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Women in sci-fi today
Gender in science fiction
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Reading The Stepford Wives, by Ira Levin leaves one with many questions, the biggest being “why?” and “how?”. For example, “how” could engineers accurately create a clone of a human? Or “why” would they want to? The mystery throughout the book, and more so nearing the end of the books prompts such things to be wondered. In this essay, there will be a analysis of feminist insecurities within The Stepford Wives, and another novel, called Matched. The insecurities within these books are what enables the plot.
Throughout the book The Stepford Wives, the main character, Johanna, is trying to figure why every woman in the new town she moved to is so “perfect”. These women's characters seem so off putting, which leads her to question her surroundings.
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Another novel that shows this is Matched, by Ally Condie. This novel is a more modernized/futuristic setting, but yet still has this wise strong character. The difference between The Stepford Wives and Matched is, in The Stepford Wives it’s not clearly expressed whether what Johanna is doing is good or bad. This is questioned by the reader, after Bobby is “transformed”, Johanna asks Bobbys child if they notice the differences in their mother, and if it bothers them. The child responded with, yes, of course they notice the difference in their mother, but he does not have care much for that because now his mother is doing things that she never dreamed of doing before, such as making him pancakes every morning. One questions to be asked, is does he enjoy his “new” and improved mother because he is selfish, or if because he is a male, and the men in this book are a meninists- the opposite of feminists. In Matched, the book has more of a biased approach, making the reader believe that the main character, Cassia, is doing the right thing by going against the government. Both characters are in controlled environments, with the wish to go against and break free from it. The difference in how the novels are portrayed could be due to the fact of gender of the authors. The Stepford Wives was written by a male, likely meaning he better appreciated the male selfishness in the novel. This selfishness comes into play by the men allowing their wives to be transformed into robots, all for the benefit of themselves. This therefore potentially saying a woman doing such thing is wrong, kind of an anti-feminist, while the author of Matched is a woman, and is believed to be portraying strong
The word sitcom is short for Situation Comedy. A good sitcom story idea places the star (or supporting character) into a situation in need of a resolution, which will cause the character to respond in unexpected, exaggerated, and hugely sidesplitting ways (Rannow, pg. 13). A comedy now days are different from how they were in the 1960's and 1970's though. Today directors use sexual content and foul language to make people laugh and do not usually have a purpose or point to get across to the audience with each show. In earlier comedy, such as The Brady Bunch, Director Jack Arnold tried have a lesson learned in each episode while still maintaining a sense of humor, minus the foul language and sexual content. Although the show is not extremely funny to most people it is still a classic show that deserves to be remembered.
In the 19th Century, women had different roles and treated differently compared to today’s women in American society. In the past, men expected women to carry out the duties of a homemaker, which consisted of cleaning and cooking. In earlier years, men did not allow women to have opinions or carry on a job outside of the household. As today’s societies, women leave the house to carry on jobs that allow them to speak their minds and carry on roles that men carried out in earlier years. In the 19th Century, men stereotyped women to be insignificant, not think with their minds about issues outside of the kitchen or home. In the play Trifles, written by Susan Glaspell, the writer portrays how women in earlier years have no rights and men treat women like dirt. Trifles is based on real life events of a murder that Susan Glaspell covered during her work as a newspaper reporter in Des Moines and the play is based off of Susan Glaspell’s earlier writing, “A Jury of Her Peers”. The play is about a wife of a farmer that appears to be cold and filled with silence. After many years of the husband treating the wife terrible, the farmer’s wife snaps and murders her husband. In addition, the play portrays how men and women may stick together in same sex roles in certain situations. The men in the play are busy looking for evidence of proof to show Mrs. Wright murdered her husband. As for the women in the play, they stick together by hiding evidence to prove Mrs. Wright murdered her husband. Although men felt they were smarter than women in the earlier days, the play describes how women are expected of too much in their roles, which could cause a woman to emotionally snap, but leads to women banding together to prove that women can be...
