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Character analysis in Antigone
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Character analysis in Antigone
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The story of Antigone is one of the most enduring stories of the Ancient Greek civilization. The theme known as “Hubris”, (also known as excessive pride) is clearly evident throughout the entire text of this story and highlights the devastation one can create not only for themselves but also for their entire family and kingdom when they succumb to excessive pride. This essay paper highlights the Greek Drama known as Antigone, with references given to specific textual evidence from the story as well as highly credible internet resources with regards to the characters known as Antigone and Creon.
In some ways, both the characters Antigone as well as her Uncle Creon are delighting Hubris in the ancient Greek tragedy Antigone. Creon the uncle of Antigone, Eteocles and Polynices starts off as a “hero” type figure, as it is Creon who causes the exile of the cursed Oedipus from
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the kingdom of Thebes. However Creon is filled with hubris (excessive pride) and this becomes evident when he tells Oedipus that he has no interest in ruling his kingdom yet at the departure of Oedipus, Creon encourages a feud between the brothers Eteocles and Polynices causing their deaths and his crowning. When Creon rules as king, he does so with deep satisfaction pleasure and most importantly with lack of self control. This is made highly evident in all of his actions as well as statements in the Greek tragedy Antigone. When Creon “declares that the body of Eteocles will be honored, but that Polyneices’s corpse would be left to rot and that anyone attempting to bury the body of Polyneices would result in execution” this not only angers the Gods but it also angers Antigone, the sister of Polyneices. (http://www.shmoop.com/antigone-sophocles/antigone-character.html). Creon’s decrees angers the gods because Creon is putting his “man made laws” before the natural laws of the Gods (the Gods are on Antigones side and as such help Antigone by erasing her footprints in the dirt when she was placing dust on the body of Polyneices as well as causing a storm in order to intercept his corpse). Although Creon believes that Polynices is a traitor, Antigone does not and she arranges for proper burial of Polynices. Antigone herself is later found out about and sentenced to death by means of the cave/ buried alive. Unfortunately, “Creon does not realize how bad his hubris has interfered with his dealing of problems until Teiresias’s prophecy” (http://adamcap.com/schoolwork/creon-as-a-tragic-character-in-antigone/). In a visit to Teiresias, Creon is told that the prayers of the Thebans are not reaching the gods because of the abomination committed against Polyneieces.Teiresias proclaimed that the “birds cries are muffled because the birds’ throats are glutted with the blood of Polyneices” (http://www.gradesaver.com/antigone/q-and-a/what-predicitionprophecy-does-teiresias-make-concerning-creons-house-and-how-does-creon-react-to-this-prediction-222133). The seer thus encourages the king to make council right away. It is here that King Creon accuses Teiresias of bribery as well as conspiring against him. Teiresias continues to tell Creon, that the gods are furious that living women is entombed for providing her brother proper burial and that Creons family will suffer from the curse and are doomed because of Creons actions. Unfortunately, before Creon can intercept her from her sentence. Antigone kills herself by hanging, instead of facing the cruel and unusual death of being buried alive. The death of Antigone causes her lover and son of Creon Haemon to commit suicide. Soon after, Creon’s wife discovers the death of her son and kills her self out of grief. Hubris presents itself in many other ways including but not limited to statements made by Creon.
In the story, Creon refuses to believe in the prophecy of Teiresias and as such declares “Whatever you say, you will not change my will.”(Text, Antigone) Creon continues to show excessive Hubris because he is remains stubborn and arrogant even in the face of the seer and his assumptions about Antigone. Creon also boldly states that “The State is King!”(Text, Antigone). This also angers the gods because Creon is placing himself “higher” then them which is considered blaspheme.
