Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Literature essay on love
Literature essay on love
Literature essay on love
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Literature essay on love
Sonnets have existed as a change of pace and challenge for writers since their first appearance during the Renaissance. Unlike many other forms of poetry and prose, sonnets function with a specific formula. With strict rules about the amount of lines, and the need for complete adherence to specific patterns, it is no surprise that it takes a skilled writer to create an enjoyable and structurally correct sonnet. While there is no straying from the path in the actual building blocks of sonnets, the content is a different story. Since sonnets often have the theme of romantic love, differences between them show through the unique relationships between the lovers. Specifically, in the sonnets of Shakespeare, Spenser, and Pollitt, we see a happy relationship, one full of recognized …show more content…
The ocean in Sonnet 75 took away his efforts to make his love last, and the pond in Two Fish presumably took away life from the fish, which represented their relationship. As for similarities between Shakespeare and Spenser, they are both concerned with age and vanity. Vanity is mentioned in line 5 of Sonnet 75 “Vayne man,” and in line 5 of Sonnet 138 “…vainly thinking.” Shakespeare and Spenser were also closer in the dates of publication, while Pollitt’s piece was in 1981.
William Shakespeare, one of the “Big 3” authors of the Renaissance, had a number of sonnets. Sonnet 138, one of the “Dark Lady” poems, deals with a relationship built on paradoxes. These lovers find peace in their willing ignorance. He pretends she is truthful even though she lies, and she pretends that he is young even though he is old. They operate on the fact that “Love’s best habit is in seeming trust.” This logic, while it is temporarily causing them happiness, is not healthy. Instead of loving each other for who they are, they are living with “truth suppressed” in order to make it
Sonnet 130 is Shakespeare’s harsh yet realistic tribute to his quite ordinary mistress. Conventional love poetry of his time would employ Petrarchan imagery and entertain notions of courtly love. Francis Petrarch, often noted for his perfection of the sonnet form, developed a number of techniques for describing love’s pleasures and torments as well as the beauty of the beloved. While Shakespeare adheres to this form, he undermines it as well. Through the use of deliberately subversive wordplay and exaggerated similes, ambiguous concepts, and adherence to the sonnet form, Shakespeare creates a parody of the traditional love sonnet. Although, in the end, Shakespeare embraces the overall Petrarchan theme of total and consuming love.
As far as structure goes, Shakespeare’s sonnet and my own are very similar. My 14-line sonnet is written in Iambic Pentameter and follows the abab-cdcd-efef-gg rhyme scheme within three quatrains and a couplet, as does that of Shakespeare. For this reason, my poem follows a meter very close to Sonnet 87. This is also due to the fact that both sonnets contain 10 syllables per line, as well as an eleventh in most lines that derives from weak, or "feminine" verb endings such as "keeping" in the first line of my poem, and "possessing" in that of Shakespeare. Thus, the finality residing in the 10 syllable lines that use masculine endings is accounted for. In addition, my sonnet mirrors Sonnet 87 by starting with "farewell" and ending with Shakespeare’s couplet modified, and one can see his influence in the third quatrain of my poem, which echoes back the last 4 lines of Sonnet 87’s third quatrain. In this way, I was able to mimic most of Shakespeare’s structure while inserting phrases of my own.
The first image of her love tells us that her love has no bounds and
Men are all about the chase until they find that one woman who knocks them off their feet. Until the day she walks into their lives, they enjoy being a bachelor; however, meeting that special someone changes their outlook on relationships. The single life they once loved starts to be less appealing. They begin to imagine settling down with their lover and creating a life together. Once they have decided this is what they want in their lives they want to let the world know how lucky they are. Writers have expressed their love and bragged about the beauty of their lovers for centuries. Shakespeare is a wonderful example of a man who beautifully described the woman he loved in his sonnets. Many current day writers do as well. Brad Paisley is another
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
William Shakespeare’s sonnets are renowned as some of the greatest poetry ever written. He wrote a total of 154 sonnets that were published in 1609. Shakespearean sonnets consider similar themes including love, beauty, and the passing of time. In particular, William Shakespeare’s Sonnet 75 and Sonnet 116 portray the theme of love through aspects of their form and their display of metaphors and similes. While both of these sonnets depict the theme of love, they have significantly contrasting ideas about the same theme.
Much has been made (by those who have chosen to notice) of the fact that in Shakespeare's sonnets, the beloved is a young man. It is remarkable, from a historical point of view, and raises intriguing, though unanswerable, questions about the nature of Shakespeare's relationship to the young man who inspired these sonnets. Given 16th-Century England's censorious attitudes towards homosexuality, it might seem surprising that Will's beloved is male. However, in terms of the conventions of the poetry of idealized, courtly love, it makes surprisingly little difference whether Will's beloved is male or female; to put the matter more strongly, in some ways it makes more sense for the beloved to be male.