Misogyny in this text is represented through many factors showing how women can only prove their dominance by removing the men’s sexuality and freedom of independence. It is also represented in the fact that Nurse Ratched is seen as perfect except for her breasts, her outward mark of being a woman. “A mistake was made somehow in manufacturing, putting those big, womanly breasts on what would of otherwise been a perfect work, and you can see how bitter she is about it.” (6) The fear of women is usually stemmed from ...
Often in life, people take their freedoms, a gift that allows them to express their individuality, for granted. However, in the dystopian societies of The Handmaid’s Tale by Margaret Atwood and Never Let Me Go by Kazuo Ishiguro, people are reminded of just how easily their freedoms and humanity can be stripped away. Attwood and Ishiguro urge people to never lose sight of the core values that define who they are. The compelling novels chronicle the life journey of two protagonists as they fight to define their own existence and worth in life. Offred, the central character in The Handmaid’s Tale is exploited as a baby making machine, while Kathy, the leading role in Never Let Me Go, is degraded as a lifeless android in a sea of clones. From Atwood and Ishiguro’s provocative coming-of-age novels emerge two beautiful and inspiring heroines. Whether it is through their remembrance of the past, their loss of innocence, their capability to hope, or their ability to establish relationships, Offred and Kathy prove that they are every bit as human as the rest of society. Ultimately, despite the many differences in their distinct masterpieces, Atwood and Ishiguro share the same intent in their haunting portrayal of the protagonists’ dehumanizabtion—to shed light on the true essence of what it is to be human.
How does one compare the life of women to men in late nineteenth century to mid-twentieth century America? In this time the rights of women were progressing in the United States and there were two important authors, Kate Chopin and John Steinbeck. These authors may have shown the readers a glimpse of the inner sentiments of women in that time. They both wrote a fictitious story about women’s restraints by a masculine driven society that may have some realism to what women’s inequities may have been. The trials of the protagonists in both narratives are distinctive in many ways, only similar when it totals the macho goaded culture of that time. Even so, In Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing we hold two unlike fictional characters in two very different short stories similar to Elisa Allen in the “Chrysanthemums” and Mrs. Louise Mallard in “The Story of an Hour”, that have unusual struggles that came from the same sort of antagonist.
...hetypes of these primary characters, both of these novels make a parallel statement on feminism. The expectations of both themselves and society greatly determine the way that these women function in their families and in other relationships. Looking at the time periods in which these novels were written and take place, it is clear that these gender roles greatly influence whether a female character displays independence or dependence. From a contemporary viewpoint, readers can see how these women either fit or push the boundaries of these expected gender roles.
They are overly obsessed with keeping a clean house, and pleasing their husbands, all of whom are members of the Men’s Association. All of their husbands are executives and very intelligent people, and when they aren’t at work, you can find them at the Men’s Association. There was a prominent focus on gender roles and how women had to keep everything under control at home while their husbands had their own world revolving around the Men’s Association and whatever chaos that created, not in their own lives, but everyone else’s. After Joanna is interviewed for the town newspaper, she runs into Bobbie, another woman from Stepford, but she’s not like the rest, she’s normal. Bobbie had just moved to Stepford 1 month before Joanna and they instantly clicked.
The words goth and emo while extremely similar are very different. The word goth is short for the full word of gothic and today means somebody who dresses in dark colors mostly black. The word emo is short for emotional and most commonly used to refer to teenagers that will dress in dark colors and is usually associated with depression for that group. The differences usually appear in the age groups, clothing style, and history in various media
For centuries, women have been forced to live life on the outskirts of a male-dominated society. During the 1800’s, the opportunities for women were extremely limited and Mary Shelly does an excellent job portraying this in her gothic novel, Frankenstein. Furthermore, in this novel, Mary Shelly shows how society considers women to be possessions rather than independent human beings. In addition, the female characters rely heavily on men for support and survival, thus proving their inability to do it on their own. Lastly, the female characters in this novel are in many ways victimized by the male characters.
