Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Themes of existentialism in the stranger
The stranger in albert camus
Existentialist essays
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Themes of existentialism in the stranger
In The Stranger, Albert Camus uses Meursault and his experiences to convey the philosophy that man is full of anxiety and despair with no meaning in his life except for simple existence. The concept of existentialism is reflected through Meursault’s experiences with his mother’s death, his relationship with Marie, his murder of the Arab, and his own trial and execution. For example, Meursault's relationship with his mother seemed to be very strange. He really did not have an emotional connection with her, or anyone in general. It seems that he really did not care that she was dead because he said, “ Maman used to spend her time following me with her eyes, not saying a thing” (Camus 5). This could be interpreted by saying they just did not connect
In many works of literature a character conquers great obstacles to achieve a worthy goal. Sometimes the obstacles are personal impediment, at other times it consists of the attitude and beliefs of others. In the book The Stranger by Albert Camus, shows the character Meursault who is an emotionless character that let’s other people show their opinions and emotions into him giving him a type of feeling even if Meursault doesn’t care. Meursault contains occasion of his emotional indifference between his friends and social indifference. This essay will be about the character’s struggle contributes to the meaning of the work as a whole.
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
In The Stranger by Albert Camus, the narrator, Meursault, has difficulty behaving in a manner deemed “normal” by society. Even though he struggles to feel and communicate different emotions, Meursault has many loyal friends and a keen boss. Meursault sees the world in black and white, refusing to focus on matters outside of his control. When his mother dies, Meursault is expected to show a change in his typical lifestyle. Not only do others expect this change, Meursault expects it in himself. With hearing of his mother’s death, shooting the Arab, and facing his own execution, Meursault expects a fundamental transformation in himself and, because he doesn’t experience it, he seeks to find meaning in death.
As put by Jean-Paul Sartre in his essay Existentialism is a Humanism, “The other is indispensable to my existence, and equally so to any knowledge I can have of myself,” meaning that one’s existence is utterly dependent on the existence of others. We see the idea that the perceptions of others shape one’s self very clearly in The Stranger. Meursault requires “that there be a large crowd of spectators the day of [his] execution and that they greet [him] with cries of hate,” signifying that others’ physical expression of hatred (and thus separation) are necessary for Meursault to become truly alienated. Just as he is nothing before he defines himself, he is nothing without being defined by others. Thus, the existential crisis he experiences supports the ideology of existentialism throughout the novel.
In The Stranger, Albert Camus characterizes Meursault as a man who focuses on smaller aspects of his life rather than the big picture in order to create an inverted moral standard which makes Meursault an outsider in his own life. Meursault finds lying far more terrible than murder, yet he doesn’t judge people based on their previous actions. He helps a man commit an act of violence against a woman, and though he is an accomplice, he feels no guilt. However, Meursault pushes his emotions away, displacing them into a focus on smaller, more physical aspects of his life, such as noises and the weather.
The book that I read was called The Stranger written by Albert Camus. The book is globally famous and was translated to many different languages and texts. The original was called L’Étranger which was written in French in 1942. The plot of this story involved a man in his late twenties or early thirties. The man's name is Meursault. In the beginning of the novel, Meursault is notified that his mother had passed away in the nursing home that he occupied her to. Meursault’s income could not afford to take care of his mother any longer; therefore, he put her in a nursing home. Meursault took off of work and went to the nursing home where she passed away to pay his respects and attend the funeral ceremonies. When he arrived at the nursing home, the funeral director brought Meursault to his mother’s coffin. The director asked if he wanted to see her and he quickly replied to keep the coffin shut. Meursault sat in the room and nearly went through an entire pack of cigarettes while blankly watching his mother’s coffin. At the actual funeral, Meursault shows no signs of normal emotion which would normally be induced at such an event.
