem unrelated to his murder, the prosecutor still manages to convince the crowd that they are connected to one another. The jury ends up convicting Meursault not because he killed a man, but because he didn't show the proper emotions after his mother ...
On the day of the funeral Meursault immediately notices details such as, “the screws on the casket had been tightened and that there were four men wearing black in the room.” Throughout the day he does not display any signs of grief, and hardly seems to pay any attention to the fact that he is at his own mother’s funeral.
The Law in Kafka's novel The Trial houses a fundamental but fleeting metaphysical metaphor. It is virtually unassailable, hidden, and always just beyond the grasp of human understanding. The Law seeks to impose an unknowable order and assimilate any individual notion of existence. It defines two distinct modes of existence through accusation: those who stand accused by the Law and those who are empowered by the Law to pass judgement upon those accused. From the very moment of his arrest, Joseph K. resists this legal hierarchy stating, "I don't know this Law ... it probably exists nowhere but in your head... it is only a trial if I recognize it as such" (6, 40). Freedom is at the center of this conflict. In attempting to rigidly define human existence, the Law compels humankind to be passive, to accept the incomprehensible legal machinery of the Court without question. "The only pointless thing is to try taking independent action" (175). There is a tacit assumption that freedom, whether one is accused or not, is provisional at best. Kafka uses the priest's allegory of the doorkeeper and the common man to powerfully illustrate this point. In many ways, the novel itself can be seen as an elaboration, commentary, or critique on the allegorical power of the Law.
Franz Kafka’s novel “The Trial” examines a totalitarian system of justice that appears stems from human attempts to attain justice. An external, secret court exists outside of the public eye but holds the authority to carry out trials and judgements. When a startled Josef K is charged with some undisclosed act, Kafka examines the corrupt and absurd nature of the judiciary. As corruption runs through the system, it becomes normative and systemic in nature. Moreover, secrecy threatens the accused right to a fair trial, while symbols illustrate the totality of the justice system. Kafka utilizes symbolism and foreshadowing to depict a corrupt and bureaucratic judiciary. This stems from human attempts to attain justice, which develops as a theme