In Anatomy of Criticism, author Northrop Frye writes of the low mimetic tragic hero and the society in which this hero is a victim. He introduces the concept of pathos saying it “is the study of the isolated mind, the story of how someone recognizably like ourselves is broken by a conflict between the inner and outer world, between imaginative reality and the sort of reality that is established by a social consensus” (Frye 39). The hero of Hannah W. Foster’s novel, The Coquette undoubtedly suffers the fate of these afore mentioned opposing ideals. In her inability to confine her imagination to the acceptable definitions of early American female social behavior, Eliza Wharton falls victim to the ambiguity of her society’s sentiments of women’s roles. Because she attempts to claim the freedom her society superficially advocates, she is condemned as a coquette and suffers the consequences of exercising an independent mind. Yet, Eliza does not stand alone in her position as a pathetic figure. Her lover, Major Sanford -- who is often considered the villain of the novel -- also is constrained by societal expectations and definitions of American men and their ambition. Though Sanford conveys an honest desire to make Eliza his wife, society encourages marriage as a connection in order to advance socially and to secure a fortune. Sanford, in contrast to Eliza, suffers as a result of adhering to social expectations of a male’s role. While Eliza suffers because she lives her life outside of her social categorization and Sanford falls because he attempts to maneuver and manipulate the system in which he lives, both are victims of an imperfect, developing, American society.
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
Many women in modern society make life altering decisions on a daily basis. Women today have prestigious and powerful careers unlike in earlier eras. It is more common for women to be full time employees than homemakers. In 1879, when Henrik Ibsen wrote A Doll's House, there was great controversy over the out come of the play. Nora’s walking out on her husband and children was appalling to many audiences centuries ago. Divorce was unspoken, and a very uncommon occurrence. As years go by, society’s opinions on family situations change. No longer do women have a “housewife” reputation to live by and there are all types of family situations. After many years of emotional neglect, and overwhelming control, Nora finds herself leaving her family. Today, it could be said that Nora’s decision is very rational and well overdue.
A television is defined as “a widely used telecommunication medium for transmitting and receiving moving images, either monochromatic (black and white) or color, usually accompanied by sound” (Webster’s). Since the invention of this device in the 1930’s, people have been able to be entertained by various television shows in the privacy and comfort of their own home. Although each of these shows relate to different age groups, nationalities, race, and genders, they all seem to have one thing in common. They all act out and portray the stereotypes placed on people because of their age, sex, job, culture, race, look, and position in the household. Due to these different categories being presented in the media pre conceived notions are formed about how people should behave, specifically men and women. Women generally take care and men take charge. But why does the television represent this “take care” and “take charge” image of women and men? In this paper, I will focus on one of the highly popularized television shows that viewers watch today; Desperate Housewives. Using this television show, I will be able to show and analyze how women are represented in the media and why they are represented this way.
Fay Weldon, born Franklin Birkinshaw, started out in a state of ambivalence. She “took out library books as Franklin and read them as Fay” (Weldon). “What I do have to do is be faithful to what I see around me, whether I like it or not. My role is to look at the world, get a true, not an idealized vision of it and hand it over to you in fictional form” (Fay Weldon). This is how Fay Weldon characterizes her writing. Although the role and position of a woman in society has vastly changed in the last fifty years, there is still a divide amongst the sexes. It is Weldon’s fresh and sophisticated style of writing, alongside her feministic views, that make her novels extraordinary.
The story “I Want a Wife”, is a narrative essay signifying the demand placed on females during the 1970's. The author goes on to demonstrate the expectations that our male counterparts placed on women during that era. The way in which the author brought this issue to the surface was enthralling. As described by the author, a wife was to be seen and not heard, she is to cater to every impulse her husband has.Written out in sequence, a woman's duties were overwhelming and needed to be brought to the light. Men were treated like royalty by their wives, while showing little appreciation. A wife was expected to take care of the family while nothing was required of the husband. In addition, a wife was expected to look her best while tackling all of life's problems. The essay does not provide a notable amount of detail, yet the s...