In Albert Camus novel, The Stranger (The Outsider), the main character Meursault displays a unique indifference to his surroundings and the world around him. It takes him a degree of time to come to terms with his indifference, but when he does he feels truly free from society's constricting bonds. He leads an apathetic lifestyle that is characterized by his constant lack of a definitive personality. Meursault wanders through life as if in a drunken stupor, living the life of a pleasure seeker. When he accepts his death he is relieved of the pressure of dealing with guilt and with relationships towards other people.
The Stranger by Albert Camus was published in 1942. The setting of the novel is Algiers where Camus spent his youth in poverty. In many ways the main character, Meursault, is a typical Algerian youth. Like them, and like Camus himself, Meursault was in love with the sun and the sea. His life is devoted to appreciating physical sensations. He seems so devoid of emotion. Something in Meursault's character has appealed primarily to readers since the book's publication. Is he an absurd anti-hero? Is he a moral monster? Is he a rebel against a conventional morality? Critics and readers alike have disputed a variety of approaches to Meursault. I believe he is the embryo of Camus' metaphysical rebel as articulated in the philosophical essay, The Rebel. He is the man who says by his actions, "I will go this far, but no farther."
Life is often interpreted as having meaning or purpose. For people like Meursault, the anti-hero protagonist of Albert Camus' The Stranger, the world is completely without either. Camus' story explores the world through the eyes of Meursault, who is quite literally a stranger to society in his indifference to meaning, values, and morals. In this novel, the protagonist lives on with this indifference and is prosecuted and sentenced to die for it. Through Meursault and his ventures in The Stranger, Camus expresses to the reader the idea that the world is fundamentally absurd, but people will react to absurdity by attaching meaning to it in vain, despite the fact that the world, like Meursault, is indifferent to everything.
Camus uses Meursault’s feelings toward society and the world to illustrate that life has no meaning or purpose. Towards the end of the novel Meursault is beginning to realize he has similarities with the world he feels, “ As if that blind rage had washed me clean, rid me of hope; for the first time, in that night alive with signs and stars, I opened myself to the gentle indifference of the world. Finding it so much like myself- so like a brother really” (Camus 122). Meursault is put into “blind rage” after the Chaplain meets with him and insists on his acceptance of God. Meursault finally accepts the absurdist beliefs. He realizes that the world’s indifference to human matters is similar to his own indifference to...
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.
In society, when a loved one dies the death is typically a very emotional distressing event that individuals encounter. Death is particularly more heartbreaking when the loved one is a parent. On the other hand, in The Stranger by Albert Camus, Meursault, the main protagonist, has indifferent emotions to his mother’s recent death; therefore, the death does not phase him as being a mournful loss. As well as his indifferent emotions in relationships and to the tragic loss of his mother, Meursault also has no reasoning or logic behind his actions. Both of these differences cause an even greater alienation from society. Overall, society judges Meursault due to his alienation and demonstrates the emotional values and expectations of society. Despite societal efforts to
Meursault is the protagonist and narrator in Albert Camus' The Outsider, and at first notice, he is seen to be someone who is rather 'colourless', emitting a very boring and uninteresting aura. It is during his time spent in prison (convicted of a murder which wasn't cold-blooded, but rather one that was due to a chain of events) that he becomes an existentialist hero.
In Albert Camus' The Stranger (The Outsider), the protagonist Meursault is clearly disillusioned of life in general. Two examples of this disillusionment occurred in the instances of his mother's death and an offer to be transferred to another work environment. This incomplacency is paramount in discerning this meticulous, selfish Camusian character.
Albert Camus wrote The Stranger during the Existentialist movement, which explains why the main character in the novel, Meursault, is characterized as detached and emotionless, two of the aspects of existentialism. In Meursault, Camus creates a character he intends his readers to relate to, because he creates characters placed in realistic situations. He wants the reader to form a changing, ambiguous opinion of Meursault. From what Meursault narrates to the reader in the novel, the reader can understand why he attempts to find order and understanding in a confused and mystifying world.