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Analysis of the stranger by albert camus
Camus the stranger literary criticism
Albert camus - the stranger
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Disillusionment in Camus' The Stranger (The Outsider)
In Albert Camus' The Stranger (The Outsider), the protagonist Meursault is clearly disillusioned of life in general. Two examples of this disillusionment occurred in the instances of his mother's death and an offer to be transferred to another work environment. This incomplacency is paramount in discerning this meticulous, selfish Camusian character.
In regard to his mother's death, he seemed indifferent at the loss of her life. He was so uninterested in her funeral that he remarked the following: "...I can be there for the vigil and come back tomorrow night" (Camus 3). His mother appeared to slow him down. He claimed he never went to visit her in the nursing home because she enjoyed it too much. Nonetheless, he admitted, in addition, that the visit "took up my Sunday -- not to mention the trouble of getting to the bus, buying tickets, and spending two hours traveling" (Camus 5). To further define his insensitivity, Meursault shed not even one tear in this part of the novel; moreover, he expressed no form of sorrow whatsoever.
Likewise, Meursault's attitude and reaction toward an offer to be relocated to a Parisian location was a monumental indicator of his insensitivity. One would expect him to accept or decline the offer graciously and respectfully. Meursault proved, again, to be unpredictable when he states, in regard to his then current life and a possible reincarnation in Paris: "...it (life) was all the same to me" (Camus 41). Caught off-guard by his response, Meursault's boss asked yet another question: was Meursault interested in a change of life? Unmoved, Meursault further retorted that one life was as good as another, and, furthermore, he wasn't dissatisfied with his current status at all. (Notice how he never stated that he was happy with it either.) Meursault's boss blasted him, crying that Meursault never gave him a straight answer and had no ambition; his boss sad both of which were "disastrous" qualities in business (Camus 41).
In her 2013 article featured on The Feminist Wire, “Dig Deeper: Beyond Lean In” bell hook describes “the feminist movement based on women gaining equal rights with men” (661). This essay is a response to Sheryl Sandberg’s book “Lean In: What Would You Do If You Weren’t Afraid?” which encourages women to aim for positions of leadership and power. Sandberg’s definition of a feminism is gender equality with an existing social system. Hook contrasts Sandberg’s definition of feminism and makes it her own “one that does not conjure up a battle between the sexes” (662). Since men and women are both greatly influenced by sexist social norms and ideals, it is important
Meursault is a fairly average individual who is distinctive more in his apathy and passive pessimism than in anything else. He rarely talks because he generally has nothing to say, and he does what is requested of him because he feels that resisting commands is more of a bother than it is worth. Meursault never did anything notable or distinctive in his life: a fact which makes the events of the book all the more intriguing.
Although society has progressed immensely, the freedom to marry someone of a different ethnicity is relatively new. The anti-miscegenation laws that were adopted by so many states were created in colonial times.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
Meursault shows very little love or sorrow at the fact of his mother's death. A normal man would feel pain and regret for not being by her side while Meursault does not even care much about the date she passed away. Immediately on the first page in the novel, we confront the situation where Meursault's mother dies, and he does not care about it. "Maman died today. Or yesterday maybe, I don't know. I got a telegram from the home: `Mother deceased. Funeral tomorrow. Faithfully yours.' That doesn't mean anything. Maybe it was yesterday" (3). Meursault does not bother to call back and find information about his mother. Meursault shows no emotion or care for his mother because he sends her away for someone else to take care of her. During the last years of an elder person's life, they are invited to stay with the family in order to become closer with one another. Meursault could care less as he shows no sign of pain, and goes off to do something else. He resembles a figure where an issue as important as death does come as a priority. "We are the hollow men/ We are the stuffed men/ Leaning together/ Headpiece filled with straw" (Lines 1-4).
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
The trend and patterns of interracial marriages have increased substantially in America over the past few years. Between the early 1970 and late 1980’s after abolishing laws prohibiting interracial unions, the proportion of interracial marriages was under five percent of all married couples in America (Lewis & Robertson, 2010). Although recent surveys indicate that the percentage of interracial marriages is a little over five percent in America, the rate and frequency of occurrence are alarming (Lewis & Robertson, 2010). The American society has become more diverse and much of this diversity has been attributed to the growing number of new immigrants (Qian & Lichter, 2011). Immigration has lead to assimilation of many cultures into the mainstream American culture and as a result narrowing the gap between majority and minority groups. The United States of America Census Bureau show that there has been a dramatic increase in population due to immigration (Qian & Lichter, 2011). For instance, between 1980 and 2007, the Hispanic population in America has doubled while the Asian population has increased by four percent, and the Black population is more or less the same over the same time period (Lewis & Robertson, 2010). The increase in size of the population has resulted in the increase rate of interracial marriages. Interracial unions in the 1980’s represented about three percent of all marriages in America (Lewis & Robertson, 2010). In the year 2000, interracial marriages have only increased approximately by two percent, with marriages between Hispanic and white representing the greatest balance of all interracial marriages (Lewis & Robertson, 2010).
How does a person escape from reality? Reading deep into a good book? Listening to a song that takes one to a different place? Or sleeping into a dimension in which one does not think at all? Every person has one way or another to help him escape. Young Conradin’s was imagination. But, his was no ordinary imagination. For a ten-year-old, his imagination was very vivid. Was it really his imagination though? Or were the things he thought up a reality?
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
The United States has witnessed a considerable amount of social and cultural desegregation between African-Americans and Caucasians. However, despite years of desegregation, social and cultural differences still exist. One of these differences that still exists is in the institution of marriage. Americans have been and are continually moving slowly away from segregation. In the past forty years, a multitude of changes have transformed schools, jobs, voting booths, neighborhoods, hotels, restaurants and even the wedding altar, facilitating tolerance for racial diversity (Norman 108).
In The Stranger, Albert Camus misleadingly portrays his existentialistic views of life, death, and the world. Camus portrays the world as absurd or without purpose Meaursalt, who, as a reflection of Camus, is foreign and indifferent to his own life and death. Meaursalt eventually senses guilt for his crime, not because of the remorse of taking someone else’s life, but because it means he would lose the little things that he considers important in his life. Meaursalt is a puzzling character, who leaves readers to be uncertain about Camus’ views of life.
There is no rush to maturity as it is not something one can simply gain as he or she grows older, but it’s something one works toward in life. Something that requires constant effort, for one to learn from their mistakes and understand what went wrong and where. Growing older may give an individual more time to make their mistakes and to learn the lesson that life provides, but it does not guarantee anyone’s
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.