Shakespeare and Petrarch, two poets popular for their contributions on the issue of love, both tackle the subject of their work through sonnet, yet there are key contrasts in their style, structure, and in the way, each approaches their subjects. Moreover, it is clear that in "Sonnet 130," Shakespeare in fact parodies Petrarch's style and thoughts as his storyteller describes his mistress, whose "eyes are in no way as the sun" (Shakespeare 1918). Shakespeare seems, by all accounts, to mock the exaggerated descriptions expanded throughout Petrarch’s piece by giving an English poem portraying the speaker’s love in terms that are characteristic of a flawed woman not a goddess. On the other hand, Petrarch's work is full of symbolism. In reviewing "Sonnet 292" from the Canzoniere, through “Introduction to Literature and Arts,” Petrarch’s utilization of resemblance and the romanticizing of Petrarch's female subject are normal for the Petrarchan work. The leading major contrast between the two poems is the piece structure utilized (McLaughlin).
In most of the sonnets from around Shakespeare's era, love is a common theme. Written is a standard Shakespearean form, the rhyme scheme nor the meter deviate from the typical sonnet structure; although the form does not differ much, the central meaning and approach to love does. While the majority of sonnets speak of love for someone else, in sonnet 116 Shakespeare describes the truth of love between a couple. In 'Let me not to the Marriage of True Minds' Shakespeare utilizes legal terms to support their right to marriage and backs up his argument by employing solid metaphors regarding their love. In doing so, he allows the reader to be the judge, jury, and executioner and decide the fate of the couple in the poem.
From the works of William Shakespeare and Edmund Spenser it is clear that some similarities are apparent, however the two poets encompass different writing styles, as well as different topics that relate to each other in their own unique ways. In Shakespeare’s “Sonnet 18” and Spenser’s “Sonnet 75”, both poets speak of love in terms of feelings and actions by using different expressive views, allowing the similar topics to contain clear distinctions. Although Edmund Spenser’s “Sonnet 75” and William Shakespeare’s “Sonnet 18” relate in the sense that love is genuine and everlasting, Spenser suggests love more optimistically, whereas Shakespeare focuses on expressing the beauty and stability of love.
In today’s culture, the word “sonnet” is often associated with Shakespeare and boredom, but generally, sonnets span beyond Shakespeare’s realm, delving into different techniques and themes. William Shakespeare’s “Sonnet 116,” John Donne’s “Holy Sonnet X,” and Christina Rossetti’s “Remember” are all sonnets that fall into the same general form, yet they each maintain a distinct uniqueness through structure utilization, word choices, and themes; these three sonnets show the powerful elasticity and careful craft that this category of poetry calls for. There are two different types of sonnets: the Italian and the Shakespearean. The Italian sonnet, which is the most common type, has a rhyme scheme of abba, abba, cdecde or cdcdcd. The Shakespearean
Shakespeare sonnets, also called English sonnets, are the second most common sonnets. It takes the structure of three quatrains, that is, three stanzas with four lines and a couplet that is a two line stanza. The couplet stanza is pivotal in the sonnet, because it provides amplification, a refutation or a conclusion of the other three stanzas, which creates an epiphany for the sonnet. The other kind of sonnet is the Spenserian, which has the first 12 lines rhyming into a, b, c and d, while the last stanza, which is a couplet has the rhyme, ee. The three quatrains provide detail about three but related ideas while the couplet gives rise to a totally different idea (Petrarca & ...
Although both sonnets have the common theme of nature, Shakespeare used his words to distinguish the differences in his two lovers. One could say that he was ahead of his time with his writing because he did not bow down to convention. Because he wrote the way he wanted to and was not concerned with other writer's styles Shakespeare has become one of the most influential English writers of all time. He pushes his readers beyond the norms in a great deal of his writing, forcing them to take a closer look at what he actually implies with his words.
Transformative power of love can cause a relationship to deepen and develop. Through the manipulation of her sonnets, EBB channels the contextual perspective of love being spiritually transformative. Within the Victorian era, women prior to marriage were considered ‘property’ of their fathers. Social expectation saw women obey their father’s rules and obligation. However, the introduction of her “lover” Robert Browning saw a decrease in the relationship with her father to the point he disowned her. Whilst a decay in her family relationships were present, a growth and development was seen through her love based relationship. The progression of EBB’s sonnets exemplifies her transforming perspective on love, further allowing her to understand and accept her emerging emotions. In sonnet I, the repetition “Spring” signifies her rebirth from a “melancholy past”. The symbolism season further represents the transformative nature of love as their relationships deepens. Within Sonnet XXXII, EBB utilizes an extended metaphor comparing herself to a debased musical instrument which can still play a beautiful tune if the musician is skillful “More like an out of tune worn viol… for perfect strains may float ‘neath master hands.” The changing tone is evident within the Volta, where EBB has progressed from
That means, the approaches of poet’s love remain the same. In one place, he portrays beauty as conveying a great responsibility in the sonnets addressed to the young man. The poet has experienced what he thinks of as "the marriage of true minds," also known as true love, that his love remains strong, and that he believes that it’s eternal. Nothing will stop their love, as in the symbols like all the ships, stars and stormy seas that fill the landscape of the poem and so on what can affect to their love. The poet is too much attracted with the young man’s beauty, though this indicates to something really bad behavior. But in another place, Shakespeare makes fun of the dark lady in sonnet 130. He explains that his lover, the dark lady, has wires for hair, bad breath, dull cleavage, a heavy step, pale lips and so on, but to him, real love is, the sonnet implies, begins when we accept our lovers for what they are as well as what they are not. But other critics may not agree with this and to them, beauty may define to something