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Symbolism art essay
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Kept in that sunlit corner, it stands there, silent, mute. Watching everything that is happening around. Every person that passes the lobby, the smiles, the tension lines on the forehead, the jittering, shivering hands of the new people, the throbbing nerves of their neck, the throat that bobs while they gulp down their fear. It watches everything.
Daily it gets filled, with a little water and a bunch of fresh blooms are placed in them, by the lady who wears elf like dark framed glasses, with hair pulled back in a tight bun wearing neatly ironed crisp business formals, day in and day out. The one who is stationed at the wide wooden desk, right in front of the vase, bearing big letters in gold which says RECEPTION, either smiling at the people who come by or is heard making cordial small talk over the phones.
She gets the vase cleaned daily. The stale water which turns slimy over the day is thrown and it is washed thoroughly for to get rid of any slimy residue from the flowers of the previous day. And then fresh tap water is filled and another bunch of new flowers are placed.
Its a vase made up of glass, with thick long glass grooves moulded on its surface. Its burnished pink in colour at the bottom which fades and blends with the normal transparency as it moves upwards. And then it has a dark past.
The glass that it is made of is smeared with the blood of a war prisoner. The bloodied glass was a part of that single light bulb that had hung over the head of that man. He was sitting blindfolded on a crooked wooden chair and his hands were tied tightly behind. his legs too were tied from the ankles.
Whatever part of his face was visible was smeared with faint black grease stripes and grime. There were scratches and gashes on his neck and hands, which weren't very old, but the blood from them had trickled a very short distance and had dried up midway. His head hung low with exhaustion and his breathing was heavy.
It was a small dark room, more like a makeshift kind in the middle of the forest, which was under attack. No windows existed and there was just one small entrance. A burly man had entered the bunk around two hours later than the prisoner had been brought in.
It was nailed shut, but the nails had some give on one side where I could work. the lid loose a little. I held the light up close and peered in. I almost dropped that lamp. when I realized what I was looking at-enough guns to start a revolution!"
At the beginning of the piece Schmitt talks about how she used to always see the old man in the hallway and often exchange hello 's. Even though she did not know the old man she wanted to get flowers for the family to show her respect. She
"The bunk house was a long, rectangular building. Inside, the walls were whitewashed and the floor unpainted. In three walls there were small square windows, and in the fourth, a solid door with a wooden latch. Against the walls were eight bunks, five of them made up with blankets and the other three showing burlap ticking..." (17)
It has been specified in the play that the setting must have a “small vase with too many flowers in it or a large vase with too few” on top of the small dining table where Vernon and Lucy eats. Considering that the scene presumably happened at Vernon’s place, it was assumed that he was the one who prepared the vase for their lunch. Accordingly, the “small vase with too many flowers in it, or a large vase with too few” represents Vernon in the play. (Hollinger 1385; act 1) A vase that is pleasing to the eye is arranged perfectly having a number of flowers matching the size of the vase. But in the play, the vase intendedly does not correspond to the amount of flowers in it. As a man, he would not care too much about the small details of the presentation, for what matters for him was his hope to be reconciled with his ex-partner and have a sexual intercourse between them. The vase symbolizes Vernon as the one being in control of the relationship. Considering that man was not expected to usually do house chores, the way Vernon did the flower arrangement implies masculinity. Aside from that, it also indicates that it is up to Vernon whether he would take too much effort on a work that is usually done by a woman. The imperfect flower arrangement in the vase represents Vernon’s character denoting manhood, being the manipulative and superior particularly in a
...ots her memory, the blossoms her dreams, and the branches her vision. After each unsuccessful marriage, she waits for the springtime pollen to be sprinkled over her life once again. Even after Tea Cake's death, she has a garden of her own to sit and revel in.
Another factor that clearly brings out the theme is the fact that she claims that orderliness of family roses is her pride. However she may not necessarily be that orderly as depicted in the development of that story. The author of the story Shirley Jackson uses the author and her ambiguous cha...
Fire. Neglect. Sexual Molestation. No one child should have to face what Jeannette Walls had to endure as a young child. However, Walls clearly shows this chaos and the dysfunctional issues that she had to overcome while she was growing up. Within her memoir, The Glass Castle, Walls incorporates little things that were important in her life in order to help the reader understand her story even more. These little things amount to important symbolisms and metaphors that help to give the story a deeper meaning and to truly understand Jeannette and her family’s life.
On the Warka Vase shown on register 4 naked men carry three types of pottery and at least three of these pottery pieces hold some objects, this implies that all three types of pottery are holding some object or objects, since the men are taking the pottery to the same location. One of these pottery pieces appears to be a piece made to pour, and hold, liquids. This pouring vessel is again seen in an image on another vase (20), this vase seem t...
It has one locked door, and no window. A little light seeps in dustily between cracks in the boards, secondhand from a cobwebbed window somewhere across the cellar. In one corner of the little room a couple of mops, with stiff, clotted, foul-smelling heads, stand near a rusty bucket. The floor is dirt, a little damp to the touch, as cellar dirt usually is. The room is about three paces long and two wide: a mere broom closet or disused tool room. In the room a child is sitting (Guin).
On a Saturday afternoon in December, Barbara was sitting outside in her private sanctuary with her daughter Layla, since she had nothing to get ready for. Her private sanctuary was filled with exotic flowers, and trees with orchids of bright color hang...
An Internet review points out that the Vertigo script reads: "There is a flower stand - known to all San Franciscans - at the curb opposite the main entrance to Gump's. Scottie and Judy have stopped there to pick a flower for her to wear... Amazingly, this flower stand still exists, although it is no longer the wood frame structure as seen in the film, (it's now made of black steel).
The Glass Castle symbolizes the illusions that Jeannette must release in order to fully mature. For years, Dad has made blueprints and floor plans for a magnificent transparent palace built in the desert and relying on solar panels for electricity.
The reader is presented with Elisa's other frustrations when she interacts with a traveling salesman. From the start Elisa acts very hard towards the man, through her facial expressions, actions, and dialog. Over and over again the man tries to persuade Elisa to give him some work, she only accepts his gesture after he shows interest in her chrysanthemums. The man cons her into paying him to do repairs she is capable of doing herself by telling her a story of another woman who would be overjoyed to have chrysanthemums of her own. Elisa picks a bunch of her flower starts and plants them in a brand new pot for the traveling repairman to give to his other client. After the man leaves, Elisa seems to be satisfied with her treatment of him.
...ssion. It is often richly decorated. The bowl and stem are always stored separately with the stem facing east when not in use.
The Glass Menagerie, by Tennessee Williams, is a prime example of a classic drama, infusing powerful themes with compelling characters to draw the reader in and allow them to connect. William’s character Laura plays a large part in accomplishing this, particularly in Scene VII, when she converses with Jim. This scene is especially important to the story as a whole, and helps develop Laura’s character and the theme of conformity. This theme, that to be accepted by society one must conform, is prevalent throughout the story, but centers around this portion of the play specifically. The conversation between Laura and Jim is a pivotal part of the drama that is very impactive and provides substance for the theme and character development in the rest of the drama.