Interestingly enough, Antigone is considered to have also exhibited “Hubris” in her own actions. This is primarily due to the fact that she was highly rebellious (yet righteous for her actions) in the face of the decrees of Creon. Antigone rebelled and broke the law by giving her brother the burial he deserved and expressed Hubris because of this. Antigone didn’t plea to Creon on why her both of her brothers deserved proper burial yet alone attempted to talk sense into her uncle , as the seer did towards the end of the
tragedy.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
“…a mere mortal, could override the gods, the great unwritten, unshakable traditions…These laws I was not about to break them… and face retribution of the gods.”(505-513) This provides a basis for Antigone’s hubris, her belief in God, standing for what is right, defying man’s rule. As the play progresses Antigone’s hubris becomes more apparent as she claims, “Give me glory! What greater could I win than to give my own brother a decent burial?”(562-563). This pride in committing a moral and God-willed deed reaches a point where Antigone thinks that it is
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’ decisions in society can be equally justified.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
Creon starts off being reasonable and understanding with the power he holds. For example, when Oedipus accuses him of trying to steal his crown, he said " If you discover I laid any plot together with the seen kill me, I say not only by your vote but my own." (Sophocles 136). This shows his understanding. Creon is comfortable with his power, people always greet Creon with respect, which demonstrates his power amongst the general population, for example, Creon said, “Now every man 's my pleasure; every man greets me." (Sophocles 136). Illustrates his relationship with the people of Thebes. Moreover, Creon is shown to be valuable towards the citizens of Thebes, when he said " I 'll go, you have not known me, but they have, and they have known my innocence." (Sophocles 140). This shows the trust citizens have towards Creon. Creon shows that he does not care for ruling Thebes, he states to Oedipus that "Now those who are your suiters fawn me, - success for them depends upon my favour. Why should I let all this go to win that?"(Sophocles 136). Creon eventually discovers that power is all he wants, leading towards King Oedipus ' exile. An example, is Creon said " Do not seek to be master in everything, for the things you mastered did not follow you throughout your life." (Sophocles 176), which explains that he manipulates with an intent that people mistake for honesty. Furthermore, this shows the end
In the struggle between Creon and Antigone, Sophocles' audience would have recognized a genuine conflict of duties and values. From the Greek point of view, both Creon's and Antigone's positions are flawed, because both oversimplify ethical life by recognizing only one kind of good or duty. By oversimplifying, each ignores the fact that a conflict exists at all, or that deliberation is necessary. Moreover, both Creon and Antigone display the dangerous flaw of pride in the way they justify and carry out their decisions. Antigone admits right from the beginning that she wants to carry out the burial because the action is glorious. Antigone has a savage spirit; she has spent most of her life burying her family members.
Many great rulers have been tempted by the authority of absolute power. In Antigone, by Sophocles, Creon, the Theban king, will do anything in order to earn this absolute power. Creon’s prideful attitude, disregard of the authority of the gods, and failure to listen cause him to fail as a statesman, demonstrating the nature of kingship in Sophocles’s Antigone.
Antigone, a tragic drama written by Sophocles explores the different ranges of characters: static and dynamic or flat and round. Creon, King of Thebes in the dramatic play Antigone takes on the role that of a static character. Throughout the whole play Creon believed the idea that he was above the law of the Gods and his decrees cannot be disputed. Unknowingly, who would think that Creon’s sense of pride would cause him the life of his wife, son, and niece? However, at the very end of the play Creon returns to the palace, holding his son’s lifeless body, where he finds out that his wife has killed herself as well. Overwhelmed with grief about the death of his loved ones, Creon turns to the Chorus and says, “Lead me away. I have been rash and foolish. I have killed my son and wife. I look for comfort; my comfort lies here dead. Whatever my hands have touched come to nothing. Fate has brought all my pride to thought of dust” (1833). Creon takes responsibility of the death of his son and wife by calling himself a “rash” man and this is where Creon undergoes the changes of a dynamic character by admitting that he was wrong.
In the play Antigone, I choose Creon to be the tragic hero because he is the King of Thebes and he looses everything he has. Creon being King makes the audience believe that something like that can happen to the King then what can happen to us. Antigone the niece of Creon, The sister of Polyneices was punished by Creon for burying Polyneces after his death, Creon has forbidden anybody to do so. Once Creon punished Antigone the blind prophet Teiresias told him that the Gods will take revenge for his actions, then Creon tried to change everything but he is too late. Creon's tragic flaws were his stubbornness, the abuse of power and the actions he took to cause the downfall of the Thebes.
The great Saint Augustine once said, “It was pride that changed angels into devils; it is humility that makes men as angels” (Enchiridion of Augustine chap. 27). Hubris “a great or foolish amount of pride or confidence”. This is a very important word in the play and for the characters. It is displayed in the play because it makes it more interesting in so many ways. Many of the conflicts are caused because of hubris. In a way it is good to have pride, but an excessive amount of pride can be harmful. In the play Antigone, Creon is the one that has the most pride.
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
Creon in the play Antigone by Sophocles plays a major role within the play. Antigone also plays an important role, as these two character’s conflicting views led to utter disaster, which highlights Creon as a tragic figure. Within the play Creon attempted to establish decisions for the common good; however, his decisions resulted in tragedy. Creon highlighted as the tragic figure, initially created decisions he thought were for the welfare and well-being of Thebes. However, Antigone, who rebelled against Creon’s decisions, caused Creon’s rage to cloud his rational way of thinking.
To begin with, possessing power predisposes one to become pompous. In Antigone, Creon perpetually thought he was superior to everyone else. He believed that he was the best, and because of his authority, Creon thought everything revolved around him. For example, during one part of the play, Haimon informs Creon of his wrongdoing. He tells Creon how the entire state realizes Creon’s fault, and Creon should not punish Antigone for the burial of Polyneices. However, Creon does not succumb. Because of his arrogance and pride, he does not admit his blunder. Creon claims “My voice is the one voice giving orders in this City!” (Sophocles 220). This quote shows Creon’s egotistic character, as he understood the state to be entirely about himself. He never took the citizens’ interests or input into consideration, and always believed his ideas were right. Similarly, whenever so...
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.